<h1 id="premium-character-loras">Premium character LoRAs</h1>Original synthetic characters, bundles and AI tools are in my shop:<a target="_blank" rel="ugc" href="https://rkrra.com/civitai">https://rkrra.com/civitai</a>Get the character LoRAs on Patreon: <a target="_blank" rel="ugc" href="https://www.patreon.com/cw/RkRRa">https://www.patreon.com/cw/RkRRa</a>Join the community on Discord: <a target="_blank" rel="ugc" href="https://discord.gg/nB79wRNtMT">https://discord.gg/nB79wRNtMT</a><h2>Road To Perdition 2002</h2>A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.<h3>Usage</h3>Include the trigger word <code>rdtprdtn2002</code> in your prompt.Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.<h3>Prompt Examples</h3>Here are some prompt examples:<blockquote>"rdtprdtn2002, A grand, multi-story brick mansion with a steeply pitched roof and ornate iron gate stands behind a snow-dusted brick wall, with vintage automobiles parked along the driveway. The scene is set in a wintry landscape under bright, clear skies, casting sharp shadows across the snow-covered ground and icicles hanging from the gate and wall. The dominant colors are muted browns and grays of the architecture, contrasted with the stark white of the snow and the dark green of a parked car. The camera is positioned at a low, wide angle, capturing the imposing scale of the estate and the quiet stillness of the frozen surroundings."</blockquote><blockquote>"rdtprdtn2002, A lone, weathered house sits nestled among a cluster of tall, leafy trees on a grassy hill, viewed from inside a moving vehicle with the windshield wiper visible in the foreground. The overcast sky casts a muted, grayish light across the scene, suggesting a gloomy, rainy day, with the landscape rendered in soft, desaturated greens and grays. The camera is positioned low, looking out through the car’s windshield, framing the horizon with the dark dashboard at the bottom and emphasizing the isolation of the house against the vast, misty field."</blockquote><blockquote>"rdtprdtn2002, A lone figure in a long coat and hat walks purposefully down a snow-laden alleyway at night, their silhouette stark against the falling snow and ambient streetlights. The setting is a gritty urban street lined with old brick buildings, snow piled near a white door and fire hydrant, and vintage cars parked along the curb, all under the glow of overhead lamps that cast long shadows and illuminate the falling snow. The dominant colors are deep blacks, grays, and whites, with the warm yellow of the streetlights creating contrast. The camera frames the scene from a medium distance, capturing the figure’s movement toward the viewer while emphasizing the isolation and atmospheric tension of the snowy, nighttime environment."</blockquote><blockquote>"rdtprdtn2002, An old, weathered automobile travels down a narrow, tree-lined road, its front grille and headlights visible as it moves away from the viewer. The road is flanked by bare, slender trees with rough bark, their branches forming a natural canopy overhead, while fallen leaves and twigs cover the ground on either side. The lighting is soft and diffused, suggesting an overcast day or late afternoon, casting long, muted shadows across the gray asphalt. The dominant colors are earthy browns, grays, and muted greens, creating a somber, quiet atmosphere. The camera is positioned low and centered on the road, using a straight-on, eye-level perspective that emphasizes the vanishing point and the sense of isolation."</blockquote><blockquote>"rdtprdtn2002, A pair of hands grips the edges of a heavy, riveted metal trunk, suggesting it is being lifted or secured. The trunk’s surface is segmented by thick metal straps, each fastened with rows of prominent rivets, and a dark latch is visible near the bottom. The scene is dimly lit with warm, low-key lighting that casts deep shadows, indicating an interior space at night or in a poorly lit room. Dominant colors are muted grays and browns, with the dark clothing of the person partially visible against the metallic sheen of the trunk. The camera is positioned overhead, looking down at the hands and trunk, creating a tight, focused composition that emphasizes the weight and texture of the object."</blockquote><blockquote>"rdtprdtn2002, A dimly lit office interior features a dark coat and hat hanging on a wall-mounted coat rack near a wooden door with a glass panel, through which a street sign reading “EPEEN” is visible. Outside the large window with horizontal blinds, a parking lot and a building with signage for “MUTUAL INSURANCE &amp; LOAN CO.” can be seen, suggesting a mid-20th century urban setting. The lighting is subdued, with natural light filtering through the blinds, casting soft shadows and creating a muted palette of browns, grays, and off-whites. The camera is positioned at eye level, capturing the space in a wide shot that emphasizes the quiet stillness of the room and the contrast between the interior’s emptiness and the activity visible outside."