# Fight Club 1999A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.## UsageInclude the trigger word *<code>fghtc</code>** in your prompt.Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.## Prompt ExamplesHere are some prompt examples:"fghtc, A man in a dark coat, carrying a large black bag over his shoulder, leans against a metal wall while reaching toward a vertical surface, possibly adjusting or retrieving something. The setting is an urban alleyway cluttered with discarded wooden planks, a trash bin, and industrial pipes, with a faded sign reading “Control” visible in the hazy background. The lighting is dim and diffused, suggesting late afternoon or early evening under overcast skies, casting muted shadows and contributing to a gritty, atmospheric tone. Dominant colors are desaturated grays, blacks, and browns, with a smoky haze softening the background. The camera frames the subject in a medium shot from a slightly low angle, emphasizing his interaction with the environment and the confined, cluttered space around him.""fghtc, A man with a weary, tense expression holds a black rotary phone to his ear, his gaze fixed forward with visible concern. He’s in a dimly lit, utilitarian room with corrugated metal walls, a refrigerator to his left, and a faintly glowing window or doorframe in the background. The lighting is low and warm, casting deep shadows and highlighting the sweat on his skin, suggesting late evening or night. The dominant colors are muted yellows, browns, and greys, with the stark black of the phone contrasting against his white tank top. The camera frames him in a tight close-up, emphasizing his facial tension and the gravity of the moment.""fghtc, A man in a dark jacket holds a white corded telephone receiver to his ear, his expression tense and focused as he listens intently. The scene is set indoors, likely a dimly lit room, with a vintage-style table lamp featuring a ribbed base and cream-colored shade casting a warm, isolated glow on the wall behind him. The lighting is low and moody, suggesting nighttime or a shadowed interior, with dominant tones of muted beige, deep black, and the soft white of the phone and lamp shade. The camera frames him in a medium close-up, slightly angled from the side, emphasizing his concentration and the intimate, suspenseful atmosphere.""fghtc, A man in a striped shirt and patterned tie sits in an office chair, holding a telephone receiver to his ear while his other hand rests near his temple, suggesting deep concentration or concern. The room is cluttered with a corkboard displaying pinned documents, a framed badge, and a cartoonish skull decoration, hinting at a law enforcement or investigative setting. The lighting is dim and cool-toned, casting shadows and creating a tense, late-afternoon or nighttime atmosphere. Dominant colors are muted greens, grays, and browns, with the white shirt and dark tie providing contrast. The camera is positioned at eye level, slightly over the shoulder of an unseen person in the foreground, framing the man as the central focus while emphasizing the weight of the moment.""fghtc, A muscular man in a colorful, graphic tank top and dark pants strides confidently down a narrow, utilitarian staircase, his right arm extended forward as if gesturing or preparing to move. The setting is a dimly lit, institutional-style corridor with plain off-white walls, metal handrails on either side, and a small, dark sign mounted on the left wall. Harsh, fluorescent lighting from above casts sharp shadows and creates a high-contrast, gritty atmosphere, suggesting an interior space during daytime hours. The dominant colors are muted whites and grays, punctuated by the vibrant, saturated patterns on the man’s shirt. The camera is positioned at a low angle, looking up the stairs, emphasizing the subject’s imposing presence and forward momentum.""fghtc, A man in a striped short-sleeve shirt and dark tie stands in an office corridor, facing forward with a tense expression, as if confronting someone just out of frame. Behind him, a glass-walled storage unit holds wire racks with white folders, and another person in a suit is visible in the background near a curved glass door. The lighting is flat and artificial, casting a cool, institutional tone over the scene, suggesting an interior during daytime hours. Dominant colors are muted grays, whites, and blacks, with the shirt’s pale stripes offering subtle contrast. The camera is positioned over the shoulder of another person, creating a shallow depth of field that blurs the foreground while keeping the man’s face and upper body sharply in focus.""fghtc, A man with tousled dark hair and red-tinted sunglasses leans forward slightly, his expression intense as he appears to be in mid-conversation or confrontation. He wears a textured red jacket over a patterned shirt, and the background features a warm, dimly lit