<h1 id="premium-character-loras">Premium character LoRAs</h1>Original synthetic characters, bundles and AI tools are in my shop:<a target="_blank" rel="ugc" href="https://rkrra.com/civitai">https://rkrra.com/civitai</a>Get the character LoRAs on Patreon: <a target="_blank" rel="ugc" href="https://www.patreon.com/cw/RkRRa">https://www.patreon.com/cw/RkRRa</a>Join the community on Discord: <a target="_blank" rel="ugc" href="https://discord.gg/nB79wRNtMT">https://discord.gg/nB79wRNtMT</a><h2>Snatch 2000</h2>A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.<h3>Usage</h3>Include the trigger word <code>sntch2000</code> in your prompt.Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.<h3>Prompt Examples</h3>Here are some prompt examples:<blockquote>"sntch2000, in a cluttered, dimly lit room strewn with papers and musical instruments, four men stand in a tense cluster, examining small handheld devices with focused attention. The space, resembling a disheveled office or storage area, features a guitar case, a chair, and a sink against a wall covered in posters and notices, while a white dog stands alert near one man. Cold, fluorescent lighting casts a greenish hue over the scene, suggesting an overcast or artificially lit interior at night. Dominated by muted greys, blacks, and the dull tones of worn furniture, the frame is captured from a low, wide angle that emphasizes the cramped, chaotic environment and the men’s intense engagement with their objects."</blockquote><blockquote>"sntch2000, A man in a dark leather jacket stands beside a black sedan parked in a dimly lit, gritty urban alley, aiming a long, glowing object—likely a torch or weapon—at the car’s side mirror, causing a bright flare and smoke to erupt. Behind him, a tall, rusted metal fence with peeling posters and a partially visible “NO PARKING” sign frames the scene, while the ground is littered with debris. The lighting is stark and low, casting deep shadows and highlighting the man’s silhouette and the car’s glossy surface against the night. Dominated by blacks and grays with sharp white glows from the flare, the shot is framed from a low angle, emphasizing the tension and isolation of the moment."</blockquote><blockquote>"sntch2000, A vintage black convertible is parked at the curb in front of a row of shuttered storefronts with large, reflective glass windows and dark awnings. The wet pavement reflects the overcast sky, and scattered fallen leaves line the sidewalk, suggesting a late autumn or early winter day. The building’s brick facade and faded red doors contrast with the muted grays and blacks dominating the scene, while the camera captures the street-level view in a wide, static shot that emphasizes the stillness and quiet decay of the urban environment."</blockquote><blockquote>"sntch2000, three silhouetted figures stand in front of a large, flaming vehicle, their forms tense as they appear to grapple or struggle with one another under the intense glow of the fire. The setting is a dark, outdoor area at night, with debris scattered on the ground and the burning wreckage casting flickering light across the scene. The dominant colors are deep blacks and fiery oranges, with the flames illuminating the figures and surroundings in stark contrast. The camera frames the scene from a low, wide angle, emphasizing the scale of the blaze and the dramatic, chaotic energy of the moment."</blockquote><blockquote>"sntch2000, A man with a beard leans out of the open driver’s side door of a gold-colored taxi, his head tilted back as if in exhaustion or contemplation, while another man in a dark coat and hat stands nearby on the sidewalk, seemingly engaged in a phone call. The scene unfolds on a narrow urban street lined with classic storefronts, including a red telephone booth and a sign for “Jewels Antiques,” with pedestrians and parked cars visible in the background. The lighting is soft and diffused, suggesting late afternoon or early evening, casting muted shadows and giving the scene a slightly cool, cinematic tone. Dominant colors include the deep red of the phone booth, the gold of the taxi, and the dark tones of the clothing and pavement, contrasted by the pale gray of the sidewalk"</blockquote><blockquote>"sntch2000, A dark, vintage sedan with a glowing grille and license plate “P112 WGE” is parked in a narrow alley at night, its headlights casting sharp beams on the asphalt. Behind it, a larger vehicle with license plate “P909 GNE” emits faint smoke from its exhaust, its brake lights glowing amber. A figure lies motionless on the ground near the sedan’s front wheel, while a “NO PARKING ANYTIME” sign is visible on a weathered fence in the background. The scene is bathed in low, dramatic lighting, with deep blacks and stark highlights from the car’s lights, creating a tense, noir-like atmosphere. The camera is positioned at a low angle, emphasizing the cars’ imposing silhouettes and the ominous stillness of the alley"</blockquote><blockquote>"sntch2000, in a dim, cluttered room with peeling ceiling paint and fluorescent lights casting a greenish glow, a group of men are gathered around a central object, with one seated figure wearing a plaid hood and another standing over them, appearing to handle or inspect something. The space is filled with cardboard boxes, tools, and personal items, suggesting a makeshift workshop or storage area. The lighting is stark and artificial, creating high contrast and deep shadows, indicating an indoor scene at night or in low-light conditions. Dominant colors are muted greens, grays, and browns, with the harsh white of the fluorescents cutting through the gloom. The camera is positioned at a low angle, looking up at the figures, which adds a sense of tension and immediacy to the scene."