<h1 id="premium-character-loras">Premium character LoRAs</h1>Original synthetic characters, bundles and AI tools are in my shop:<a target="_blank" rel="ugc" href="https://rkrra.com/civitai">https://rkrra.com/civitai</a>Get the character LoRAs on Patreon: <a target="_blank" rel="ugc" href="https://www.patreon.com/cw/RkRRa">https://www.patreon.com/cw/RkRRa</a>Join the community on Discord: <a target="_blank" rel="ugc" href="https://discord.gg/nB79wRNtMT">https://discord.gg/nB79wRNtMT</a>Aliens 1986 Special Cut RemasteredA style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.UsageInclude the trigger word alns1986 in your prompt.Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.Prompt ExamplesHere are some prompt examples:"alns1986, A sleek, metallic gyroscope spins rapidly on a matte black circular base, its reflective surfaces catching and distorting the ambient light as it rotates. The setting is a minimalist, dimly lit room with a dark, smooth floor and blurred background elements suggesting modern furniture or equipment, all rendered in cool, monochromatic tones. The lighting is low and directional, casting sharp highlights on the gyroscope’s curves while plunging the surroundings into deep shadow, evoking a late-night or studio atmosphere. Dominated by shades of charcoal, steel, and deep blue, the frame is tightly composed with a shallow depth of field, emphasizing the motion blur of the spinning object against a softly out-of-focus backdrop.""alns1986, A hand holds a transparent acrylic award plaque, its surface reflecting ambient light, with a black engraved plate reading “Second Grade Citizenship Award” and “REBECCA JORDEN” in raised gold lettering. The background is softly blurred, suggesting an indoor setting with muted tones and indistinct shapes, while the lighting is dim and directional, casting subtle highlights on the fingers and the award’s edges. The dominant colors are dark browns, blacks, and metallic gold, with the camera positioned in a tight close-up, emphasizing the texture of the hand and the reflective quality of the award.""alns1986, A person with short, light-colored hair, seen from the side and slightly out of focus, leans intently toward a wall of six vintage-style security monitors, their gaze fixed on the screens. The monitors display grainy, blue-tinted footage of dimly lit industrial interiors, with visible pipes, machinery, and structural beams, suggesting surveillance of a complex facility. The room is dark, illuminated only by the glow of the monitors and faint ambient light, creating a tense, nocturnal atmosphere. Dominated by shades of deep blue, black, and gray, the composition uses a shallow depth of field to emphasize the monitors while keeping the observer’s profile blurred, reinforcing a sense of focused observation from a hidden or secure vantage point.""alns1986, A person is partially submerged in icy water, their face and hands obscured by a thick, crystalline layer of ice that stretches across the frame, suggesting they are struggling to break free. The setting is a dark, cold aquatic environment, possibly a frozen lake or underwater cavern, with the ice forming jagged, glittering patterns that catch the dim light. The lighting is low and cool-toned, casting deep shadows and emphasizing the blue and gray hues of the ice and surrounding water, indicating a nighttime or subaquatic scene. The camera is tightly framed, angled slightly upward, focusing on the tension between the person’s trapped form and the encroaching ice.""alns1986, two men in uniform shirts walk forward through a narrow, industrial corridor, one gesturing animatedly while the other holds a small object near his chest. The setting is a metallic, utilitarian interior with exposed pipes, gridded flooring, and overhead lighting fixtures, suggesting a functional, high-tech environment. Cool blue and gray tones dominate the scene, with streaks of warm light from above casting sharp highlights and shadows, indicating artificial illumination inside a confined space. The camera is positioned at eye level, capturing the men mid-stride as they move toward the viewer, creating a sense of immediacy and immersion.""alns1986, A narrow, industrial access hatch with red-and-white striped safety markings is partially open, revealing a dimly lit interior chamber with metallic walls and ventilation grilles. Above, a bright, vertical beam of light pierces through swirling mist or steam, illuminating the scene from above while casting deep shadows around the edges of the hatch. The dominant colors are cool grays and whites, contrasted by the bold red stripes, under a moody, atmospheric lighting that suggests either early morning or late evening in a high-tech or underground facility. The camera is positioned at a low, slightly tilted angle, looking upward into the hatch, emphasizing the depth and mystery of the space.""alns1986, inside a sterile, high-tech