room with a single glowing bulb mounted on an ornate wall sconce. The lighting casts deep shadows and highlights the subject’s face and clothing, suggesting an interior scene at night or in low-light conditions, with dominant hues of amber, red, and muted browns. The camera frames him in a tight close-up, angled slightly from the side, emphasizing his focused demeanor and the intimate, tense atmosphere.""fghtc, three chefs in white uniforms and tall chef hats stand behind a glass partition, their expressions serious as they look toward someone outside the frame. The setting is a professional kitchen with stained-glass windows featuring floral patterns above the counter, and trays of food are visible on shelves behind them. The lighting is warm and ambient, suggesting an indoor scene during evening or night. Dominant colors are the crisp white of the uniforms, contrasted with dark wood framing and muted tones in the background. The camera is positioned over the shoulder of a person in dark clothing, creating a shallow depth of field that keeps the chefs in focus while blurring the foreground.""fghtc, A man in a white shirt stands behind a bar, holding a small object in his hands, seemingly engaged in conversation with another person whose back is to the camera. The setting is a dimly lit bar with rows of hanging wine glasses, a vintage cash register, and shelves stocked with bottles and glassware. Warm, low lighting casts deep shadows, suggesting an evening or nighttime scene, with the dominant colors being dark browns, muted grays, and the pale white of the shirt. The camera is positioned over the shoulder of the person facing away, creating an intimate, over-the-shoulder framing that focuses attention on the bartender’s expression and the interaction.""fghtc, A man with short, light brown hair is standing inside a glass-walled phone booth, holding a black receiver to his ear as if engaged in a serious conversation. The booth is situated in a modern, dimly lit interior space with recessed ceiling lights and blurred architectural lines visible in the background. The lighting casts cool, muted tones across the scene, with shadows accentuating the man’s focused expression and the reflective surfaces of the booth. Dominant colors are dark grays, blacks, and muted browns, with a hint of warm light from the ceiling. The camera frames him in a medium close-up, slightly angled from the side, emphasizing his isolation within the booth.""fghtc, A solitary figure in a long coat walks forward through a derelict industrial space, their silhouette sharply defined against a beam of light piercing from a distant doorway. The setting is a cavernous, abandoned warehouse with exposed brick walls, rusted metal beams overhead, and thick dust suspended in the air, illuminated by a single shaft of daylight. The lighting is stark and high-contrast, casting deep shadows and highlighting the gritty textures of the environment, suggesting late afternoon or early evening. Dominant colors are muted grays, browns, and blacks, punctuated by the bright, hazy glow of the incoming light. The camera is positioned at a low angle, capturing the figure’s approach as they move toward the viewer, emphasizing the scale of the decaying space and the isolation of the moment.""fghtc, three figures stand before a weathered wooden house with peeling paint and stone pillars; one in a dark coat and beret looks upward, another in a red shirt and vest walks toward the open doorway, while a third stands inside, silhouetted against the dim interior light. The setting is rustic and aged, with a rolled-up rug and a paper bag on the porch, and bare vines clinging to the walls. The lighting is subdued and cool-toned, suggesting late afternoon or early evening, casting long shadows and emphasizing the decay of the structure. Dominant colors are muted grays, browns, and dark blues, with the red shirt providing a stark contrast. The camera is positioned at eye level, capturing the scene in a medium-wide shot that frames the doorway as a focal point""fghtc, A man in a white shirt is suspended upside down, his face contorted in distress as he gazes upward, while another man in a white shirt and bow tie stares intently at him from the right. Behind them, two figures in black balaclavas stand in a dimly lit, sterile-looking room with plain walls and a single overhead light casting harsh shadows. The scene is dominated by stark whites and deep blacks, with the cool, clinical lighting suggesting an indoor, possibly institutional setting. The camera is positioned low and tilted, emphasizing the disorienting angle and the tension between the subjects.""fghtc, A man in a checkered suit and dark sunglasses sits at a white-clothed table, holding a fork and looking off to the side, while a waiter in a striped shirt and apron stands beside him, pouring from a glass pitcher. The setting is an