<h1 id="premium-character-loras">Premium character LoRAs</h1>Original synthetic characters, bundles and AI tools are in my shop:<a target="_blank" rel="ugc" href="https://rkrra.com/civitai">https://rkrra.com/civitai</a>Join the community on Discord: <a target="_blank" rel="ugc" href="https://discord.gg/nB79wRNtMT">https://discord.gg/nB79wRNtMT</a><h2>The Simpsons Movie 2007</h2>A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.<h3>Usage</h3>Include the trigger word <code>smpsnsmv2007</code> in your prompt.Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.<h3>Prompt Examples</h3>Here are some prompt examples:<blockquote>"smpsnsmv2007, A large, yellow-skinned figure sits on a filing cabinet in a cluttered, disheveled office, holding and reading a small booklet while surrounded by scattered papers and open cardboard boxes. The room features broken glass display cases, wooden cabinets, and scattered miniature action figures on the floor, suggesting recent chaos or disorganization. The lighting is even and artificial, casting soft shadows, indicating an indoor scene during daytime. Dominant colors are muted browns, yellows, and blues, with pops of red and green from scattered items. The camera is positioned at a high, wide angle, looking down on the scene to emphasize the scale of the mess and the solitary figure at its center."</blockquote><blockquote>"smpsnsmv2007, A yellow-skinned figure in a suit holds a document labeled “OPTION 4” with bold text reading “BLOW UP SPRINGFIELD,” stamped with “TOP SECRET” in red ink and various bureaucratic markings. The scene is set in a sterile, office-like environment with blurred shelves and windows in the background, suggesting a bureaucratic or governmental setting. The lighting is even and bright, typical of an indoor workspace during daytime, with dominant colors of yellow, beige, and muted blue-gray. The camera frames the shot from a close, over-the-shoulder angle, focusing tightly on the document and the figure’s hands, emphasizing the gravity of the content."</blockquote><blockquote>"smpsnsmv2007, A weathered, light-blue digital timer with a glowing green display reading “3:23” rests on cracked, sandy ground, surrounded by scattered stone fragments. The scene is bathed in bright, even daylight, casting soft shadows that suggest midday, with the dominant palette consisting of muted earth tones contrasted by the timer’s vibrant green digits and red-orange handle. Shot from a low, slightly angled perspective, the frame emphasizes the timer’s rugged, utilitarian design and its isolation in a desolate, broken environment."</blockquote><blockquote>"smpsnsmv2007, A surreal, repeating pattern of suspended aircraft hovers above a reflective turquoise surface, each plane tethered by thin cables to dome-shaped, lantern-like fixtures that cast mirrored reflections below. The scene is set under a pale blue sky with soft, wispy clouds, suggesting a calm, daylight atmosphere. Dominated by shades of teal, muted gray, and dusty rose, the composition is viewed from a low angle that emphasizes the verticality and repetition, creating a dreamlike, almost industrial installation."</blockquote><blockquote>"smpsnsmv2007, A group of uniformed figures in blue helmets and tactical gear are engaged in a tense confrontation on a residential street, with some lying on the ground while others stand over them, appearing to restrain or assist. Behind them, a large crowd of civilians, including children and elders, watches with expressions of shock and concern, standing near houses and utility poles under a partly cloudy sky. The scene is lit with soft, diffused daylight, suggesting midday, and the dominant colors are muted blues, grays, and earth tones, contrasted by the bright yellow skin of the figures. The camera is positioned at eye level, capturing the full breadth of the chaotic scene with a wide shot that emphasizes the scale of the gathering and the tension between the uniformed group and the onlookers."</blockquote><blockquote>"smpsnsmv2007, A family of four is seated inside a vehicle, with the driver gesturing animatedly while the others look on with varying expressions; the rear window reveals a snowy, forested landscape outside. The interior is warmly lit, suggesting late afternoon or early evening, with dominant yellows and browns from the characters’ skin tones and the vehicle’s upholstery, contrasted by the cool purples and whites of the winter scenery. The camera is positioned from the front passenger’s perspective, capturing the full width of the car’s interior and framing the family in a medium shot."</blockquote><blockquote>"smpsnsmv2007, A yellow-skinned adult male with a wide-brimmed hat and a slight smirk looks down at a younger yellow-skinned boy with spiky hair, who gazes up at him with wide, curious eyes. They stand against a soft gradient sky blending teal, lavender, and pink, suggesting either dawn or dusk, with faint streaks of rain or mist in the background. The lighting is diffused and warm, casting gentle shadows and highlighting the characters’ expressions. The composition is a medium close-up, angled slightly from the side, emphasizing their interaction and the contrast in their expressions."