<h2 id="oral-creampie-cimlg-v2-(minimax-h3)">Oral Creampie — CIMLG v2 (MiniMax H3)</h2>He finishes in her mouth, and you actually see it happen. His cock pulses, the urethra on the underside swells and empties with each pulse, and cum spills out over her lips and runs down the shaft.This is the oral creampie / cum-in-mouth finish. He stays in her mouth while he cums, and the pulsing is the whole point.<h2 id="what-this-lora-is-(and-isn't)">What this LoRA is (and isn't)</h2>This is an augmenter, not a motion LoRA. It adds the pulse, the throb and the cum-in-mouth finish to your scene. It brings some motion with it, but the blowjob itself (her head moving, his hips) comes from your prompt and your base model. Pair it with a motion LoRA if you want more movement (see Motion Booster below).No cum LoRAs needed. The cum in this LoRA looks real on its own: white, wet, semi-transparent, and it flows out of her mouth naturally. Every example on this page uses no cum add-ons unless it says so.Image to video (I2V). It was trained as I2V, so it starts cleanly from your start image with no frozen first second and no camera jump.<h2 id="quick-start">Quick start</h2><ul><li>Base model: Eros Max beta6 (turbo built in, 8 steps)</li><li>Strength: 0.4 (range 0.4–0.5)</li><li>Length: 10 seconds</li><li>Trigger: <code>CUMOUF</code> (optional)</li><li>Motion Booster V2: 0.5–0.8 (optional)</li><li>Sound: simple, see the sound section</li></ul>⚠ Never run it at 1.0. At 1.0 you get deformed anatomy, strange cuts in the shot, the urethra splitting open like a slit, and red cum that looks like blood. 0.4 is the sweet spot. 0.7 brings back a chewing jaw.Stock H3 is not recommended. On stock H3 (without Eros) she tends to chew on it. Eros Max beta6 gives a real blowjob.10 seconds is the sweet spot for a full act: sucking, then the finish. 5 seconds works, but everything happens too fast. For a short clip, prompt just the finish.<h2 id="the-trigger-word">The trigger word</h2><code>CUMOUF</code> is optional. The LoRA works as soon as it is loaded. The trigger adds a small push.<ul><li>Put it at the very start of the prompt, before everything else.</li><li>Never put it inside the action text, and never put a colon after it (<code>CUMOUF: she...</code>). H3 reads a word followed by a colon as a speaker's name, and she will say "come mouth" out loud. Some users find she says it even at the start. If that happens, just leave it out.</li></ul><h2 id="the-training-words">The training words</h2>The LoRA learned from 412 clips, each captioned with the same three parts: shot size, camera view, then the action. Use these exact words. They are what the LoRA responds to best.<h3 id="shot-sizes">Shot sizes</h3><ul><li>Close-up (the most training, use this first)</li><li>Extreme close-up</li><li>Medium shot</li><li>Wide shot (very little training)</li></ul><h3 id="camera-views">Camera views</h3><ul><li>Filmed from the side (the most training)</li><li>Filmed from between his legs, looking at the underside of his cock (where the pulse shows best)</li><li>Filmed from above, looking down (his point of view)</li><li>Filmed from below, looking up</li><li>Filmed head-on at the tip of his cock</li><li>Filmed facing her mouth</li></ul>Write your camera line like the training: <code>Close-up. Filmed from between his legs, looking at the underside of his cock.</code><h3 id="the-actions-in-order-of-the-act">The actions, in order of the act</h3>1. Entry (soft or starting):<blockquote>His soft cock slides into her mouth.</blockquote>2. Thrusting:<blockquote>He holds her head still and his hips push forward, thrusting his cock in and out of her mouth.</blockquote>3. The pulse (the heart of this LoRA, by far the most training):<blockquote>His cock pulses in her mouth as he cums, the urethra on the underside swelling and shrinking with each pulse.</blockquote>Short version:<blockquote>His cock pulses in her mouth as he cums.</blockquote>4. Spurts into an open mouth:<blockquote>Cum shoots out of the tip of his cock in arcing spurts into her open mouth.</blockquote>5. Spilling out:<blockquote>Cum spills out of her lips.</blockquote>6. After:<blockquote>Her mouth is open with cum on her tongue.</blockquote><blockquote>She opens her mouth to show the cum on her tongue, then swallows.</blockquote><h2 id="writing-the-prompt">Writing the prompt</h2>Make her the one moving. Write "She sucks his cock", not "her lips slide down his cock". When her lips or mouth are the subject of the sentence, H3 animates her jaw instead of her head, and she looks like she's chewing.Don't park her mouth. Lines like "her lips hold still" or "she holds her mouth closed over the head" also turn into a chewing jaw. If you want stillness, put it on him: "he holds still" or "he holds her head still".Put the cum early. H3 plays your prompt in order. If sucking comes first and the cum last, the cum lands in the final second and the clip ends just as it gets good. Keep the build-up short, or open with the pulse and let her keep sucking while he cums.One shot. Every extra shot or scene is a camera cut, and cuts eat into the cum time. Keep the whole act in one shot.Extra actions after the cum. If you want something after the finish (she swallows, smiles, he touches her), put it at the end of the same shot. Make sure it fits your picture: if you ask him to squeeze something that isn't in reach, he'll grab whatever is nearest.Match your start image. Describe what's actually in the picture: where they are, who's where, what they're wearing. If your setting words say "car" and the image shows a theater, H3 moves them.<h3 id="example:-full-act-10-seconds">Example: full act, 10 seconds</h3><pre><code>CUMOUF. Close-up. Filmed from between his legs, looking at the underside of his cock.