laboratory, two individuals stand behind a large, curved glass partition, both raising their hands in a gesture of surrender or defense as a long, serpentine, metallic appendage extends toward them from the other side. The room is filled with industrial equipment, including labeled storage drawers, transparent containers, and glowing fluorescent lights that cast a cool, bluish-white illumination across the scene, suggesting an artificial, controlled environment. The dominant colors are muted grays, metallic silver, and the pale blue glow of the lighting, creating a tense, clinical atmosphere. The camera is positioned at eye level, framing the subjects and the looming threat through the glass, emphasizing the barrier between them and the danger.""alns1986, A cluster of bright, white headlights pierces through a thick, hazy atmosphere, suggesting vehicles moving along a dark, indistinct road or path. The scene is enveloped in a cool, teal-blue haze that dominates the frame, with the lower portion fading into near-black shadow, indicating either nighttime or heavy fog. The camera is positioned at a high, distant angle, looking down on the scene, emphasizing the isolation and mystery of the illuminated points against the vast, muted backdrop.""alns1986, A close-up view captures the mechanical interior of a forklift’s lifting mechanism, with a heavy, textured metal plate secured by a clamp, as hydraulic cylinders rise vertically within a yellow-painted frame. The setting appears to be an industrial warehouse or loading bay, suggested by the utilitarian metal surfaces and faint background structures. Lighting is artificial and directional, casting sharp shadows and highlighting the worn yellow paint and metallic sheen, indicating an indoor, possibly late afternoon or night scene. Dominant colors are industrial yellow, dark gray metal, and reflective silver, framed tightly from a low, angled perspective that emphasizes the machinery’s robust, functional design.""alns1986, A group of individuals in uniform are gathered around a large, transparent console in a high-tech control room, appearing to discuss or monitor data displayed on screens. The environment is industrial and futuristic, featuring metallic surfaces, exposed grid ceilings, and a suspended mechanical arm with a control unit. Cool blue and gray tones dominate the scene, illuminated by fluorescent lighting and glowing LED strips along barriers, suggesting an active, possibly nighttime or interior setting. The camera is positioned at a medium distance, slightly angled to capture the interaction among the group and the surrounding machinery, with a foreground barrier partially obscuring the view.""alns1986, A cluster of vintage-style monitors displays fluctuating green bio-sign waveforms and mission data, indicating real-time health monitoring of personnel in a confined, high-tech environment. The setting is a dimly lit control room with dark metallic panels, where the glow from the screens casts an eerie, monochromatic green hue across the scene, suggesting a tense or critical moment during a mission. The camera is positioned at eye level, capturing the monitors in a tight, grid-like arrangement that emphasizes the clinical, surveillance-heavy atmosphere.""alns1986, A lone vehicle with headlights on navigates a dim, winding road flanked by dark, silhouetted hills and sparse vegetation under a twilight sky. The scene is set at dusk, with a cool blue and gray color palette dominating the frame, casting deep shadows and emphasizing the isolation of the road. The camera is positioned low and angled upward, capturing the vehicle’s movement against the hazy horizon, while the grainy texture suggests a vintage or analog recording style.""alns1986, A heavily armed individual in tactical gear stands alert in a sterile, industrial room, scanning the area with a weapon held ready. The space is lined with rows of metallic storage lockers marked with hazard symbols, while a cluttered workbench with scientific equipment and labeled panels occupies the background. The lighting is cool and artificial, casting sharp shadows and giving the scene a tense, nocturnal atmosphere. Dominated by shades of teal, gray, and metallic silver, the frame is captured from a medium-wide angle, emphasizing the subject’s isolation within the confined, high-tech environment.""alns1986, A sprawling, multi-tiered space station complex floats in the void, its interconnected modules and glowing windows suggesting active habitation, while a small spacecraft glides past one of its outer arms. The setting is deep space, framed by a starfield and a distant, partially visible planet on the left, with a bright star casting a radiant flare near the center. The lighting is dim and atmospheric, dominated by cool blues and grays of the station’s metallic surfaces, contrasted by warm amber glows from interior lights and red indicator signals. The camera is