</blockquote><blockquote>"sntch2000, inside a dimly lit, wood-paneled pub, two men in dark overcoats stand near the bar, one appearing to hand something to the other while a bartender with curly hair looks on. Behind them, a chalkboard lists “Toasted Sandwich” options, and a large wall clock with Roman numerals reads approximately 10:10. The lighting is low and moody, casting deep shadows and highlighting warm amber glows from wall-mounted fixtures, suggesting late afternoon or early evening. Dominant colors are dark browns, blacks, and muted golds, with the only bright accents being the clock face and a glass of orange liquid. The camera is positioned at eye level, capturing the scene in a medium-wide shot that emphasizes the intimate, tense atmosphere of the space."</blockquote><blockquote>"sntch2000, A bald man in a dark long-sleeved shirt is crouched low on the floor, his head bowed and gaze directed downward, suggesting distress or exhaustion. Behind him, another person stands partially in frame, wearing dark pants and sneakers, near a white kitchen cabinet with a sink and a dark teapot on the counter. The scene is dimly lit with cool, blueish tones, casting deep shadows and giving the impression of nighttime or a poorly lit interior. The dominant colors are muted grays, blacks, and off-whites, with the lighting emphasizing texture and depth. The camera is positioned at a low angle, close to the crouching man’s level, creating an intimate and tense perspective."</blockquote><blockquote>"sntch2000, A dark blue sedan is captured in motion, kicking up gravel and debris as it speeds past a weathered storefront with faded signage reading “LONDON TRUWANS BURTON.” The building’s windows are framed in wood, and the scene is set under overcast, diffused lighting that suggests late afternoon or early evening. The dominant colors are muted grays, browns, and the deep blue of the car, with the camera positioned at a low angle to emphasize the vehicle’s speed and the gritty texture of the road."</blockquote><blockquote>"sntch2000, A person in a plaid shirt stands in a narrow hallway, holding a suitcase and gesturing with their other hand toward another individual who is partially obscured and appears to be moving forward. The hallway is lined with patterned wallpaper and dark wood trim, with a white wall-mounted box visible on the left and a framed picture on the wall further down. The lighting is dim and warm, casting shadows and suggesting an interior scene at night or in low-light conditions. Dominant colors are muted browns, grays, and the beige of the wallpaper, contrasted by the white box and the plaid pattern. The camera is positioned at a medium distance, capturing the subjects from a slightly low angle, emphasizing the confined space and the tension in the interaction."</blockquote><blockquote>"sntch2000, A man in a beige suit and light blue shirt stands in the foreground, his face tense and eyes squinting upward as if reacting to something above or ahead. Behind him, two other men in dark suits and ties stand slightly out of focus, one with a mustache and a reddish tie, both appearing alert and watchful. The scene unfolds outdoors in a rural field under a pale blue sky with scattered clouds, with bare trees and a distant, weathered structure visible in the background. The lighting is natural and diffused, suggesting late afternoon or overcast daylight, casting soft shadows and giving the image a muted, earthy palette of beige, blue, and gray tones. The camera is positioned at a low angle, focusing tightly on the man’s face and upper torso, creating a"</blockquote><blockquote>"sntch2000, A man with gray hair and a mustache, wearing a checkered shirt, holds a briefcase while facing another person whose back is to the camera; behind him, two others point handguns forward in a tense standoff. The scene unfolds in a narrow hallway lined with ornate, patterned wallpaper and framed artwork, with a red door and wall sconces casting warm, dim light that creates deep shadows. The dominant colors are muted browns, reds, and grays, contributing to a gritty, suspenseful atmosphere. The camera is positioned over the shoulder of the man in the foreground, framing the confrontation from a low angle that emphasizes the tension and the looming threat."