<h1 id="premium-character-loras">Premium character LoRAs</h1>Original synthetic characters, bundles and AI tools are in my shop:<a target="_blank" rel="ugc" href="https://rkrra.com/civitai">https://rkrra.com/civitai</a>Get the character LoRAs on Patreon: <a target="_blank" rel="ugc" href="https://www.patreon.com/cw/RkRRa">https://www.patreon.com/cw/RkRRa</a>Join the community on Discord: <a target="_blank" rel="ugc" href="https://discord.gg/nB79wRNtMT">https://discord.gg/nB79wRNtMT</a><h2>The Terminal 2004</h2>A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.<h3>Usage</h3>Include the trigger word <code>trmnl2004</code> in your prompt.Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.<h3>Prompt Examples</h3>Here are some prompt examples:<blockquote>"trmnl2004, A man in a red-and-black plaid shirt and khaki pants stands in a modern office lobby, holding two small containers, while facing another man in a dark suit and red tie who leans against a glass door. Behind them, a security officer in uniform watches from a glass-walled office marked “IN USE,” which contains a vintage computer monitor and a desk. Bright, natural light streams in from large windows, casting sharp shadows across the tiled floor, suggesting midday. The dominant colors are neutral grays and whites of the office space, contrasted by the bold red of the tie and plaid shirt. The camera is positioned at a medium distance, slightly elevated, capturing the interaction between the two men and the surrounding environment through the glass partitions."</blockquote><blockquote>"trmnl2004, A man in a plaid coat and flat cap is captured mid-speech on a vintage television screen, suspended from a ceiling in a fluorescent-lit indoor space. The screen’s image depicts him in a vibrant produce aisle, surrounded by colorful vegetables, while the surrounding environment features a plain ceiling and a visible “1” sign, suggesting a public or commercial setting. The lighting is cool and artificial, casting a slightly greenish tint over the scene, and the camera frames the TV from a low angle, emphasizing its suspended position and the contrast between the lively broadcast and the sterile surroundings."</blockquote><blockquote>"trmnl2004, A man in a dark suit bends over a red suitcase placed on a matching red bench, seemingly adjusting or retrieving something from it, while another person in a plaid jacket walks past with a rolling suitcase. The scene is set in a brightly lit indoor public space, likely an airport terminal, with a large planter of lush green ferns and hostas nearby, and storefronts including “Brookstone” and “Ambergris” visible in the background. The lighting is even and artificial, suggesting daytime, with dominant colors of red from the bench and suitcase, muted greys and greens from the planters and architecture, and neutral tones from the surrounding environment. The camera is positioned at eye level, capturing the man’s back and the surrounding activity in a medium shot that emphasizes the bustling"</blockquote><blockquote>"trmnl2004, A group of people are gathered in a lively, dimly lit bar, with one man in a patterned shirt gesturing animatedly while speaking to a woman in a dark blazer, who appears surprised or concerned. Behind them, a large mural of a hazy cityscape covers the wall, and a bartender in a blue shirt stands near the bar, holding a bottle. Warm, ambient lighting from overhead fixtures and table lamps casts soft glows across the scene, suggesting an evening setting. The dominant colors are earthy browns, deep blues, and muted reds, with pops of brighter tones from clothing and drinkware. The camera is positioned at eye level, capturing the interaction from behind a person with dark hair, creating a sense of immersion in the social gathering."</blockquote><blockquote>"trmnl2004, A yellow taxi and a dark sedan drive down a bustling city street at night, their brake lights glowing red as they navigate through traffic. The scene is framed by towering buildings adorned with brightly lit billboards and neon signs, including one for “Wonderful Town” and another partially visible with the word “Meet,” while a decorated Christmas tree stands on the left sidewalk. The wet asphalt reflects the vibrant lights, casting a mix of warm yellows, reds, and cool blues across the street, with crowds gathered behind barriers on the right. The camera is positioned at street level, looking forward from within a vehicle, creating a sense of motion and immersion in the lively urban environment."</blockquote><blockquote>"trmnl2004, A group of people are gathered in a dimly lit indoor space, focused on two men at the center who are raising their drinks in a toast; one holds a bottle while the other grips a glass. Behind them, a large mural of a city skyline with warm, sepia-toned hues dominates the wall, while the foreground is filled with attendees seen from behind, some holding glasses. The lighting is low and ambient, casting soft shadows and suggesting an evening or nighttime setting. Dominant colors include deep browns, muted blues, and dark clothing tones, contrasted by the warm glow of the mural and occasional highlights from glassware. The camera is positioned at eye level from within the crowd, creating an immersive, over-the-shoulder perspective that draws attention to the central toast."