upscale, modern restaurant with visible escalators and potted plants in the background, and a single pink gerbera daisy in a clear vase sits prominently on the table. The lighting is soft and diffused, suggesting an overcast day or shaded interior, with muted tones of gray, beige, and green dominating the scene. The camera frames the subject in a medium shot from a slightly low angle, emphasizing his posture and the table setting.""fghtc, A man in a light-colored, striped shirt stands inside a modern office space, intently examining a document he holds in his hands, while two other individuals walk past him in the background, one holding a coffee cup. The scene is framed through a glass partition, with reflections of overhead lighting and metal shelving units visible, suggesting a corporate or institutional environment. The lighting is cool and even, casting soft shadows and giving the space a muted, slightly desaturated tone dominated by greys, whites, and subtle browns. The camera is positioned at eye level, capturing the man’s profile and the movement of the others through the glass, creating a sense of observation and separation.""fghtc, A man in a white shirt lies on his stomach on a light-colored floor, his body contorted as he reaches forward with blood-stained hands, mouth open in a scream or gasp. The setting appears to be a sterile, institutional room with muted green walls, a metal-framed chair, and a filing cabinet in the background. The lighting is dim and cool-toned, casting soft shadows and suggesting an indoor scene during evening or night. Dominant colors are pale whites, muted greens, and stark reds from the blood. The camera is positioned low and close, capturing the man’s profile and upper body in a tight, angled shot that emphasizes his distress and the gritty texture of the scene.""fghtc, A commercial jetliner is captured in silhouette, banking sharply as it ascends into the sky, its landing gear still extended. Below, an airport runway and control tower are visible, framed by a series of tall, evenly spaced light poles stretching across the foreground. The scene is bathed in the warm, fading glow of sunset, casting the sky in gradients of deep blue to soft orange near the horizon. The dominant colors are dusky purples and oranges, contrasting with the dark silhouettes of the aircraft and infrastructure. The camera is positioned low to the ground, looking up at the plane, emphasizing its motion against the vast, twilight sky.""fghtc, two men stand in a cluttered, dimly lit kitchen, one in a white tank top facing left, the other in a red-and-white leaf-patterned shirt turned away toward a sink. The setting is a weathered, utilitarian space with a large window covered in faded netting, a row of amber glass bottles on the windowsill, and a vintage wall-mounted fan glowing under a single lamp. Natural light filters through the window, casting soft shadows and highlighting the dusty, earthy tones of the room—browns, muted greens, and the warm orange of the bottles. The camera is positioned over the shoulder of the man in the tank top, framing the scene in a medium shot that emphasizes the quiet tension between the two figures and the worn, lived-in atmosphere.""fghtc, A woman lies on her back, holding a vintage black telephone receiver to her ear, her eyes wide and focused upward, suggesting intense concentration or alarm. She wears a shimmering blue sequined top, and the coiled black cord of the phone drapes across her chest and shoulder. The lighting is dim and warm, casting soft shadows and highlighting the texture of her skin and the sparkle of her attire, implying an indoor evening setting. The camera is positioned at a low angle, looking up at her face, creating an intimate and slightly unsettling perspective dominated by deep blues, blacks, and skin tones.""fghtc, A solitary figure in a dark coat stands with a briefcase in hand, facing an empty, curved baggage carousel in a vast, echoing airport terminal. The space is illuminated by cool, fluorescent lighting overhead, casting a sterile, blue-tinged glow across the polished floor and metallic surfaces, suggesting late evening or early morning. Dominated by shades of gray, silver, and muted black, the scene is framed from behind the subject, emphasizing the emptiness and isolation of the space."## Training| | ||---|---|| Base model | Krea 2 (trained on Raw) || Type | Style LoRA || Dataset | 224 images || Steps | 2000 || Network rank / alpha | 32 / 32 || Learning rate | 0.0002 || Optimizer | adamw8bit || Resolutions | 512 / 1024 |## Generation settingsTrained on Krea 2 Raw, and transfers to Krea 2 Turbo for fastergeneration.- Raw: ~30 steps, guidance 3.5- Turbo: ~8 steps, guidance 1.0The preview images were generated with <code>krea2_turbo_mxfp8.safetensors</code>, at 8 steps, guidance 1, LoRA weight 1.

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