<h1 id="premium-character-loras">Premium character LoRAs</h1>Original synthetic characters, bundles and AI tools are in my shop:<a target="_blank" rel="ugc" href="https://rkrra.com/civitai">https://rkrra.com/civitai</a>Get the character LoRAs on Patreon: <a target="_blank" rel="ugc" href="https://www.patreon.com/cw/RkRRa">https://www.patreon.com/cw/RkRRa</a>Join the community on Discord: <a target="_blank" rel="ugc" href="https://discord.gg/nB79wRNtMT">https://discord.gg/nB79wRNtMT</a><h2>Swordfish 2001</h2>A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.<h3>Usage</h3>Include the trigger word <code>swrdfsh2001</code> in your prompt.Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.<h3>Prompt Examples</h3>Here are some prompt examples:<blockquote>"swrdfsh2001, A man with dark sunglasses and a ring on his finger is holding a mobile phone to his ear, his mouth open as if speaking urgently or shouting. He’s dressed in a dark jacket over a green shirt, and the background is dimly lit with glowing green panels and blurred figures, suggesting a high-tech or industrial interior. The lighting casts warm highlights on his face while the environment remains shadowed, with dominant green and amber tones creating a tense, cinematic atmosphere. The camera is tightly framed on his face and upper torso, angled slightly from the side to emphasize his expression and the intensity of the moment."</blockquote><blockquote>"swrdfsh2001, A bus interior is captured through a heavily streaked and rain-splattered windshield, with blurred figures of passengers seated inside and a driver’s silhouette faintly visible behind the wheel. The setting is an urban environment, with tall buildings reflected in the glass, suggesting motion through a city street. Warm, golden light bathes the scene, likely from late afternoon sun, casting a hazy, amber glow over the yellow and green bus exterior and interior. The camera is positioned from within the vehicle, angled slightly upward, emphasizing the distortion of the windshield and the sense of movement through a wet, bustling cityscape."</blockquote><blockquote>"swrdfsh2001, A close-up of a retro-style digital terminal displaying financial account data, with two identical account entries showing balances of 1,900 and a total account balance of $9,950,000,368.44 in United States dollars, overlaid on a keyboard with visible keys like “Ins” and “A.” The screen glows with green and orange text against a dark background, suggesting a dimly lit, high-tech environment, possibly at night or in a secure facility. The camera is tightly framed, angled slightly downward, emphasizing the numerical display and the mechanical texture of the keyboard beneath."</blockquote><blockquote>"swrdfsh2001, A middle-aged man with graying hair, wearing a plaid shirt under a brown vest, stands indoors with a somber, downward gaze, suggesting contemplation or concern. The setting is a warmly lit room with wooden paneling, a framed picture on the wall, and a curtain partially drawn behind him, allowing soft, golden light to filter through. The dominant colors are earthy browns and muted yellows, creating a cozy yet melancholic atmosphere. The camera frames him in a medium close-up, angled slightly from the side, emphasizing his facial expression and the intimate, quiet mood of the scene."</blockquote><blockquote>"swrdfsh2001, A steep, textured earthen slope dominates the frame, its surface marked by erosion and scattered small rocks, with sparse, dry vegetation clinging to its edge. In the background, a distant hillside covered in muted brown and green foliage rises under a pale, hazy sky. The scene is bathed in warm, golden light, suggesting late afternoon or early evening, casting long shadows and enhancing the earthy tones of ochre, tan, and muted brown. The camera is angled low and tilted, emphasizing the slope’s incline and creating a sense of motion or instability as if captured from a moving vehicle."</blockquote><blockquote>"swrdfsh2001, A figure in dark clothing is captured mid-leap over a parked vehicle, arms outstretched, suggesting a dynamic, urgent movement through a chaotic urban street. The scene is filled with motion blur and streaks of light, indicating rapid camera movement or a high-speed action sequence, with parked cars and brick buildings lining the background. The lighting is warm and hazy, with a golden-yellow glow dominating the left side, suggesting either dawn or dusk, while the sky transitions to a muted purple-gray. The dominant colors are sepia-toned yellows, browns, and deep shadows, creating a gritty, high-contrast atmosphere. The frame is shot from a low, slightly tilted angle, enhancing the sense of disorientation and intensity."</blockquote><blockquote>"swrdfsh2001, A person in a dark, loose-fitting shirt stands with their back to the viewer, actively interacting with a complex, multi-monitor workstation. The setup includes several CRT monitors displaying green-hued digital interfaces, a laptop, and an array of adjustable desk lamps casting focused light on the screens. The room is dimly lit, dominated by deep purples and greens from the ambient glow of the screens and accent lighting, suggesting a late-night or isolated workspace. The camera is positioned at a low angle, capturing the person’s silhouette against the glowing monitors and a dark, draped curtain in the background, emphasizing the immersive, tech-heavy environment."