<h1 id="premium-character-loras">Premium character LoRAs</h1>Original synthetic characters, bundles and AI tools are in my shop:<a target="_blank" rel="ugc" href="https://rkrra.com/civitai">https://rkrra.com/civitai</a>Get the character LoRAs on Patreon: <a target="_blank" rel="ugc" href="https://www.patreon.com/cw/RkRRa">https://www.patreon.com/cw/RkRRa</a>Join the community on Discord: <a target="_blank" rel="ugc" href="https://discord.gg/nB79wRNtMT">https://discord.gg/nB79wRNtMT</a><h2>The Pianist 2002</h2>A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.<h3>Usage</h3>Include the trigger word <code>pnst2002</code> in your prompt.Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.<h3>Prompt Examples</h3>Here are some prompt examples:<blockquote>"pnst2002, A man in a heavy coat and cap is straining to push a wooden cart loaded with sacks and a large metal tub across a snow-covered ground, his body leaning forward with effort. Behind him, a partially constructed brick building with wooden scaffolding looms, while other figures in similar attire move in the background, suggesting a labor-intensive, cold environment. The lighting is flat and diffused, indicating an overcast winter day, with muted tones of gray, brown, and white dominating the scene. The camera is positioned at a low angle, capturing the man’s exertion and the cart’s wheels in sharp detail, emphasizing the weight and struggle of the task."</blockquote><blockquote>"pnst2002, A symphony orchestra is captured mid-performance, with musicians in formal black attire seated in rows, intently playing violins and bows, their expressions focused and absorbed in the music. The setting is an ornate concert hall with rich wooden paneling, polished floors, and elegant music stands, suggesting a grand, traditional venue. Warm, golden lighting bathes the scene, creating soft shadows and highlighting the wood tones and fabric textures, evoking an evening performance. The camera is positioned at eye level, slightly angled from the side, offering a clear view of the musicians’ concentration and the depth of the ensemble."</blockquote><blockquote>"pnst2002, A pair of hands, clad in a dark suit with a white cuff, gracefully presses keys on a grand piano, fingers poised mid-motion over the black and white keys. The scene is set in a dimly lit room, with warm, focused lighting highlighting the hands and piano, while the background fades into shadow. The dominant colors are deep blacks, creamy whites, and warm amber tones from the lighting, creating a moody, intimate atmosphere. The camera is positioned at a low angle, close to the keyboard, emphasizing the tactile interaction with the instrument and the text overlay listing credits on the right side of the frame."</blockquote><blockquote>"pnst2002, inside a vintage radio monitoring room, a man in a dark pinstripe suit leans forward over a desk, intently examining something out of frame, while another man in a light-colored suit sits nearby, listening through headphones with a thoughtful expression. The room is lined with wood paneling, featuring a bulletin board with photos and notes, a vintage microphone, a black rotary phone, and a control panel with dials and lights. Warm, directional light streams in from the left, casting soft shadows and highlighting the rich browns and muted grays of the interior. The camera is positioned outside the glass partition, capturing the scene from a slightly elevated angle that emphasizes the separation between the observers and the operators."</blockquote><blockquote>"pnst2002, A stack of vintage banknotes and a gold pocket watch rest on a worn wooden table, beside an open newspaper with bold red lettering. A person’s hand, adorned with a ring, hovers near the edge of the table, suggesting a moment of contemplation or transaction. The scene is lit with warm, dim ambient light, casting soft shadows and evoking a late afternoon or early evening mood. Dominated by earthy browns and muted golds, the composition is framed from a low angle, emphasizing the textures of the wood and the aged paper."</blockquote><blockquote>"pnst2002, A lone figure lies motionless on dusty ground between two rows of brick barracks, while uniformed personnel stand in rigid formation along the right side and a few others loiter near a long line of freight train cars. In the distance, a plume of smoke rises against a pale sky, casting long shadows across the barren yard littered with scattered personal belongings. The scene is bathed in harsh, direct sunlight, emphasizing the stark, earthy tones of brown, gray, and muted green, with the brickwork and uniforms creating a somber, oppressive atmosphere. The camera captures the scene from a wide, eye-level perspective, framing the desolation and rigid order of the space."