She lowers her mouth onto his cock sliding it up and down. She keeps his cock in her mouth and sucks it slowly, closing her eyes. His cock pulses in her mouth as he cums, the urethra on the underside swelling and shrinking with each pulse. Cum spills out of her lips. She swallows, looks at him and smiles.</code></pre><h3 id="example:-cum-right-away-10-seconds">Example: cum right away, 10 seconds</h3><pre><code>CUMOUF. Close-up. Filmed from the side.
His cock pulses in her mouth as he cums, the urethra on the underside swelling and shrinking with each pulse, while she sucks his cock slowly and looks up at him. Cum spills out of her lips.</code></pre><h3 id="example:-open-mouth-tongue-out">Example: open mouth, tongue out</h3><pre><code>CUMOUF. Close-up. Filmed from between his legs, looking at the underside of his cock.
Cum shoots out of the tip of his cock in arcing spurts into her open mouth. She takes his cock into her mouth and sucks it slowly, looking up at him. His cock pulses in her mouth as he cums, the urethra on the underside swelling and shrinking with each pulse. Cum spills out of her lips.</code></pre><h2 id="sound:-keep-it-simple">Sound: keep it simple</h2>This LoRA was trained without audio, so all the sound comes from your base model. That makes your sound words very powerful: they change the whole video, not just the audio. A sound needs a matching movement, so H3 makes one.Start with this and add one thing at a time:<blockquote>Quiet ambient room sounds. Soft sliding sounds, wet skin gliding on skin. He groans as he cums.</blockquote><ul><li>Avoid sucking, slurping, gagging, coughing or eating sounds. H3 makes her work her jaw to produce them, and it sounds like crunching celery.</li><li>Avoid places that sound like eating. "Movie theater sounds" brings popcorn crunching with it. Use "quiet ambient room sounds" and describe the place in the picture instead.</li><li>Don't leave the sound empty. H3 fills silence with invented voices, sometimes a whole crowd.</li><li>Outdoors: "Quiet outdoor ambience" instead of room sounds.</li><li>Music: describe the instruments and mood ("playful pizzicato strings and soft piano"), not "a movie soundtrack".</li></ul><h2 id="longer-scenes:-two-clips-joined">Longer scenes: two clips, joined</h2>H3 gets messy past about 12–15 seconds: people change faces, clothes change color, things jump. For a longer story, make two clips:<ol><li>Clip 1 (about 10–12 s): the blowjob and the cum.</li><li>Clip 2 (about 8 s): what happens after. Use the last frame of clip 1 as the start image.</li><li>Join them in any video editor.</li></ol>Describe the people the same way in both prompts (age, hair, clothes) so they stay the same.<h2 id="recommended:-my-cum-slider-for-volume-control">Recommended: my Cum Slider for volume control</h2><a target="_blank" rel="ugc" href="https://civarchive.com/models/2983776">CUM : The LG Cum Slider (H3)</a>. Strength is the dial, no trigger word.<ul><li>Negative strength = less cum. Around -1.33 gives a natural amount.</li><li>Around 1.0 the cum turns from a nice, semi-transparent look to a thicker, whiter cum.</li><li>Above 1.0 gets silly. If you want a flood, see the slider page.</li><li>Write "white cum" in your prompt, or it can come out pink.</li></ul><h2 id="recommended:-beatbox-to-build-the-prompt">Recommended: Beatbox to build the prompt</h2><a target="_blank" rel="ugc" href="https://civarchive.com/models/2966220">LoraGeek Beatbox - Prompt Builder + Camera Panel</a>. Free. Type your beats one per line, click your camera, and it writes H3's full prompt layout for you, with cut times and dialogue tags done right.<ul><li>Put <code>CUMOUF</code> in its trigger word box. It goes at the very start, never as speech.</li><li>Each line in a shot box is a beat in the same shot. Each new shot box is a camera cut.</li><li>Whispers stay whispers: write <code>Granny whispers: "Good job."