</blockquote><blockquote>"smpsnsmv2007, A man in a green sweater and glasses stands between two beds, holding a tray with two mugs and a plate, while tending to two sleeping individuals under warm, yellow-toned lighting. The scene is viewed from outside through a window framed by dark blue night sky and silhouetted tree branches, with framed pictures of sheep on the wall behind. The interior is warmly lit, casting a cozy glow over the wooden furniture and beds, with dominant colors of amber, green, and soft white. The camera is positioned at a slight angle, looking in from the side, capturing the intimate, quiet moment inside the room."</blockquote><blockquote>"smpsnsmv2007, A large, yellow-skinned figure with a startled expression sits atop a filing cabinet in a chaotic, cluttered room, holding two books while surrounded by scattered papers and open cardboard boxes. The setting is an office or archive space with broken glass on a display case, overturned furniture, and small action figures lying on the floor, suggesting a recent disturbance. The lighting is even and artificial, casting soft shadows, indicating an indoor scene during daytime. Dominant colors include muted browns and grays of the floor and walls, contrasted with the figure’s bright blue shirt and magenta shorts. The camera is positioned at a high, slightly angled perspective, looking down on the scene to emphasize the disorder and the figure’s central, overwhelmed position."</blockquote><blockquote>"smpsnsmv2007, A yellow-skinned man wearing a white cowboy hat and shirt sits atop a silver motorcycle, looking toward two children standing on a sidewalk. The scene unfolds on a cracked concrete path bordered by overgrown green grass littered with scattered trash, under soft, diffused daylight suggesting late afternoon. Dominant colors are muted greens, grays, and the bright yellow of the figures, contrasted by the orange shirt of one child. The camera is positioned at a low, eye-level angle, capturing the man on the motorcycle in the mid-ground while the children occupy the foreground, creating a sense of quiet observation."</blockquote><blockquote>"smpsnsmv2007, two yellow-skinned figures stand on wooden stools beneath a tree at night, each gesturing toward a noose hanging from a branch above them; one wears a dark beanie and black shirt, the other a white t-shirt with wristbands. The scene is set outdoors under a deep purple sky dotted with stars, with the warm glow of the tree trunk and the ropes contrasting against the cool night tones. The camera frames them in a medium shot, capturing their upper bodies and the hanging nooses, emphasizing the surreal, staged nature of their interaction."</blockquote><blockquote>"smpsnsmv2007, A lone figure stands at the base of a dilapidated building’s steps, gazing toward a large, weathered sign that reads “WE TOLD YOU SO” in bold, white letters. The structure, resembling a church or community hall, features broken stained-glass windows with fragmented geometric patterns and a partially collapsed roof, surrounded by bare trees and scattered debris under a twilight sky streaked with purples and blues. The lighting suggests late afternoon or early evening, casting long shadows and highlighting the beige walls and muted greens of the overgrown grass. The camera is positioned at a low, wide angle, emphasizing the building’s decay and the imposing, ironic message of the sign."</blockquote><blockquote>"smpsnsmv2007, A family of three is seated in a vehicle, with the adult in the driver’s seat gripping the steering wheel while the other adult leans in close, their expressions conveying a moment of quiet intimacy or concern, and the child in the front passenger seat looks forward with wide eyes. The scene is set in a forest with trees displaying vibrant autumn foliage in shades of green, yellow, and fiery red, suggesting a crisp fall day. The lighting is soft and diffused, casting gentle shadows and highlighting the warm tones of the leaves and the characters’ yellow skin. The camera frames the trio from a slightly low angle, emphasizing their closeness and the surrounding natural environment, with the vehicle’s interior and windshield partially visible."</blockquote><blockquote>"smpsnsmv2007, A close-up of a person with a wide-eyed, tense expression, their mouth slightly agape in alarm or shock, set against the backdrop of a grand, ornate interior. Behind them, tall windows reveal a rainy night sky with streaks of rain and dark silhouettes of trees, while blue curtains hang open to the left. The scene is lit by soft, ambient indoor light that contrasts with the deep purples and blues of the night outside, emphasizing the character’s emotional state. The framing centers the figure tightly, drawing focus to their facial expression, while the architectural details—such as decorative molding and paneled windows—add a sense of opulence and stillness to the moment."