<h1 id="ta86_realityfracture">ta86_realityfracture</h1>Split Realities, Material Transformations, and Fractured Worlds. Krea2 can do that (sometimes) already , but I wanted to change/enhance it in my way.Recommended strength: Krea2: 0.7 to 1.0<h2 id="short-description">Short Description</h2>ta86_realityfracture is a concept LoRA built around the visual division of a subject or scene into two distinct states, materials, emotions, styles, or realities.The division can appear as a sharp fracture, an earth fissure, a rupture across the sky, a narrow seam, a structural material boundary, or a soft transition woven directly into the subject.Describe the split and both sides.It is not limited to glowing cracks.The fracture can be:<ul><li>hard and luminous</li><li>dark and broken</li><li>subtle and restrained</li><li>embedded into fabric, skin, stone, metal, or architecture</li><li>created through changes in texture, lighting, color, age, emotion, or visual style</li><li>extended through the subject and surrounding environment</li></ul>The strongest results connect the split directly to the idea of the image.A silk portrait may transform into embroidery. A human face may become porcelain. A clock may divide between preservation and decay. A landscape may be separated by a deep earth fissure. A fantasy world may be torn apart by a rupture across the sky.The LoRA works with portraits, full body characters, animals, objects, fashion, interiors, architecture, landscapes, symbolic concepts, fantasy environments, and style transitions.<h2 id="triggerwords">Triggerwords</h2>ta86_realityfracture, divided reality, split material state, fractured world, contrasting states, one side, the other side, material transformation, structural division, reality transitionThe main trigger <code>ta86_realityfracture</code> should be placed at the beginning of the prompt.The prompt should clearly describe both sides of the transformation.Example:<code>one side realistic silk and natural skin, the other side embroidered thread, woven floral details, and layered textile surfaces</code>The LoRA works best when the split has a clear visual or conceptual purpose.If you do not like long descriptions or the idea behind it, stop reading here ;)<hr /><h2 id="types-of-fracture">Types of Fracture</h2><h3 id="clean-material-split">Clean Material Split</h3>A clearly readable boundary divides one material from another.Examples:<ul><li>polished ceramic and raw clay</li><li>natural skin and porcelain</li><li>smooth metal and rusted iron</li><li>realistic fur and carved wood</li><li>silk and embroidered textile</li><li>intact glass and fractured crystal</li></ul>The split does not need to glow. A visible seam, carved edge, stitched boundary, or change in surface texture can be enough.<h3 id="soft-reality-transition">Soft Reality Transition</h3>The two states blend through a controlled transition rather than a hard crack.This works especially well for:<ul><li>emotional contrasts</li><li>beauty portraits</li><li>style bridges</li><li>natural and artificial states</li><li>living and sculptural surfaces</li><li>joy and melancholy</li><li>calm and corruption</li></ul>The transition should remain readable without becoming a classic double exposure.<h3 id="structural-fracture">Structural Fracture</h3>The division becomes part of the physical scene.Examples:<ul><li>an earth fissure dividing a landscape</li><li>a crack running through a building</li><li>a split cutting through a room and its floor</li><li>a broken wall separating two realities</li><li>a fracture continuing through subject and architecture</li></ul>This variant is especially effective for environments, fantasy scenes, and cinematic compositions.<h3 id="sky-rift">Sky Rift</h3>A rupture crosses the sky and divides the complete world below it.The split may continue through:<ul><li>clouds</li><li>mountains</li><li>architecture</li><li>characters</li><li>reflections</li><li>the horizon</li></ul>This creates a larger and more epic interpretation of the concept while preserving a clear visual structure.<h3 id="style-bridge">Style Bridge</h3>The same subject or scene is rendered in two different visual languages.Examples:<ul><li>photorealism and ink painting</li><li>photography and embroidery</li><li>realism and paper cut art</li><li>architecture and blueprint drawing</li><li>cinematic realism and graphic comic rendering</li><li>photography and classical oil painting</li></ul>The anatomy, pose, perspective, and main shapes should remain coherent across both sides.