Inspired by the work of <a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/Syd_Mead">Syd Mead</a>, visual futurist/conceptual artist for the groundbreaking SF classic Blade Runner (1982), plus many other SF movies such as Aliens, 2010, and Tron.You can prompt for a dark dystopian world if you want, but the LoRA can produce bright and cheerful images as well. Works better with dark scenes, and may look more photographic if you prompt for brighter scenes (caveat: the iconic Blade Runner flying spinner seems to appear only in dark dystopian/cyberpunk settings 😅).Use weight of 1 and lower it if you see distortions or have problem with prompt following.Please post your first image directly here (click on "Add Post" above the gallery), and I will give you 10 buzz for the post (If I forgot, just complain loudly 😎)For the real deal, please go to <a target="_blank" rel="ugc" href="https://www.sydmead.com/gallery-112024">https://www.sydmead.com/gallery-112024</a>From ChatGPT:Syd Mead (July 18, 1933 – December 30, 2019) was an American industrial designer and visual futurist renowned for his groundbreaking work in concept art, particularly for science fiction films. His imaginative designs, which blended art and engineering, shaped the aesthetic of many iconic films and influenced the broader realm of speculative design.<hr /><h3 id="early-life-and-career-rom1d8t8c">Early Life and Career</h3><ol><li>Education:<ul><li>Mead studied industrial design at the Art Center School of Design (now the ArtCenter College of Design) in Pasadena, California, graduating in 1959.</li></ul></li><li>Early Work:<ul><li>After graduating, Mead joined Ford Motor Company's Advanced Styling Studio, where he worked on futuristic automotive designs.</li><li>He later freelanced for companies such as Philips Electronics, U.S. Steel, and others, creating promotional illustrations that showcased innovative concepts for the future.</li></ul></li></ol><hr /><h3 id="work-as-a-visual-futurist-gfxx0sthr">Work as a Visual Futurist</h3>Syd Mead’s title of “visual futurist” reflects his ability to envision plausible and captivating futures, blending cutting-edge technology with a keen eye for aesthetics and functionality.<ol><li>Approach to Design:<ul><li>Mead described his process as "reality ahead of schedule," creating designs grounded in practical engineering principles while being aspirational.</li><li>His work often focused on how technology interacts with human environments, emphasizing plausible functionality.</li></ul></li><li>Distinctive Style:<ul><li>Mead's designs are characterized by clean lines, bold geometry, and a focus on sleek, futuristic aesthetics. He often used metallic textures, vibrant lighting, and an interplay of massive scale and intricate detail.</li></ul></li></ol><hr /><h3 id="notable-film-contributions-o2u5qy28f">Notable Film Contributions</h3>Syd Mead’s visionary concepts have been instrumental in defining the look of several iconic science fiction films:<ol><li>Blade Runner (1982):<ul><li>Mead's designs for Ridley Scott’s dystopian masterpiece included the urban landscapes of Los Angeles in 2019, the "Spinner" flying cars, and interiors that blended high-tech with decay. His work set a benchmark for cyberpunk visuals.</li></ul></li><li>Tron (1982):<ul><li>Mead contributed designs for the "Light Cycles" and other digital environments, helping to establish the futuristic, neon-lit aesthetic of the film.</li></ul></li><li>Aliens (1986):<ul><li>Directed by James Cameron, Mead created concepts for the military equipment, including vehicles like the "USS Sulaco."</li></ul></li><li>Star Trek: The Motion Picture (1979):<ul><li>Mead worked on designs for the V’Ger spacecraft, which became a central visual element of the film.</li></ul></li><li>Blade Runner 2049 (2017):<ul><li>He was consulted for the sequel, ensuring continuity with the visual style he helped establish in the original film.</li></ul></li></ol><hr /><h3 id="other-notable-projects-0cokbuol3">Other Notable Projects</h3><ul><li>Yamaha Motorcycle Design: Mead applied his futuristic touch to concept motorcycles.</li><li>Architecture and Urban Design: He worked on architectural projects, envisioning futuristic urban environments and integrated technologies.</li><li>Video Games: Mead’s influence extended to games like Aliens: Colonial Marines and other projects requiring immersive, futuristic environments.</li></ul><hr /><h3 id="legacy-01zlm17do">Legacy</h3><ol><li>Cultural Impact:<ul><li>Syd Mead’s influence can be seen in modern science fiction, from films to video games and anime. His ability to make fantastical designs feel grounded in reality reshaped how audiences perceive futuristic worlds.</li></ul></li><li>Awards and Honors:<ul><li>Mead received numerous accolades, including induction into the Science Fiction Hall of Fame in 2017.</li></ul></li><li>Educational Influence:<ul><li>Mead’s lectures and writings have inspired countless designers, engineers, and artists. He is often cited as a key figure in speculative and industrial design.</li></ul></li></ol><hr /><h3 id="death-and-posthumous-recognition-1e6mu7jqf">Death and Posthumous Recognition</h3>Syd Mead passed away on December 30, 2019, at the age of 86. His work continues to inspire generations of creators, serving as a testament to the power of imagination and the seamless integration of art and engineering.In the words of Mead himself: "The future is something we can build and shape. I create worlds where dreams meet practicality, and the impossible becomes inevitable."

Future Noir: Retro SF Illustration Style (Syd Mead)

Because the training images are mostly panoramic, I decide to trained again at 1024x1024. This is version 1.2 because I was not happy with v1.1 (which was trained captionless at 1024x1024 with network dim of 8, and it had problem reproducing the spinner!)The training image set was also captioned using Florence 2 rather than captionless as in V1. The captions are edited for two images depicting the iconic Blade Runner Spinner, which were labeled as "motorcycle". I changed them to "hovercraft". I didn't want to use the term car since there are other cars in the training set and I don't want Flux to combine them.The result seems to be better, capturing more of Syd Mead's "industrial design" look, and the images are sharper and more coherent.This is epoch 10, the other epoch can be found at tensor. art/models/810970807363733178/Syd-Mead-6-CapD6A3Cos5-2024-12-24-05:30:32-Ep-10FLUX.1 - dev-fp8Trigger: sydme1 paintingRepeat: 20 Epoch: 10 (Trained on 18 images at 1024x1024, total of 3600s steps)Unet LR: 0.0005 Scheduler: cosine Optimizer: AdamWNetwork Dim: 6 Alpha: 3Sampler: dpmpp_2mEpoch Loss<ul><li>1 0.404</li><li>2 0.389</li><li>3 0.387</li><li>4 0.380</li><li>5 0.378</li><li>6 0.370</li><li>7 0.364</li><li>8 0.367</li><li>9 0.349 &lt;- lowest</li><li>10 0.354</li></ul>

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