</code></li></ul><h2 id="optional:-fixing-the-penis-angle">Optional: fixing the penis angle</h2>In some angles H3 flips the head of the cock toward the camera. If that happens, stack HMPenis by HearmemanAI at about 0.45–0.6. Most clips don't need it.<h2 id="known-limits">Known limits</h2><ul><li>Stock H3 (without Eros): she chews.</li><li>The penis head can flip toward the camera in some angles.</li><li>The pulse shows best in the between-the-legs view, and in close-ups.</li><li>Medium and wide shots show the cum, but the pulse is small.</li></ul><h2 id="how-it-was-made">How it was made</h2><ul><li>25 hand-picked close-up and macro videos, every one narrated by hand to mark exactly where the pulse, the spurts and the spill happen.</li><li>412 training clips, captioned shot size → camera view → action. The best, most visible pulse moments counted double.</li><li>Trained as image to video (I2V), audio off. Released at step 2500 of 4000.</li></ul>Older versions have their own notes on their tabs.

CIMLG - The Oral Creampie LoRa - Minimax H3

⭐ Read this first: write the prompt to match your pictureLook at your start image. Describe what is actually in it — the camera angle, where her eyes are, whose hands are in shot, what is behind them, his colouring. Then say what should change.Anything you describe differently from the picture is an instruction to redraw it. And when H3 redraws, it re-derives the people too. That is when the face changes, the skin tone shifts, or the whole shot flips to another angle.Four ways to break it without noticing:written picture actually shows what happens "close side view" a three-quarter view the camera flips and everything is re-derived "looking up at his face" her eyes are closed her face gets rebuilt "he puts his hand on her head" no hands in shot a hand has to be invented, and the people change with it "a bedroom, plain bedding" a couch the background is rebuilt, and it drags the rest alongCopying someone else's prompt is exactly how this goes wrong. It was written for their picture. Change the look line to yours and keep the action.Settingsstrength 0.5 guidance 1.0 — H3 is guidance-distilled. Raising it breaks the image duration 12 seconds start image one already mid-action, in her mouthTested side by side at a locked seed: 0.5 and 0.7 gave identical motion, but the cum went unnaturally thick at 0.7. Nothing is gained above 0.5 and the texture suffers.Strength above ~1.0 will distort. H3 LoRAs adapt the feedforward layers as well as attention, so extra strength redraws texture instead of strengthening motion. At 1.5 it produces twisted anatomy. Stay at 0.5.The prompt matters more than the settingsThis is the important part. The same LoRA at the same strength will give you a flat, lifeless clip or a great one depending on wording alone. A prompt copied from somewhere else, against a different start image, may do nothing at all.Structure: a look line ending in "The environment is constant throughout.", then <code>SHOT 1:</code> with the action, then <code>Audio:</code> last.Full example — the one most of these were made with<pre><code>Close side view in a bedroom, warm lamp light, plain bedding behind them, tight framing, his cock and her mouth large in frame, shallow depth of field. The environment is constant throughout.
SHOT 1: CUMOUF. He grips the back of her head with both hands and fucks her mouth, driving his hips forward again and again, hard and fast, his cock sliding all the way in and back out. He sets the rhythm and keeps pumping into her, using her mouth, while she looks up at his face and takes it. He drives in deep and she gags hard around him, eyes watering, then he pulls back and she breathes. He cums, still pumping his hips, and you see his cock spasm and contract over and over as it pumps into her mouth. The spasm is hard and repeats as he continues to cum. She coughs once and gags trying to keep it all in. A light dribble of white cum spills from the corner of her mouth and runs down his shaft.
Audio: fast wet slapping, the bed creaking under them, heavy breathing, her muffled moans. Quiet room tone, no music.