<h2 id="visual-identity">Visual Identity</h2>ta86_realityfracture is defined by:<ul><li>one dominant division</li><li>two clearly different states</li><li>coherent subject identity across both sides</li><li>meaningful material or conceptual contrast</li><li>readable silhouettes</li><li>asymmetrical compositions</li><li>diagonal, vertical, or environmental splits</li><li>restrained transitions where appropriate</li><li>hard fractures where the scene supports them</li><li>consistent transformation through subject and environment</li><li>controlled surrealism</li><li>minimal visual clutter</li></ul>The fracture should support the idea of the image.It should not feel like a random glowing effect placed on top of the subject.The split may be obvious or subtle, but both states should remain clearly understandable.<h2 id="good-for">Good For</h2>Portraits, beauty photography, fashion editorials, full body characters, animals, symbolic good-versus-evil concepts, emotional contrasts, clocks and impermanence, material studies, objects, furniture, vehicles, architecture, abandoned spaces, fantasy worlds, sky ruptures, earth fissures, cinematic landscapes, comic transitions, painterly transformations, and surreal concept art.<h2 id="prompt-examples">Prompt Examples</h2><h3 id="material-woven-portrait">Material-Woven Portrait</h3>ta86_realityfracture, close-up portrait of a woman in three-quarter view wearing a high silk collar, asymmetrical framing, a diagonal transition crosses the face and garment, defined by stitched-like texture changes and a restrained seam rather than a bright fracture line. One side is rendered as realistic beauty photography with smooth skin, natural light, and rich silk texture. The other side transforms into an embroidered textile interpretation with stitched facial contours, thread-based floral patterns, layered fabric panels, and visible woven texture. The eyes, expression, and silhouette remain coherent across both halves. Soft directional light, limited palette, and very clear separation between the two sides.<h3 id="porcelain-transformation">Porcelain Transformation</h3>ta86_realityfracture, close-up portrait of a woman with loose dark hair and a sculptural collar, asymmetrical framing, a diagonal transition crosses the face, neck, and garment. One side is realistic beauty photography with natural skin texture and soft light. The other side gradually transforms into glazed porcelain with delicate painted ornament, hairline cracks, smooth reflective surfaces, and rigid sculptural contours. The facial proportions and expression remain coherent across both states.<h3 id="emotional-split">Emotional Split</h3>ta86_realityfracture, close-up portrait of a woman in three-quarter view, asymmetrical framing, a soft diagonal transition crosses the face, hair, neck, and background. One side expresses quiet joy through warm sunlight, bright eyes, fresh flowers, and light golden tones. The other side carries melancholy through cooler blue-gray light, a distant gaze, wilted flowers, condensation on glass, and a still atmosphere. The identity and facial structure remain coherent across both emotional states.<h3 id="object-and-impermanence">Object and Impermanence</h3>ta86_realityfracture, close view of an antique standing clock against a dark neutral background, asymmetrical composition, a diagonal transition divides the full object through changes in age and material condition. One side is intact and preserved with polished brass, clean glass, readable numerals, and richly finished wood. The other side is consumed by time with warped timber, oxidized metal, fractured glass, faded numbers, exposed gears, dust, cobwebs, and small roots growing through the base.<h3 id="animal-transformation">Animal Transformation</h3>ta86_realityfracture, close portrait of a wolf-dog hybrid in three-quarter view, off-center composition, a subtle diagonal transition crosses the head, chest, and shoulder. One side appears domesticated and calm with groomed fur, a leather collar, and warm interior light. The other side becomes fully wild with rough rain-darkened fur, small scars, pine needles, colder eyes, and a misty forest merging into the silhouette. The anatomy and facial structure remain coherent across both halves.<h3 id="fantasy-sky-rift">Fantasy Sky Rift</h3>ta86_realityfracture, a lone armored woman standing on a high cliff above a vast fantasy valley, full body view, asymmetrical composition, a hard diagonal rupture cuts through the entire scene and continues across the sky. One side shows a luminous realm with pale golden clouds, elegant stone towers, and soft sacred light. The other side reveals storm-heavy skies, fractured black mountains, twisted ruins, and deep crimson light. The split connects sky, landscape, architecture, and subject into one coherent divide.