</blockquote><blockquote>"rdtprdtn2002, from beneath an ornate metal bed frame, a dark, worn suitcase rests on a wooden floor, its fabric cover sagging slightly. The scene is dimly lit, with soft, diffused light filtering through a window in the background, casting long shadows and highlighting dust motes in the air. The dominant colors are muted browns, grays, and off-whites, with the bed’s intricate metalwork adding texture. The camera is positioned low, looking upward through the bed’s slats, creating a confined, voyeuristic perspective that emphasizes the quiet stillness of the room."</blockquote><blockquote>"rdtprdtn2002, A solitary wooden chair with a patterned seat cushion sits beside a small, vintage-style table holding an old-fashioned telephone, both positioned under the shadow of a dark wooden staircase. The room is dimly lit, with a single focused beam of light illuminating the chair and table, casting deep shadows across the paneled walls and hardwood floor, suggesting late evening or night. Dominated by rich browns and deep blacks, the scene evokes a quiet, contemplative atmosphere. The camera is positioned at a low angle, capturing the stillness of the space with a wide, slightly tilted perspective that emphasizes the emptiness and the weight of the objects."</blockquote><blockquote>"rdtprdtn2002, A lone vehicle travels along a straight, paved road that cuts through vast, tilled agricultural fields, bordered by a dark green fence on one side and open farmland on the other. In the distance, a cluster of white farm buildings sits near a dirt access road, surrounded by barren earth and sparse vegetation. The lighting is soft and diffused, suggesting early morning or late afternoon, casting long shadows and bathing the scene in muted grays and browns. The camera is positioned high above, offering a wide, diagonal aerial perspective that emphasizes the scale and emptiness of the rural landscape."</blockquote><blockquote>"rdtprdtn2002, A solitary figure in a dark coat and hat walks steadily down a narrow, industrial underpass beneath a massive steel truss bridge, carrying a briefcase in one hand and a hat in the other. The setting is gritty and urban, flanked by weathered brick walls on one side and overgrown vegetation on the other, with the repeating vertical supports of the bridge creating a rhythmic, tunnel-like perspective. The lighting is dim and diffused, suggesting an overcast day or late afternoon, casting soft shadows and emphasizing the muted tones of rust, gray, and faded brick. The camera is positioned low and centered, looking straight down the length of the walkway, enhancing the sense of isolation and forward motion."</blockquote><blockquote>"rdtprdtn2002, A person in a dark, textured suit stands partially obscured, their back to the viewer, near a bed with a patterned white quilt and a dark wooden spindle post. The room is dimly lit, casting deep shadows and highlighting only the lower half of the figure and the bed’s edge, suggesting late evening or night. The dominant colors are muted grays, blacks, and off-whites, with the lighting creating a stark contrast between illuminated fabric and surrounding darkness. The camera is positioned at a low angle, framing the scene tightly through a narrow opening, emphasizing the confined, intimate, and suspenseful atmosphere."</blockquote><blockquote>"rdtprdtn2002, A vintage automobile, viewed from behind, drives slowly down a narrow, snow-lined alleyway at night, its tires kicking up mist as it moves forward. The scene is framed by tall, dark brick buildings on either side, their windows reflecting faint streetlights that cast a cold, blue-gray glow across the wet pavement and snowbanks. The lighting is dim and atmospheric, dominated by deep blacks and muted grays, with streaks of white from the snow and reflections on wet surfaces. The camera is positioned low and centered, capturing the car’s rear and the receding perspective of the alley, enhancing the sense of isolation and movement through a desolate urban environment."</blockquote><blockquote>"rdtprdtn2002, A lone figure in a dark coat and hat stands in the center of a rain-slicked street, facing away from the camera, while another person with an umbrella stands to the right, partially silhouetted. An old-fashioned car with round headlights is parked nearby, its surface glistening under the downpour, and a third figure with an umbrella is visible in the foreground, mostly obscured. The scene is set at night under a heavy rain, with dim, hazy streetlights casting a cold, blue-gray glow that reflects off the wet pavement. The dominant colors are deep blacks, muted grays, and the faint blue of the wet surroundings, creating a moody, atmospheric tone. The camera is positioned at eye level, framing the scene with a shallow depth of field that emphasizes the"</blockquote><blockquote>"rdtprdtn2002, A man in a dark fedora and textured gray suit is intently operating a vintage film camera mounted on a tripod, his gaze fixed on the viewfinder as he adjusts settings with his right hand. The scene is set indoors near a large window, with soft, diffused daylight illuminating the space and casting gentle shadows; a black studio reflector with a visible “HR” logo stands prominently beside the camera. The palette is muted, dominated by grays, blacks, and off-whites, with the metallic sheen of the camera’s components adding contrast. The camera angle is a tight over-the-shoulder shot, emphasizing the man’s concentration and the mechanical details of the equipment."