</code></pre>What one small change doeschange result <code>He holds still</code> anywhere in the prompt Nothing happens. She sits motionless for the whole shot. Never write stillness <code>Thick white cum runs out and spills over her lips, sliding down the shaft</code> Gallons of it. Looks like paint. Use this deliberately if you want it over the top <code>A light dribble of white cum appears on the side of her mouth</code> Realistic texture and volume Drop <code>white</code> On darker skin tones the cum drifts to caramel <code>a light dribble of **clear** cum</code> Renders clear. Most men are closer to clear than white, so this is the realistic option <code>mostly clear with thick white in it</code> The in-between, if you want it closest to real <code>She keeps her lips sealed and swallows</code> alone No cum at all — and it kills the spasm too <code>She keeps her lips sealed and swallows</code> + a dribble line Works. The pair is fine, the swallow alone is not <code>The spasm is hard and repeats as he continues to cum</code> Much stronger contractions. The intensity dial. Leave it out for something subtler <code>She moves her head back and forth along his cock</code> She does all the work, he stands there <code>He grips the back of her head and fucks her mouth, driving his hips forward again and again</code> He drives it. Make him the subject of the action sentences Gagging in the Audio block She gags continuously, out of sync with the action Gagging in the prose, tied to a thrust It happens at that moment <code>She coughs</code> Can loop <code>She coughs once</code> Happens onceTwo rules worth memorisingAudio block = continuous ambience. Prose = timed sounds. Anything in <code>Audio:</code> plays across the whole clip. A sound that should happen at a moment goes in the prose, next to the action that causes it.Events happen in the order you write them. Speech, the finish, the aftermath — put them in sequence and H3 times them that way. That includes spoken lines: a line at the end of the paragraph gets said at the end of the clip.Never negate. "Less cum", "no spilling", "without going deep" all produce the opposite. Ask for the small version positively instead.Setting and ambienceOnly the look line and the <code>Audio:</code> block change. The action stays identical.Beach<pre><code>Close side view on a sunny beach, bright natural daylight, tight framing, his cock and her mouth large in frame, shallow depth of field, sand and surf behind them. The environment is constant throughout.
...
Audio: ocean waves rolling in and breaking on the sand, steady sea breeze, distant seagulls calling, fast wet slapping, heavy breathing, her muffled moans. No music.
</code></pre>If the ambience buries the wet sounds, drop the wind first — it masks everything else.SpeechPut it in quotes, in the prose, at the point it should happen:<pre><code>He says, "swallow my load babe"
</code></pre>It lip-syncs on its own.Honest about the audioBreathing and speech come through. Foley grunts are weak — that is the source footage, not the prompt. It is not a sound LoRA.Known behaviours, and how to prompt around themThese are things you will hit. None of them are fatal and all of them have a handle.⭐ Don't ask for something that isn't in the start image. This is the big one. If the prompt says "he puts his hand on the back of her head" and there is no hand in frame in your start image, H3 has to introduce it — and introducing an element is itself a transition, so it re-derives the whole picture to make room. That is when the face changes, the skin tone shifts, the body changes.It usually strikes a second or two in, exactly when the new element would have to appear.Either pick a start image that already has what you are describing, or don't mention it. Same for a hand, a second person, an object, a change of clothing.The face or skin tone changes when the camera moves. H3 commits visual changes at transitions — a camera shift, a hand moving off, a pull-out. Whatever it has to redraw, it re-derives, and it can re-derive a different person.Fix, in the look line:<pre><code>The man and woman from &lt;Picture 1&gt; in their original scene: &lt;describe the scene&gt;. Her face, her hair and his skin tone stay exactly as they are in &lt;Picture 1&gt; for the whole clip. The camera holds one steady close side view throughout.
</code></pre><code>&lt;Picture 1&gt;</code> is H3's own reference tag and works with plain image-to-video, not only the reference model. Anchoring the camera matters as much as anchoring the faces — remove the transition and there is nothing to redraw on.The first second or two is a different person, then it settles. Same cause, at the start rather than mid-clip. If it is otherwise a good take, just trim the front off — the rest of the clip is unaffected. Not worth re-rolling.Something appears the moment it is uncovered. Cum showing up only when she pulls off, or a detail changing when a hand moves away, is the same redraw behaviour. If you want the change visible during the action, describe it earlier in the prompt than the moment of uncovering, so it has a transition to commit on sooner.A sound plays for the whole clip. It is in the <code>Audio:</code> block. Move it into the prose, next to the action that causes it.The action loops or repeats. Add a count — <code>she coughs once</code> rather than <code>she coughs</code>.

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