</blockquote><blockquote>"swrdfsh2001, A man and a young girl stand beside a vintage pickup truck in a sun-drenched, arid roadside setting, gazing toward the horizon. In the foreground, a large wooden wagon wheel and the trunk of a tree partially obscure the view, while a faded red car sits nearby. The warm, golden light of late afternoon casts long shadows across the dusty ground, highlighting the earthy tones of the landscape and vehicles. The scene is framed from a low angle, with the tree trunk on the right creating a natural vignette that draws focus to the figures and the distant street sign reading “145th St E.”"</blockquote><blockquote>"swrdfsh2001, A man in a dark, fur-lined jacket gazes upward with a focused, slightly tense expression, his mouth slightly parted as if reacting to something unseen above him. The setting appears to be an enclosed, utilitarian space with a grid-patterned, pale green wall and a fluorescent light fixture casting a cool, directional glow from above. The lighting creates strong contrast, illuminating his face while leaving the lower half and surroundings in shadow, suggesting an interior scene at night or in low-light conditions. Dominant colors are muted greens, blacks, and the stark white of the overhead light. The camera frames him in a tight close-up, angled slightly from below, emphasizing his upward gaze and the intensity of the moment."</blockquote><blockquote>"swrdfsh2001, A green metal case is open, revealing several homemade explosive devices strapped together with black tape and connected by red wires, suggesting a tense, high-stakes situation. Around the case, a group of people huddle closely, their faces partially visible and expressions tense, indicating they are either observing or involved in the unfolding event. The scene is lit with dim, warm, yellowish light, casting deep shadows and creating a sense of urgency or danger, likely set at night or in a poorly lit interior. The dominant colors are muted greens, browns, and blacks, punctuated by the bright red wires. The camera is positioned at a low angle, looking slightly upward into the case, emphasizing the danger and drawing focus to the explosives while keeping the surrounding figures in partial silhouette."</blockquote><blockquote>"swrdfsh2001, A vintage pickup truck is parked at a roadside gas station, with a tow truck and two motorcycles nearby, while a white camper van kicks up dust as it drives along a desert road. The setting is a sparse, arid landscape with rocky hills in the background, framed by a large Joshua tree in the foreground and a weathered diner sign advertising gas and food. The scene is bathed in the warm, golden light of late afternoon or early evening, casting long shadows and emphasizing the earthy tones of rust, ochre, and faded red. The camera is positioned at a high, wide angle, capturing the vastness of the desert and the small, isolated nature of the roadside stop."</blockquote><blockquote>"swrdfsh2001, A man with tousled hair and stubble, wearing a dark leather jacket, leans forward with his mouth slightly open as if mid-sentence or reacting to something urgent. The background is dimly lit with blurred vertical red and teal lights, suggesting an urban or industrial interior at night. Warm, golden-yellow lighting casts strong highlights across his face and jacket, contrasting with deep shadows that emphasize his tense expression. The camera is tightly framed on his upper torso and face, angled slightly from below to capture the intensity of the moment."</blockquote><blockquote>"swrdfsh2001, A maroon sports car speeds along a dusty, unpaved road, kicking up a trail of dust as it navigates a rugged, industrial landscape. The scene is framed by a large green metal structure on the left and a weathered red sign with faded white lettering on the right, with power lines and sparse vegetation stretching into the hazy distance. The lighting is warm and golden, suggesting late afternoon or early evening, casting long shadows and bathing the terrain in an earthy, sepia-toned glow. Dominant colors are muted browns, dusty oranges, and faded greens, punctuated by the car’s deep maroon and the bold red of the sign. The camera is positioned at a high angle, looking down on the car as it moves away, emphasizing the isolation and scale of"</blockquote><blockquote>"swrdfsh2001, A line of police vehicles, including sedans and a motorcycle, moves down a city street, with one officer standing beside a patrol car and gesturing toward the traffic. The scene unfolds on a sun-drenched urban road lined with buildings, streetlights, and pedestrians, with a bus visible further down the road. Golden-hour lighting casts long, sharp shadows across the pavement, emphasizing the warm amber and deep black tones of the vehicles and surroundings. The camera captures the scene from a low, slightly angled perspective, emphasizing the length of the police convoy and the bustling street environment."