<h3 id="fantasy-earth-fissure">Fantasy Earth Fissure</h3>ta86_realityfracture, a solitary man in a long cloak standing in a ruined fantasy courtyard, medium-wide shot, slightly low angle, a hard structural split rises from a deep crack in the earth and continues through the figure and surrounding architecture. One side shows intact stone, still water, ivy, and calm blue daylight. The other side reveals broken masonry, scorched roots, drifting ash, and glowing heat deep inside the fissure.<h2 id="prompting-tips-for-krea2">Prompting Tips for Krea2</h2>Describe the fracture as part of the subject or scene rather than as an isolated effect.Good wording:<code>A diagonal transition is woven into the face and garment through changes in material and texture.</code><code>A deep fissure in the earth divides the figure and the surrounding architecture.</code><code>The split continues consistently through the subject, ground, and sky.</code><code>The boundary is visible through a restrained seam rather than a bright glowing crack.</code><code>Both sides preserve the same pose, anatomy, and silhouette.</code><code>One side remains realistic while the other side changes into a different material state.</code><code>The transition is soft but clearly readable.</code><code>The fracture is sharp and structural, connecting the entire environment.</code>Use simple and meaningful contrasts.Strong examples:<ul><li>human and porcelain</li><li>silk and embroidery</li><li>preserved and decayed</li><li>civilized and primal</li><li>joyful and melancholic</li><li>calm and corrupted</li><li>modern and abandoned</li><li>photoreal and illustrated</li><li>intact and ruined</li><li>sacred and corrupted</li><li>frozen and volcanic</li><li>living and sculptural</li></ul><h2 id="good-prompt-structure">Good Prompt Structure</h2>ta86_realityfracture, main subject, pose or position, type and direction of the split, appearance of the boundary, first state, second state, consistency across subject and environment, composition, lighting, materials, mood<h2 id="suggested-strength">Suggested Strength</h2><h3 id="0.6-to-0.8">0.6 to 0.8</h3>For subtle transition-optimization, restrained material changes, emotional contrasts, and easier combination with other LoRAs.<h3 id="0.8-to-1.0">0.8 to 1.0</h3>Recommended for most portraits, animals, objects, architecture, and style bridges.<h3 id="1.0-to-1.3">1.0 to 1.3</h3>For harder fractures, clearer environmental splits, stronger material transformation, sky ruptures, and earth fissures.Lower strength usually preserves more of the base model’s style.Higher strength makes the fracture concept more dominant.<h2 id="avoid">Avoid</h2>Using a bright glowing crack in every image, classic double exposure, transparent overlays, unrelated materials, excessive particles, too many competing transformations, random neon effects, weak conceptual contrasts, unclear boundaries, unreadable anatomy, multiple fractures without purpose, tiny overcomplicated details, and scenes where the transformation does not continue consistently through the subject.The strongest results usually come from:<ul><li>one primary subject or scene</li><li>one meaningful transformation</li><li>two clearly described states</li><li>a boundary suited to the concept</li><li>coherent anatomy and perspective</li><li>restrained visual noise</li><li>consistent transformation across the image</li><li>a split that feels embedded rather than applied</li></ul>Anything you find of mine outside of Civitai is shared without my permission. Please do not reupload my files outside Civitai. Link to my profile instead. Thank you.<a target="_blank" rel="ugc" href="https://civarchive.com/user/tehalex86">https://civarchive.com/user/tehalex86</a>

ta86_realityfracture

Go around 1.0 for the start. Up to 1.2 worked fine for me. Go up to 1.5 for artistic only. Some styles shine through. Describe the split and both sides. Showcase is without enhancements and 100% T2I. Trained with around 90 my creations and retagged by hand. Euler/simple seems to be fine for most of the stuff. Please do not reupload my files. Just link people to my Civitai profile instead. Thank you. <a target="_blank" rel="ugc" href="https://civitai.com/user/tehalex86">https://civitai.com/user/tehalex86</a>

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