</blockquote><blockquote>"trmnl2004, An older man in a light blue uniform with a name tag and lanyard stands in an airport terminal, hands clasped, looking toward a man in a dark coat who is walking away with a red bag slung over his shoulder. The setting is a spacious, modern airport lounge with rows of black seating, yellow “CAUTION” wet floor signs on the polished floor, and a visible “BORDERS” bookstore in the background. Natural light streams in from large windows, suggesting daytime, while artificial lighting from overhead fixtures adds a warm glow to the scene. The dominant colors are muted grays and blacks of the seating and floor, contrasted by the bright yellow of the caution signs and the man’s red bag. The camera is positioned at eye level, capturing the interaction from behind the"</blockquote><blockquote>"trmnl2004, in a modern office with large windows overlooking greenery, a uniformed officer stands facing a man in a dark suit who is gesturing animatedly while holding a jacket, seemingly in the middle of a tense conversation. Across a polished wooden desk cluttered with a bulky CRT monitor, a snack bag, a mug, and a black pepper grinder, another man in a suit holds a red apple and appears to be speaking or reacting. The scene is lit by natural daylight streaming through the windows, casting soft shadows and highlighting the muted tones of the room—dark suits, brown wood, and gray carpet—with a touch of green from the trees outside. The camera captures the interaction from a medium-wide angle, placing the viewer slightly behind the desk, observing the dynamic between the three individuals."</blockquote><blockquote>"trmnl2004, A person’s hand, adorned with a wristwatch, reaches toward a public payphone mounted on a metallic wall, attempting to interact with it despite a bright green “Sorry! Temporarily Out of Service” sticker prominently displayed. The background reveals a blurred, bustling indoor corridor with indistinct figures moving past, suggesting a public transit or commercial space. The lighting is even and artificial, casting soft reflections on the phone’s surface and the surrounding metal, indicating an interior setting during daytime hours. Dominant colors include the metallic gray of the phone and wall, the vivid lime green of the service notice, and the muted tones of the person’s dark sleeve and light cuff. The camera is tightly framed on the hand and phone, creating a shallow depth of field that isolates the action while hinting at"</blockquote><blockquote>"trmnl2004, A woman in a dark uniform with a name badge and airline insignia stands in a bustling airport terminal, holding a booklet and appearing to speak to someone. Behind her, travelers move through the space, with red seating, white railings, and a large indoor tree visible, while flags hang in the background near storefronts. The scene is brightly lit with artificial overhead lighting, suggesting midday or early afternoon, and the dominant colors are the red of the foreground passenger’s jacket, the green walls, and the black of the uniform. The camera is positioned at eye level, capturing the woman in mid-frame with a blurred figure in red moving across the foreground, creating a sense of motion and depth."</blockquote><blockquote>"trmnl2004, A man in a patterned button-down shirt stands in the foreground, his expression tense and focused as he looks downward, while another man in a suit and glasses stands behind him, observing with a serious demeanor. The setting is an office interior with framed pictures on the wall and a window revealing a bright, sunlit exterior with greenery and buildings. The lighting is natural and diffused, suggesting midday, casting soft shadows and highlighting the muted tones of the scene — primarily grays, greens, and browns. The camera is framed in a medium close-up, angled slightly from the side, emphasizing the man’s facial expression and the subtle tension between the two individuals."</blockquote><blockquote>"trmnl2004, A man reclines casually across several rows of airport-style seating, his legs propped up on the back of a chair, appearing relaxed or possibly asleep. The setting is a dimly lit, sparsely populated waiting area with rows of beige and maroon chairs, some overturned or displaced, and large windows revealing a dark, illuminated exterior at night. The lighting is subdued and cool-toned, casting soft shadows and emphasizing the muted palette of beige, maroon, and gray, with faint green lights visible through the windows. The camera is positioned at a low angle, capturing the man’s sprawled posture and the surrounding chairs in a wide, slightly tilted frame that conveys a sense of stillness and isolation."</blockquote><blockquote>"trmnl2004, A hand-drawn map with handwritten instructions is taped to a glass surface, likely a window, with water droplets visible on the glass. The map includes arrows, labeled areas like “Garage X” and “Follow Map,” and a note reading “Midnight Tonight — Don’t Be Late.” The scene is dimly lit with a cool blue hue, suggesting nighttime, and the background features a partially visible illuminated sign with large white letters. The camera is positioned at a slight angle, capturing the map in focus while the surrounding environment is blurred and reflective."