</blockquote><blockquote>"sntch2000, two men in dark overcoats are engaged in a tense interaction beside a vintage car parked on a city street, one leaning out of the driver’s side while the other stands facing him near a red telephone booth. The setting is a narrow urban sidewalk lined with storefronts, including a jewelry shop with a visible sign for “Wedding Rings” and “Buy &amp; Sell,” and a classic red British phone box stands prominently between them. The lighting is soft and diffused, suggesting late afternoon or early evening, casting muted shadows and giving the scene a cool, cinematic tone. Dominant colors are deep blacks and grays of the clothing and car, contrasted with the vivid red of the phone booth and the beige tones of the pavement and building facades. The camera is positioned at a low,"</blockquote><blockquote>"sntch2000, A tense confrontation unfolds in a dim, cluttered office as four men stand in a semi-circle, their expressions serious and alert, with one gesturing emphatically toward the center. The room is lit by harsh, fluorescent tubes casting a cold greenish glow, illuminating peeling ceiling paint, a cluttered desk with papers and framed photos, and a window with a grid pattern. The dominant colors are muted greens, grays, and blacks, contributing to a gritty, noir-like atmosphere. The camera is positioned low, looking up at the group, enhancing the sense of confrontation and drama."</blockquote><blockquote>"sntch2000, A group of men in trench coats stand in the aftermath of a burned-out vehicle, examining the charred wreckage with solemn expressions. The scene is set in a campground with several mobile homes and parked vehicles visible in the background, while debris and twisted metal dominate the foreground. The lighting is flat and overcast, casting a muted, grayish-blue tone over the entire frame, suggesting late afternoon or early evening. The dominant colors are dark grays, blacks, and dull whites from the scorched metal and ash, contrasted by the pale siding of the trailers. The camera is positioned low and inside the wreckage, looking out through the twisted metal frame, creating an immersive, claustrophobic perspective."</blockquote><blockquote>"sntch2000, A man lies supine on a richly patterned carpet, arms spread wide, his head tilted back with an expression of surprise or shock, while the feet of at least two other individuals loom over him. The carpet features a repeating geometric and floral motif in deep reds, ochres, and dark browns, contrasting with the man’s light beige blazer and blue button-down shirt. The lighting is dim and focused, casting shadows that suggest an indoor, possibly tense or dramatic moment, with no clear indication of time of day. The camera is positioned directly overhead, capturing the scene from a high-angle, bird’s-eye view that emphasizes the man’s vulnerability and the looming presence of others."</blockquote><blockquote>"sntch2000, A weathered white camper trailer, partially obscured by the dark frame of a nearby vehicle, sits on a cracked asphalt lot, its rear window revealing a faded curtain. In the background, a group of people stands near a pickup truck and scattered debris, suggesting a roadside stop or gathering in a desolate, overgrown area. The scene is bathed in the dim, cool light of dusk or dawn, casting long shadows and giving the muted palette of grays, whites, and dark greens a somber, cinematic tone. The camera is positioned low and close to the trailer’s side, creating an intimate, slightly voyeuristic perspective that emphasizes the textures of the worn vehicle and the gritty environment."</blockquote><blockquote>"sntch2000, A weathered man with a grizzled beard and a small cut above his eyebrow stares intently off-camera, his expression tense and contemplative. He sits in a dimly lit room with wood-paneled walls, where a faded floral cloth hangs in the background and a soft, warm light glows from above, casting deep shadows across his face. The scene is dominated by muted greys, browns, and cool undertones, emphasizing a somber, introspective mood. The camera frames him in a tight close-up, angled slightly from below, drawing focus to his piercing gaze and the gravity of the moment."</blockquote><blockquote>"sntch2000, A person wearing tattered pants and a black athletic shoe with a white swoosh is dipping their foot into a metal bucket with perforated sides, likely for washing or cooling. The setting is a gritty, outdoor ground surface, possibly concrete or packed earth, with another person’s legs partially visible in the background. The lighting is dim and cool-toned, suggesting dusk or an overcast day, casting muted shadows and emphasizing the blue-gray and black color palette. The camera is positioned at a low angle, focusing tightly on the shoe and bucket, creating an intimate and grounded perspective."</blockquote><h3>Training</h3><ul><li>Base model: Krea 2 (trained on Raw)</li><li>Type: Style LoRA</li><li>Dataset: 234 images</li><li>Steps: 2000</li><li>Network rank / alpha: 32 / 32</li><li>Learning rate: 0.0002</li><li>Optimizer: adamw8bit</li><li>Resolutions: 512 / 1024</li></ul><h3>Generation settings</h3>Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.<ul><li>Raw: ~30 steps, guidance 3.5</li><li>Turbo: ~8 steps, guidance 1.0</li></ul>The preview images were generated with <code>krea2_turbo_mxfp8.safetensors</code>, at 8 steps, guidance 1, LoRA weight 1.

Files with SHA256: a5d6d4f4d41bc0e5dc960e0e2c5fbaa3753bea44da7d74cd436dabc95f92fe09