</blockquote><blockquote>"rdtprdtn2002, in a dimly lit, cavernous warehouse filled with stacked wooden barrels, two men are positioned under a single overhead light: one seated at a rough wooden table with a bottle, the other standing nearby in a fedora, observing. The scene is framed through a dark, out-of-focus foreground, suggesting a voyeuristic or hidden viewpoint, and the stark spotlight creates high contrast against the deep shadows, evoking a late-night or clandestine atmosphere. Dominated by muted browns, grays, and the warm glow of the single bulb, the composition emphasizes isolation and tension."</blockquote><blockquote>"rdtprdtn2002, A solitary figure in a dark overcoat and fedora walks away down a long, arched hallway, their silhouette framed by the receding perspective. The walls are covered in patterned green wallpaper, flanked by wooden doors and illuminated by ornate crystal sconces casting a warm, ambient glow. The carpeted floor and polished wood trim suggest an elegant, possibly vintage interior, while the dim, focused lighting creates a moody, atmospheric tone suggestive of evening or night. The camera is positioned at eye level, capturing the figure’s retreat into the distance, emphasizing the corridor’s depth and the sense of quiet solitude."</blockquote><blockquote>"rdtprdtn2002, A quiet street scene from the early 20th century features vintage automobiles parked and moving along a cracked asphalt road, with two pedestrians walking near a brick building labeled “Square-Deal Hardware.” The setting is a small-town main street lined with bare trees, suggesting late autumn or early spring, under a pale, overcast sky that casts soft, diffused light across the scene. Dominant colors are muted grays, browns, and faded greens, with the brick facade and white-trimmed windows of the hardware store standing out. The camera is positioned at street level, slightly angled, with a lamppost in the foreground partially obscuring the view, creating a sense of being an observer on the sidewalk."</blockquote><blockquote>"rdtprdtn2002, A hand grips a pen, carefully writing cursive script on the open page of a small, rolled-edge notebook resting on a worn wooden desk. To the left, a vintage rotary telephone with a glossy black receiver and coiled cord sits partially in shadow, while a small, ornate figurine peeks from the upper right. The scene is bathed in warm, low-key lighting that casts soft shadows, suggesting late afternoon or early evening indoors. Dominant tones are deep browns, muted creams, and dark metallics, with the pen’s tip catching a glint of light. The camera is tightly framed in a close-up, angled slightly from above, focusing on the act of writing and the tactile details of the objects."</blockquote><blockquote>"rdtprdtn2002, A vintage sedan, its silhouette barely visible, sits parked on a snow-dusted street at night, its headlights off and windows dark. The setting is an urban alleyway flanked by brick buildings with faintly lit windows, and snow piles line the curb, suggesting recent snowfall. The lighting is dim and moody, with sparse streetlights casting long shadows and creating a hazy, atmospheric glow over the scene. Dominated by deep blacks and muted grays, the frame is shot from a low, wide angle that emphasizes the car’s isolation and the quiet, cold stillness of the night."</blockquote><blockquote>"rdtprdtn2002, two figures stand on a porch, one partially entering a white-sided house while the other stands beside them, both silhouetted against the dimming sky. The setting includes a black metal railing with geometric patterns, a trimmed hedge in the foreground, and bare tree branches visible at the horizon. The lighting suggests late afternoon or early evening, with soft, diffused light filtering through a cloudy sky that transitions from gray to pale blue near the horizon. Dominant colors are muted grays, whites, and dark browns, creating a somber, quiet atmosphere. The camera is positioned at a low angle, looking up along the porch railing, emphasizing the vastness of the sky and the isolation of the figures."</blockquote><h3>Training</h3><ul><li>Base model: Krea 2 (trained on Raw)</li><li>Type: Style LoRA</li><li>Dataset: 300 images</li><li>Steps: 2000</li><li>Network rank / alpha: 32 / 32</li><li>Learning rate: 0.0002</li><li>Optimizer: adamw8bit</li><li>Resolutions: 512 / 1024</li></ul><h3>Generation settings</h3>Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.<ul><li>Raw: ~30 steps, guidance 3.5</li><li>Turbo: ~8 steps, guidance 1.0</li></ul>The preview images were generated with <code>krea2_turbo_mxfp8.safetensors</code>, at 8 steps, guidance 1, LoRA weight 1.

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