<h1 id="premium-character-loras">Premium character LoRAs</h1>Original synthetic characters, bundles and AI tools are in my shop:<a target="_blank" rel="ugc" href="https://rkrra.com/civitai">https://rkrra.com/civitai</a>Get the character LoRAs on Patreon: <a target="_blank" rel="ugc" href="https://www.patreon.com/cw/RkRRa">https://www.patreon.com/cw/RkRRa</a>Join the community on Discord: <a target="_blank" rel="ugc" href="https://discord.gg/nB79wRNtMT">https://discord.gg/nB79wRNtMT</a><h2>Fear And Loathing In Las Vegas 1998</h2>A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.<h3>Usage</h3>Include the trigger word <code>frandlthng1998</code> in your prompt.Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.<h3>Prompt Examples</h3>Here are some prompt examples:<blockquote>"frandlthng1998, A person in a textured pink sweater and light-colored pants is bent over, reaching toward a dark doorway, their posture suggesting focused attention or effort. The setting is an interior space with a wooden staircase railing featuring turned balusters to the left, and a glowing orange spherical lamp casting warm light on the right wall. The lighting is dim and moody, with deep shadows dominating the scene, suggesting evening or nighttime, while the dominant colors are rich reds, deep purples, and the warm orange glow from the lamp. The camera is positioned at a low angle, looking up at the subject, emphasizing their movement and the surrounding architectural elements."</blockquote><blockquote>"frandlthng1998, inside a dimly lit, cluttered bar, a man in a patterned shirt and white hat sits at the counter, his back to the camera, while another patron nearby smokes a cigarette. The space is adorned with hanging red lanterns, vintage signs, and mismatched decor, including a “ONE WAY” street sign and a “F4” label, creating a chaotic, lived-in atmosphere. Warm, low lighting casts deep shadows and highlights the rich reds, browns, and muted tones of the interior, suggesting evening or night. The camera captures the scene from a slightly elevated angle, focusing on the bar’s surface with glasses, straws, and a cigarette pack, grounding the viewer in the intimate, gritty ambiance."</blockquote><blockquote>"frandlthng1998, A person wearing a light-colored bucket hat and reflective sunglasses peeks over the hood of a white police car, which is partially buried in sand. The vehicle’s red and blue emergency light bar glows atop its roof, contrasting with the arid, rocky desert landscape and distant mountain ridges under a warm, golden sunset. The scene is bathed in soft, directional light casting long shadows, with dominant hues of orange, tan, and muted brown. The camera is positioned low, angled upward to emphasize the car’s hood and the figure’s curious, partially obscured expression against the vast, sun-drenched terrain."</blockquote><blockquote>"frandlthng1998, A man in a red hat and patterned shirt walks through a bustling, dimly lit nightclub, his gaze directed downward as he moves past other patrons. The ceiling is draped with a white netting adorned with hanging lights and colorful pennant banners, while a large, smiling clown figure looms in the background. Warm, reddish-orange lighting bathes the scene, casting a vibrant glow over the crowd and creating a lively, festive atmosphere. The camera captures the moment from a medium shot, slightly angled to follow the man’s movement through the crowded space."</blockquote><blockquote>"frandlthng1998, A man in a red plaid jacket and striped shirt, wearing sunglasses, stands in a public restroom, gesturing with both hands as if mid-conversation or performance. The walls are covered in psychedelic graffiti, including peace symbols, swirling patterns, and the words “LOVE” and “MAGIC,” while rows of urinals and sinks line the space, littered with debris on the tiled floor. The scene is bathed in a strong greenish hue, suggesting artificial lighting, with no natural light visible, creating a surreal, slightly gritty atmosphere. The camera is positioned at a low angle, capturing the subject from the waist up and emphasizing the chaotic, colorful environment around him."</blockquote><blockquote>"frandlthng1998, in a vividly colored, retro-styled room, a person in a flowing orange robe leans over another who is kneeling on a plush purple carpet, while a third individual sits cross-legged nearby, wearing a green visor and gesturing animatedly. The setting features a white-clothed table with bottles and fruit, geometric white room dividers, a potted plant, and a floor lamp casting a warm glow, suggesting an indoor evening scene. Dominant hues include deep purple, orange, and cream, with pops of green and yellow from props and decor. The camera captures the scene from a medium-wide angle, placing the figures centrally and emphasizing the playful, cluttered, and stylized environment."</blockquote><blockquote>"frandlthng1998, A man with dark, curly hair and a mustache is captured in a close-up, looking downward with his eyes nearly closed, as if in deep thought or contemplation. He wears a patterned shirt with wavy black, white, and blue lines, and the background reveals an outdoor café setting with green and white umbrellas, blurred patrons, and lush floral arrangements. Warm, golden sunlight bathes the scene, suggesting late afternoon, casting soft shadows and highlighting the rich tones of the foliage and fabric. The frame is tightly cropped around the man’s face and upper torso, emphasizing his expression and the intimate, slightly hazy atmosphere of the moment."</blockquote><blockquote>"frandlthng1998, A person with curly hair, wearing a sleeveless top, stands in profile near a window, gazing outward at a neon sign glowing in the night. The interior is dimly lit with warm, yellowish tones, while the exterior is dark, punctuated by the bright blue and white neon. A framed picture and a red “SMOKE” sign are visible on the wall behind, and the foreground is partially obscured by blurred metal bars, suggesting a viewpoint from within a vehicle or structure. The scene is framed from a low angle, emphasizing the subject’s contemplative stance against the contrast of indoor warmth and outdoor urban nightlife."