</blockquote><blockquote>"pnst2002, A man in a rumpled gray suit and patterned tie bursts through a doorway, his right hand raised in a frantic gesture while clutching a folded umbrella in his left. The setting is a dimly lit, narrow hallway with ornate, off-white paneled doors and floral wallpaper, suggesting an older, possibly European-style interior. The lighting is low and moody, casting deep shadows and highlighting the man’s tense expression, implying the scene occurs at night or in a poorly lit space. Dominant colors are muted grays, off-whites, and earthy browns, with the man’s tie adding a touch of faded red and beige. The camera frames him in a medium shot from a slightly low angle, emphasizing his hurried movement and the dramatic entry into the space."</blockquote><blockquote>"pnst2002, A group of people, many wearing dark coats and hats, stand in a line facing away from the camera, some with visible white armbands bearing a blue Star of David, suggesting a moment of forced assembly or transport. Behind them, a train car is partially visible through a chain-link fence, with a brick wall and industrial-style buildings in the background, reinforcing a bleak, institutional setting. The lighting is flat and overcast, casting muted tones across the scene, with dominant colors of gray, black, and brown creating a somber atmosphere. The camera is positioned at eye level, capturing the backs of the figures to emphasize their collective movement and anonymity within the frame."</blockquote><blockquote>"pnst2002, A white horse pulls a carriage along a wet, rain-slicked city street at night, its hooves splashing through puddles as it moves forward. The scene is framed from a low angle on the sidewalk, with a lamppost in the foreground casting long shadows, while pedestrians and a vintage automobile are visible in the background under the glow of sparse streetlights. The dominant colors are deep blues and grays, punctuated by the warm amber of the lights reflecting off the wet pavement. The atmosphere is moody and cinematic, with the reflections and dim illumination enhancing the sense of a quiet, late-night urban moment."</blockquote><blockquote>"pnst2002, A woman with short, wavy dark hair and wide, startled eyes stares directly ahead, her mouth slightly open as if reacting to something unexpected. She wears a textured maroon knit sweater over a cream-colored collared blouse with a small bow at the neck. Behind her, a dark wooden display cabinet holds glassware and plates, while to her right, a wall of translucent, bubble-patterned glass blocks diffuses the ambient light. The scene is dimly lit with warm, muted tones, suggesting an indoor setting during evening or night. The camera frames her in a medium close-up, centered and slightly low, emphasizing her expressive face and the tension in the moment."</blockquote><blockquote>"pnst2002, A young girl stands in the center of a crowded, sunlit outdoor space, shielding her eyes as if looking toward a distant horizon, while a man lies motionless on the ground beside her. Around them, a diverse group of people—children, adults, and the elderly—sit or stand in worn, muted clothing, some holding luggage or small items, suggesting displacement or waiting. The scene is bathed in harsh, golden afternoon light that casts sharp shadows, emphasizing the dusty, barren ground and the somber, tense atmosphere. Dominated by earthy browns, grays, and faded tones, the composition is framed from a slightly low angle, drawing focus to the girl’s gesture and the man on the ground, while the surrounding crowd creates a sense of confinement and collective stillness."</blockquote><blockquote>"pnst2002, A man with long dark hair and a full beard, wearing a heavy green military-style coat with silver buttons and epaulets, stands in a snowy outdoor scene, his expression conveying distress or exhaustion. Behind him, a weathered, multi-story building with peeling paint and barred windows looms, separated by a rusted metal fence and snow-dusted pillars. The lighting is flat and overcast, suggesting a cold, wintry day, with muted tones of gray, white, and deep green dominating the palette. The camera frames him in a medium close-up, centered and slightly low-angled, emphasizing his weary presence against the bleak urban backdrop."</blockquote><blockquote>"pnst2002, A long line of people walks along a muddy path toward a weathered, open-sided wooden structure with a corrugated metal roof, where stacks of firewood are piled and a red banner with Cyrillic text hangs prominently. The setting is a desolate, overcast rural landscape under a heavy gray sky, with sparse trees and distant forest lining the horizon, and utility poles and wires stretching across the frame. The lighting is flat and dim, casting a somber, muted tone over the scene dominated by grays, browns, and the stark red of the banner. The camera is positioned at a low, wide angle, emphasizing the length of the line and the bleakness of the environment."