</blockquote><blockquote>"smpsnsmv2007, A yellow-skinned figure with a zigzag hairline sits in the driver’s seat of a purple vehicle, looking out at a row of “NO DUMPING” signs posted along a grassy shoreline beside a turquoise lake. The scene is framed from inside the car, with the passenger’s white-furred paw visible in the foreground, and the background features green trees, distant hills, and a bright, cloud-dotted sky suggesting midday. Dominant colors are vibrant greens, blues, and purples, with bold red and black text on the signs. The camera is positioned over the dashboard, offering a clear view through the windshield to the outdoor landscape."</blockquote><blockquote>"smpsnsmv2007, A yellow-skinned figure sits slumped on a worn brown couch, arms folded across their chest, appearing contemplative or weary. The room is a cozy living space with pink walls, a teal rug, and a purple side table holding a vintage-style telephone and lamp; a framed picture of a sailboat hangs above the couch, and a large, retro-style television set with antennae sits to the right. The lighting is soft and even, suggesting an indoor daytime scene, with warm tones from the lamps contrasting against the cool teal and pink hues that dominate the palette. The camera is positioned at eye level, capturing a wide shot that includes the figure, the couch, and key surrounding furniture, creating a sense of quiet domestic stillness."</blockquote><blockquote>"smpsnsmv2007, A group of adults and a small child stand on a sidewalk, with one child barefoot near a utility pole, while an adult woman gestures animatedly toward them. The scene unfolds at dusk, with a warm gradient sky transitioning from orange to purple, casting soft shadows across the pavement and grassy verge. Buildings and distant hills are visible in the background, and the palette is dominated by earthy browns, muted greens, and the soft glow of twilight. The camera frames the scene in a wide, eye-level shot, capturing the full group and their surroundings with balanced composition."</blockquote><blockquote>"smpsnsmv2007, A chaotic pile of oversized, cartoonish sandwiches dominates the foreground, their layers of brown bread, yellow cheese, red sauce, and white condiments spilling out in a messy heap. Behind them, a purple-framed window with a yellow sunburst detail peeks through, set against a backdrop of muted pink and gray walls, suggesting an indoor, possibly kitchen or dining area. The lighting is flat and evenly distributed, with no strong shadows, indicating an overcast or diffused daylight setting. The dominant colors are earthy browns, vibrant yellows, and bold reds, contrasted by the soft purples and grays of the background. The camera is positioned at a low, wide angle, capturing the full breadth of the sandwich pile and emphasizing its overwhelming scale."</blockquote><blockquote>"smpsnsmv2007, A tall, blue-haired figure with a wide, toothy grin leans forward, gently holding the shoulders of a smaller, spiky-haired figure who looks up with wide, slightly worried eyes. They are in a softly lit bedroom with purple walls, a framed landscape painting on the left, and a wooden dresser with blue knobs in the background. The dominant colors are deep purples, yellows, and muted greens, creating a warm, intimate atmosphere. The camera is positioned at eye level, capturing a medium close-up that emphasizes the interaction between the two figures."</blockquote><blockquote>"smpsnsmv2007, three figures are gathered inside a dim, brick-walled ruin, peering out through a large, jagged opening at a desolate, rubble-strewn plaza. In the foreground, one figure in a yellow shirt and suspenders leans forward with a hand on their chin, while another in a light shirt and tie sits with a neutral expression, and a third in a pink shirt gestures outward with an open hand. Beyond them, the plaza is littered with broken columns, debris, and a small statue on a pedestal bearing a plaque, under a pale, overcast sky. The lighting is subdued and muted, casting deep shadows within the ruin and emphasizing the gray, brown, and dull green tones of the environment. The camera is positioned at eye level, framed from within the structure, creating"</blockquote><h3>Training</h3><ul><li>Base model: Krea 2 (trained on Raw)</li><li>Type: Style LoRA</li><li>Dataset: 300 images</li><li>Steps: 2000</li><li>Network rank / alpha: 32 / 32</li><li>Learning rate: 0.0002</li><li>Optimizer: adamw8bit</li><li>Resolutions: 512 / 1024</li></ul><h3>Generation settings</h3>Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.<ul><li>Raw: ~30 steps, guidance 3.5</li><li>Turbo: ~8 steps, guidance 1.0</li></ul>The preview images were generated with <code>krea2_turbo_mxfp8.safetensors</code>, at 8 steps, guidance 1, LoRA weight 1.

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