</blockquote><blockquote>"trmnl2004, inside a multi-level Borders bookstore, travelers with backpacks and luggage browse books and merchandise on an upper mezzanine, while others move through the lower levels. The setting features glass walls, exposed metal beams, and bright overhead lighting that casts a warm, yellowish glow across the space, suggesting daytime. Dominant colors are muted browns, grays, and the stark white of the “BORDERS” sign, contrasted by the vibrant hues of clothing and book covers. The camera is positioned at eye level, looking slightly upward through the glass, capturing the bustling activity and layered architecture of the store."</blockquote><blockquote>"trmnl2004, A group of travelers, some with rolling luggage, stand in a line behind a glass barrier inside a modern airport terminal, appearing to wait or be addressed by a uniformed officer. The setting features a high, exposed steel truss ceiling with bright, even fluorescent lighting, suggesting daytime, and the floor is a muted blue-gray. Dominant colors are neutral grays and metallic tones from the architecture, contrasted by the varied clothing of the crowd, including a bright striped bag and a hockey jersey. The camera is positioned at eye level, capturing the scene through the glass panes, which reflect the interior and add depth to the composition."</blockquote><blockquote>"trmnl2004, A man in a dark suit stands with his back to the camera, facing another man in a brown overcoat who holds a ticket and looks upward with an expression of surprise or concern. They are inside a modern, spacious terminal with a high, geometrically patterned glass and steel roof structure visible behind them. The lighting is cool and diffused, suggesting an overcast day or interior illumination, casting soft shadows and highlighting the metallic and glass surfaces. Dominant colors are muted tones of brown, gray, and steel blue, with the warm wood paneling along the lower walls providing contrast. The camera is positioned at eye level, framing the interaction from behind the suited man, creating a sense of immediacy and focus on the emotional exchange."</blockquote><blockquote>"trmnl2004, A man in a dark suit and tie, carrying a vintage brown suitcase and holding his coat, walks briskly through a busy airport terminal, flanked by a uniformed officer and another man in a blue shirt. The polished floor reflects the overhead lights and surrounding travelers, with red seating and yellow gate signs—like “C43”—visible in the background. The scene is brightly lit with artificial illumination, suggesting midday or early afternoon, and the dominant colors are muted browns, grays, and reds, punctuated by the yellow signage. The camera follows from a low, slightly angled perspective, emphasizing the man’s forward motion through the bustling crowd."</blockquote><blockquote>"trmnl2004, A solitary figure with a shoulder bag walks past a brightly lit hot dog stand, their silhouette cast against the cool blue glow of the surrounding glass-paneled structure. The stand features a vivid green neon sign shaped like a hot dog, with a checkered counter and visible food preparation equipment behind it. The scene is bathed in a moody, blue-tinted artificial light, suggesting late evening or nighttime, with reflections and streaks of light visible on the glass walls. The dominant colors are deep blues and greens, contrasted by the warm yellow of the stand’s base and the neon’s glow. The camera frames the subject in profile, capturing their movement past the stand from a medium distance, emphasizing the isolation and the surreal, almost dreamlike atmosphere of the space."</blockquote><blockquote>"trmnl2004, in a bustling airport terminal, a man in a dark coat leans over a blue luggage cart, gesturing animatedly toward two children seated beside it—one in a red jacket, the other in a yellow vest—while a woman in a dark jacket stands nearby. The polished floor reflects overhead lights, casting sharp shadows, and the background reveals other travelers, rolling carts, and a “Welcome to New York” sign, suggesting a busy transit hub. The scene is lit with bright, even daylight, emphasizing the cool tones of the gray floor and the vibrant pops of blue, red, and yellow. Shot from a slightly elevated angle, the composition captures the dynamic energy of the space while keeping the central interaction in clear focus."</blockquote><blockquote>"trmnl2004, A bustling airport terminal scene captures travelers navigating through a crowded space, many pulling or pushing luggage carts loaded with bags, while others carry suitcases or backpacks. The polished floor reflects overhead lighting, casting sharp shadows and highlighting the metallic sheen of the carts, which bear blue branding. Dominant colors include muted grays and browns of the floor and clothing, contrasted by pops of red, green, and patterned fabrics. The camera is positioned at a high angle, looking down on the scene, emphasizing the density of movement and the chaotic energy of transit."</blockquote><h3>Training</h3><ul><li>Base model: Krea 2 (trained on Raw)</li><li>Type: Style LoRA</li><li>Dataset: 300 images</li><li>Steps: 2000</li><li>Network rank / alpha: 32 / 32</li><li>Learning rate: 0.0002</li><li>Optimizer: adamw8bit</li><li>Resolutions: 512 / 1024</li></ul><h3>Generation settings</h3>Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.<ul><li>Raw: ~30 steps, guidance 3.5</li><li>Turbo: ~8 steps, guidance 1.0</li></ul>The preview images were generated with <code>krea2_turbo_mxfp8.safetensors</code>, at 8 steps, guidance 1, LoRA weight 1.

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