</blockquote><blockquote>"pnst2002, A woman in a brown hat and matching blazer stands in a dimly lit hallway, clutching a dark, textured bag and a pair of gloves, her expression tense as she looks toward the camera. Behind her, a man in a gray fedora leans against a doorframe, partially obscured, suggesting a moment of quiet confrontation or suspense. The setting is an old, ornate interior with peeling floral wallpaper and heavy wooden doors, evoking a sense of decay and history. The lighting is subdued and directional, casting deep shadows and highlighting the muted browns, creams, and faded floral patterns of her attire and surroundings. The camera frames her in a medium shot, slightly off-center, emphasizing her isolation and the weight of the moment."</blockquote><blockquote>"pnst2002, A group of people walks away down a snow-dusted alleyway at night, their silhouettes cast long by the dim glow of streetlamps. The alley is flanked by a tall brick wall with a warning sign in multiple languages, and a barbed-wire-topped fence runs along its length, suggesting a restricted or institutional area. The lighting is low and moody, with warm yellow glows from the lamps contrasting against the cold, muted tones of the snow and brick. The dominant colors are dark browns, grays, and whites, with the snow reflecting faint light. The camera is positioned low and wide, capturing the receding figures and the imposing wall, creating a sense of depth and isolation."</blockquote><blockquote>"pnst2002, soldiers in dark uniforms are engaged in a tense firefight on a cobblestone street, some crouched behind cover while others advance cautiously along the sidewalk. The setting is a European-style urban street lined with stone buildings featuring shuttered storefronts, including signs for a café, a barbershop, and a tobacco shop, with smoke rising from a distant fire. The lighting is harsh and directional, casting long shadows and suggesting late afternoon or early evening, with muted earth tones and greys dominating the palette. The camera is positioned at a high vantage point, looking down at a diagonal angle that emphasizes the scale of the street and the intensity of the action below."</blockquote><blockquote>"pnst2002, two soldiers in dark uniforms are crouched on a cobblestone street, eating from metal mess kits, with one holding a piece of bread or pastry. Behind them, a pile of broken bricks and debris suggests recent destruction, while a wooden door and stone wall frame the background. The scene is bathed in warm, late afternoon sunlight casting long shadows, with muted earth tones—browns, grays, and faded greens—dominating the palette. The camera is positioned through a fragmented, out-of-focus foreground, likely broken glass, creating a voyeuristic, partially obscured view that emphasizes the gritty realism of the moment."</blockquote><blockquote>"pnst2002, A large crowd of people, many wearing identifying armbands, are gathered in an outdoor courtyard, sitting or standing in groups, appearing to await instructions or processing. Behind them, a high brick wall topped with barbed wire encloses the area, with a multi-story institutional building looming in the background and a vintage truck parked near the wall. The scene is bathed in bright, natural daylight, casting sharp shadows and highlighting the muted earth tones of the clothing and surroundings — browns, grays, and faded blues. The camera is positioned at eye level within the crowd, creating an immersive, observational perspective that captures the density and somber atmosphere of the gathering."</blockquote><blockquote>"pnst2002, two women stand close together in front of a weathered brick wall, one with a Star of David armband on her sleeve, appearing to comfort or speak with the other, who has curly hair and is visibly emotional. In the background, other individuals are seated or standing, suggesting a crowded, somber gathering in an outdoor courtyard. The lighting is warm and direct, casting strong shadows and indicating a bright, midday sun. The dominant colors are earthy tones—browns, muted blues, and faded blacks—with the brick wall and clothing contributing to a gritty, historical atmosphere. The camera frames the scene in a medium close-up, focusing on the emotional exchange between the two central figures while still capturing the surrounding context."</blockquote><h3>Training</h3><ul><li>Base model: Krea 2 (trained on Raw)</li><li>Type: Style LoRA</li><li>Dataset: 300 images</li><li>Steps: 2000</li><li>Network rank / alpha: 32 / 32</li><li>Learning rate: 0.0002</li><li>Optimizer: adamw8bit</li><li>Resolutions: 512 / 1024</li></ul><h3>Generation settings</h3>Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.<ul><li>Raw: ~30 steps, guidance 3.5</li><li>Turbo: ~8 steps, guidance 1.0</li></ul>The preview images were generated with <code>krea2_turbo_mxfp8.safetensors</code>, at 8 steps, guidance 1, LoRA weight 1.

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