positioned at a low angle, looking upward through the station’s structure, emphasizing its immense scale and intricate architecture.""alns1986, A man with short, tousled hair is shown in profile, his face glistening with sweat and streaked with grime, suggesting intense physical exertion or a harsh environment. He wears a dark, utilitarian headset with a microphone near his mouth, and his shoulders are covered by a metallic, armored vest with visible wear and scratches. The background is dimly lit and out of focus, featuring blurred vertical lines that hint at a confined, industrial or mechanical setting. The lighting is low and directional, casting sharp shadows and highlighting the texture of his skin and gear, with dominant cool tones of gray and blue. The camera is tightly framed on his head and shoulders, angled slightly from the side to emphasize his weary expression and the gritty atmosphere.""alns1986, A grotesque, biomechanical creature with a gaping maw full of jagged, serrated teeth and a slick, wet surface looms forward, its head angled slightly downward as if poised to strike. The scene is set in a dim, industrial environment shrouded in swirling mist, with faint metallic structures and cables visible in the background, suggesting a confined, mechanical space. Cold, directional lighting casts sharp highlights across the creature’s glossy black exoskeleton and dripping saliva, emphasizing its menacing texture against a dark, shadowy backdrop. The camera frames the creature in a tight close-up, focusing on its terrifying facial features and creating an immersive, claustrophobic perspective.""alns1986, A vintage military aircraft, viewed from inside a larger transport plane, is suspended mid-air with its cockpit canopy open, revealing a pilot’s seat and illuminated control panel. The setting is high-altitude, with a vast expanse of textured clouds below, suggesting a midday flight under diffused, overcast lighting. The dominant colors are muted grays and metallic blues of the aircraft’s riveted fuselage, contrasted against the soft white and gray of the cloud cover. The camera is positioned low and angled upward, emphasizing the aircraft’s nose and cockpit while framing the open sky above and the transport plane’s interior structure in the foreground.""alns1986, A person with long hair, wearing a torn jacket and ripped pants, is crouched amid a cluttered, confined space, reaching toward a wall-mounted unit while holding a bundle of items. The setting is a cramped, dimly lit interior with a ceiling grid, a partially visible “AIRWAY” sign, and scattered debris including cardboard boxes, clothing, plastic containers, and a child’s toy. The lighting is artificial and low, casting deep shadows and creating a gritty, somber atmosphere, suggesting nighttime or an enclosed, poorly lit environment. Dominant colors are muted grays, browns, and faded reds, with occasional pops of color from objects like a purple beaded necklace. The camera is positioned at a high angle, looking down into the space, emphasizing the cramped and chaotic""alns1986, A group of armed individuals in tactical gear advances cautiously through a dim, industrial corridor, their weapons raised as they confront a towering, biomechanical entity with exposed wiring and organic textures. The setting is a cluttered, metallic interior with exposed pipes, warning stripes, and flickering fluorescent lights casting sharp shadows, suggesting a damaged or abandoned facility. The lighting is stark and directional, with cool blues and greys dominating the palette, punctuated by red emergency glows and the warm highlights from headlamps. Shot from a low, immersive angle, the camera emphasizes the scale of the creature and the tension of the confrontation, placing the viewer directly within the action.""alns1986, A dark, armored vehicle moves forward through a narrow, rain-slicked urban alleyway, its headlights cutting through the gloom and reflecting off wet surfaces. The setting is a gritty, industrial district with towering, shadowy structures and distant, hazy streetlights, suggesting a late-night or stormy atmosphere. Dominated by deep blues and blacks, the scene is lit by cold, diffused artificial light that enhances the wet, reflective textures. The camera is positioned low and close to the vehicle’s front, creating an immersive, forward-moving perspective that emphasizes the confined space and sense of urgency."TrainingBase model: Krea 2 (trained on Raw)Type: Style LoRADataset: 300 imagesSteps: 2000Network rank / alpha: 32 / 32Learning rate: 0.0002Optimizer: adamw8bitResolutions: 512 / 1024Generation settingsTrained on Krea 2 Raw, and transfers to Krea 2 Turbo for fastergeneration.Raw: ~30 steps, guidance 3.5Turbo: ~8 steps, guidance 1.0The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.Troy Directors Cut 2004

Files with SHA256: 9cf6c019a1f728dde7900562482dc26f4df3a7680edfb9dcea6b14375ff0ee05