</blockquote><blockquote>"frandlthng1998, A person with curly hair, wearing a sleeveless top and light-colored pants, stands at a counter and is actively using a wall-mounted rotary phone, holding the receiver to their ear. The setting is a dimly lit diner or café, with a wooden counter in the foreground holding red condiment bottles, glass salt and pepper shakers, and a white bowl. Behind the person, a “NO SMOKING” sign is visible on the wall, and lush green plants are seen through a window or doorway to the left. The lighting casts a warm, slightly yellowish glow, suggesting late afternoon or early evening, with shadows and highlights emphasizing the textures of the wood and metal. The camera is positioned at a low angle, partially obscured by the legs of a stool and a metal bar, creating"</blockquote><blockquote>"frandlthng1998, A man with a long white beard and a striped shirt walks through a dusty outdoor event, holding a green flag and a bottle, while others move around him near a race car marked with the number 113. The setting is a desert campsite with beige tents, an American flag, and string lights overhead, under a muted, overcast sky that suggests late afternoon or early evening. Dominant colors are earthy browns, faded greens, and the stark white of the tent and signage, with pops of color from clothing and decorations. The camera frames the scene from a medium distance, capturing the bustling activity and the rugged, open environment."</blockquote><blockquote>"frandlthng1998, A dimly lit hallway with rich, dark wood paneling and a partially open elevator door reveals a narrow sliver of light from within. On the left, a crumpled white paper rests on a wooden surface, while a small metallic object lies nearby. The warm, low lighting casts soft reflections along the polished wood and metallic elevator frame, suggesting late evening or nighttime. The dominant colors are deep browns and muted golds, with the camera positioned at eye level, creating an intimate, slightly suspenseful perspective."</blockquote><blockquote>"frandlthng1998, A bustling street scene teeming with crowds of people and vintage cars, framed by towering, brightly lit casino signs advertising events like the “Annual $100,000 Mint 400 Desert Race.” The setting is a neon-drenched urban thoroughfare at dusk, where the fading natural light is overtaken by the electric glow of red, pink, and white signage, including “Hotel Fremont Casino” and “Queens.” The camera captures a wide-angle, eye-level view that immerses the viewer in the chaotic energy of the street, with the vibrant colors and dense composition conveying a sense of lively, high-stakes excitement."</blockquote><blockquote>"frandlthng1998, A red car streaks past from right to left, its motion blurred against a vast, arid desert landscape. The scene is framed by a two-lane asphalt road cutting through sparse, dry shrubs and rolling, dusty hills under a hazy sky with scattered clouds. The lighting casts a warm, golden-orange hue over the entire frame, suggesting late afternoon or early evening. Dominated by earthy tones of rust, ochre, and muted brown, the composition uses a wide, horizontal angle to emphasize the emptiness and scale of the desert expanse."</blockquote><blockquote>"frandlthng1998, A man in a patterned shirt is seen from behind, stepping through a glass doorway while holding a camera, suggesting he is entering a small establishment. The setting is a roadside cafe or diner at dusk, with a glowing neon sign reading “CAFE” and a hanging “COME IN We’re OPEN” sign visible through the glass. The lighting is dim and atmospheric, with the interior warmly lit against the cool blue tones of the twilight sky outside, and the dominant colors are deep blues, yellows from the signs, and muted earth tones of the interior. The camera is positioned at eye level, capturing the man’s movement into the space with a shallow depth of field that blurs the background, emphasizing the doorway and the signs."</blockquote><blockquote>"frandlthng1998, A vintage red car speeds along a straight desert highway, its motion blurred to convey rapid movement as it passes the camera’s right side. The road stretches into the distance, flanked by sparse, dry vegetation and framed by distant, rugged mountains under a hazy, golden sky. Warm, low-angle sunlight bathes the scene in amber and ochre tones, suggesting late afternoon or early evening. The camera is positioned low and close to the road, capturing the car’s rear fender and the asphalt’s texture, emphasizing speed and isolation in the vast, arid landscape."</blockquote><blockquote>"frandlthng1998, A man in a patterned jacket and bucket hat stands beside a vintage red convertible, smoking a cigarette, while a uniformed officer in a khaki shirt and cap reviews documents from a clipboard. They are positioned on a dusty roadside in a vast desert landscape, with rugged, sun-baked mountains stretching into the horizon under a clear, pale blue sky. The warm, golden light of late afternoon bathes the scene, casting long shadows and highlighting the earthy tones of the terrain and vehicles. The composition is a medium shot, framed to include both figures and the expansive desert backdrop, emphasizing isolation and the quiet tension of the interaction."</blockquote><blockquote>"frandlthng1998, A vintage red convertible speeds off the paved road into a dusty, arid landscape, kicking up a plume of smoke and dirt as it veers toward the scrub-covered terrain. The setting is a vast desert with sparse, low-lying vegetation and distant, hazy mountains under a warm, golden sky, suggesting late afternoon or early evening. The lighting casts long, dramatic shadows and creates lens flares that enhance the cinematic feel, while the dominant colors are earthy browns, muted greens, and the striking red of the car. The camera captures the scene from a high, slightly angled perspective, emphasizing the car’s motion and the expansive, isolated environment."</blockquote><h3>Training</h3><ul><li>Base model: Krea 2 (trained on Raw)</li><li>Type: Style LoRA</li><li>Dataset: 300 images</li><li>Steps: 2000</li><li>Network rank / alpha: 32 / 32</li><li>Learning rate: 0.0002</li><li>Optimizer: adamw8bit</li><li>Resolutions: 512 / 1024</li></ul><h3>Generation settings</h3>Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.<ul><li>Raw: ~30 steps, guidance 3.5</li><li>Turbo: ~8 steps, guidance 1.0</li></ul>The preview images were generated with <code>krea2_turbo_mxfp8.safetensors</code>, at 8 steps, guidance 1, LoRA weight 1.

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