</blockquote><blockquote>"swrdfsh2001, A man with short dark hair, wearing a black leather jacket with a fur-lined collar, is captured mid-conversation, his mouth slightly open as he looks intently at someone off-camera to his right. The setting appears to be an indoor public space, possibly a train or subway car, with blurred background figures and warm, ambient lighting casting soft highlights on his face and shoulders. The scene is bathed in a golden-yellow hue, suggesting artificial interior lighting, likely during evening or night. The camera frames him in a tight close-up, angled slightly from the side, emphasizing his focused expression and the texture of his jacket against the softly out-of-focus background."</blockquote><blockquote>"swrdfsh2001, A silver convertible speeds along a dusty, unpaved road, kicking up a thick cloud of golden-brown dust that obscures its rear and fills the foreground. The scene is framed from an elevated, partially obscured vantage point, with dark metal railings and structural beams on the right, suggesting a viewing platform or industrial overlook. The setting is a sun-drenched, hilly terrain with sparse vegetation under a warm, hazy sky, indicating late afternoon or early evening. Dominated by earthy tones of ochre, brown, and muted gold, the lighting casts long shadows and bathes the entire scene in a soft, cinematic glow."</blockquote><blockquote>"swrdfsh2001, A tense group of men in suits and uniformed officers are moving through a modern building lobby, with one man gesturing urgently while speaking to another. The setting features large glass windows, sleek black leather seating, and a polished floor, with bystanders observing from the periphery. Warm, golden light filters through the windows, suggesting late afternoon or early evening, casting long shadows and highlighting the scene’s urgency. Dominant colors are muted grays, blacks, and browns, punctuated by the metallic sheen of weapons and badges. The camera frames the scene from a medium-wide angle, capturing the movement and tension as the group advances toward the center of the space."</blockquote><blockquote>"swrdfsh2001, A man with dark sunglasses and a goatee is holding a mobile phone to his ear, his mouth slightly open as if mid-conversation, while another man in a suit stands just behind him, gazing intently forward. The scene is set indoors, likely in a dimly lit, modern space with blurred background elements suggesting a hallway or office corridor. Warm, golden lighting casts soft shadows across their faces, indicating an interior evening or nighttime setting. Dominant colors are deep greens and muted browns, with metallic highlights from a watch band and the phone’s casing. The camera frames the foreground subject in a tight close-up, emphasizing his focused expression and the tension of the moment."</blockquote><blockquote>"swrdfsh2001, A helicopter, painted in orange and white, hovers mid-air over a sprawling urban landscape, suspended by cables from its underbelly a large, dark rectangular object that appears to be a heavy piece of equipment or cargo. The city below is dense with mid-rise and high-rise buildings, including a prominent skyscraper on the left bearing the “MCI” logo, while distant hills fade into the haze on the horizon. The sky is bathed in a warm, golden-orange glow, suggesting either sunrise or sunset, casting long shadows and a hazy, atmospheric quality over the entire scene. The dominant colors are earthy tones of ochre, brown, and muted gold, with the helicopter’s bright orange providing a sharp contrast. The camera is positioned at a high vantage point, looking down"</blockquote><blockquote>"swrdfsh2001, silhouetted figures in tactical gear and suits move purposefully across a wet tarmac, flanked by parked vehicles including a private jet with visible registration and a service vehicle with flashing lights. The scene unfolds at dusk or dawn under a hazy, golden-orange sky, with reflections of vehicle lights shimmering on the rain-slicked ground. Dominated by deep shadows and warm amber tones, the low-angle shot emphasizes the imposing scale of the aircraft and the urgency of the movement, framed tightly to focus on the figures and their immediate surroundings."</blockquote><h3>Training</h3><ul><li>Base model: Krea 2 (trained on Raw)</li><li>Type: Style LoRA</li><li>Dataset: 300 images</li><li>Steps: 2000</li><li>Network rank / alpha: 32 / 32</li><li>Learning rate: 0.0002</li><li>Optimizer: adamw8bit</li><li>Resolutions: 512 / 1024</li></ul><h3>Generation settings</h3>Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.<ul><li>Raw: ~30 steps, guidance 3.5</li><li>Turbo: ~8 steps, guidance 1.0</li></ul>The preview images were generated with <code>krea2_turbo_mxfp8.safetensors</code>, at 8 steps, guidance 1, LoRA weight 1.

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