<h1 id="premium-character-loras">Premium character LoRAs</h1>Original synthetic characters, bundles and AI tools are in my shop:<a target="_blank" rel="ugc" href="https://rkrra.com/civitai">https://rkrra.com/civitai</a>Get the character LoRAs on Patreon: <a target="_blank" rel="ugc" href="https://www.patreon.com/cw/RkRRa">https://www.patreon.com/cw/RkRRa</a>Join the community on Discord: <a target="_blank" rel="ugc" href="https://discord.gg/nB79wRNtMT">https://discord.gg/nB79wRNtMT</a><h2>Star Trek Generations 1994</h2>A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.<h3>Usage</h3>Include the trigger word <code>strtrkgnrt1994</code> in your prompt.Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.<h3>Prompt Examples</h3>Here are some prompt examples:<blockquote>"strtrkgnrt1994, A close-up of a glowing, high-tech display panel shows real-time shield and graviton field data, with bold yellow and blue text against a black background. The screen is framed by a yellow border and features scrolling numerical readouts at the bottom, suggesting active monitoring within a futuristic cockpit or control room. The lighting is dim, emphasizing the screen’s luminous text, and the camera is tightly framed to focus on the technical details, conveying a sense of urgency or operational intensity."</blockquote><blockquote>"strtrkgnrt1994, A broken, rusted metal chain hangs in the foreground, its links fractured and jagged, with droplets of moisture clinging to the broken edges. The background is softly blurred, revealing a field of dry, golden-brown grass under a pale blue sky, suggesting a late afternoon or early morning light. The lighting casts warm, directional highlights on the chain’s surface, contrasting with the cool tones of the sky. The camera is positioned at a low angle, focusing tightly on the broken links, emphasizing their damage and isolation against the natural, out-of-focus landscape."</blockquote><blockquote>"strtrkgnrt1994, A weathered metal structure, possibly part of a fence or gate, dominates the foreground with its angular bars and hanging chains, slightly out of focus. Beyond it, a rugged, arid landscape of reddish-brown hills stretches under a pale, hazy sky, suggesting a desert or semi-desert environment. The lighting is soft and diffused, casting a warm, golden hue over the scene, indicative of late afternoon or early evening. The dominant colors are earthy tones—ochre, rust, and muted beige—with the pale sky providing a cool contrast. The camera is positioned at a low angle, looking through the metal framework, creating a sense of depth and framing the distant terrain through the structure’s silhouette."</blockquote><blockquote>"strtrkgnrt1994, two men in red and black uniforms stand in a dimly lit, debris-strewn interior, one gesturing toward a damaged, overturned chair while the other listens intently. The setting is a ruined chamber with scattered furniture, exposed metal structures, and a reddish-brown floor, suggesting a scene of aftermath or abandonment. The lighting is stark and directional, casting deep shadows and highlighting the figures and wreckage, implying a late afternoon or artificial illumination in a confined space. Dominant colors are dark tones of black and brown, contrasted by the red accents on the uniforms and the tan upholstery of the overturned chair. The camera frames the scene from a medium distance, capturing both figures and their surroundings in a slightly low-angle shot that emphasizes the scale of the wreckage."</blockquote><blockquote>"strtrkgnrt1994, A man in a red-trimmed uniform is mid-swing, chopping at a log with an axe, while another man in a similar uniform stands still nearby, observing. The scene unfolds in a rugged, forested mountain valley, with snow-capped peaks rising in the background and a pile of logs and rocks scattered around. Soft, diffused daylight suggests late afternoon, casting gentle shadows through the dense greenery. The dominant colors are earthy greens and browns of the forest, contrasted with the stark white of the distant snow and the dark, rich tones of the uniforms. The camera is positioned at eye level, capturing both figures in a wide shot that emphasizes the vastness of the natural landscape surrounding them."</blockquote><blockquote>"strtrkgnrt1994, A brightly lit, decorated Christmas tree stands center-frame, its branches heavy with multicolored lights and ornaments, glowing vividly against the dark night. Snow falls steadily around it, catching the light and creating a soft, sparkling effect, while ornate stone balusters flank the scene on either side, framing the tree within a garden or courtyard setting. The lighting is warm and focused on the tree, casting a golden glow on nearby shrubs and stone, contrasting with the deep black of the night sky. Dominant colors are the festive greens, reds, and blues of the lights, set against the dark backdrop and earthy tones of the stone and foliage. The camera is positioned at a low angle, looking slightly upward, emphasizing the tree’s height and the falling snow."</blockquote><blockquote>"strtrkgnrt1994, two figures in uniform stand before a vast, curved starfield display, one seated at a console while the other stands beside them, both focused on a glowing interface overlaying the cosmic map. The setting is a high-tech command center with sleek metallic consoles and ambient lighting from overhead panels, casting a cool glow on the scene. Dominant colors are deep blues of the starfield, accented by neon green labels and magenta/purple data panels, contrasted by the dark uniforms. The camera frames them from behind, capturing their posture and the expansive, immersive view of space, emphasizing scale and concentration."</blockquote><blockquote>"strtrkgnrt1994, A woman in a red uniform stands at a console, her gaze directed toward a screen displaying glowing green and blue data readouts, while a man in a gray and red uniform stands beside her, looking forward with a focused expression. The setting is a dimly lit, high-tech control room with metallic railings, illuminated panels in the background, and a red carpeted floor, suggesting an active operational environment. The lighting is low and atmospheric, casting soft shadows and emphasizing the vibrant greens and reds of the uniforms and displays. The camera is positioned at a medium close-up, slightly angled from the side, capturing the subjects’ profiles and the surrounding technological interface."</blockquote><blockquote>"strtrkgnrt1994, A figure in a dark suit stands with arms outstretched on a rocky outcrop, facing a massive, textured rock formation that glows with an internal fiery light. Another person stands nearby, observing, while industrial scaffolding and platforms climb the rock’s face under a clear blue sky. The scene is bathed in bright, high-contrast sunlight, casting sharp shadows and highlighting the warm orange, red, and golden hues of the rock’s surface and the surrounding arid landscape. The camera captures a wide, low-angle shot that emphasizes the scale of the rock and the dramatic, otherworldly glow emanating from its base."</blockquote><blockquote>"strtrkgnrt1994, A close-up of a high-tech control panel displays a digital schematic of a spacecraft with red and blue outlines, indicating mechanical engagement. The screen prominently reads “LOCKING CLAMPS ENGAGED” in bold red text, while “TRANSLATION ENABLED” appears in smaller white letters nearby. The panel’s dark background is framed by glowing green circuitry and clusters of blue-lit circular indicators, suggesting an active, futuristic cockpit environment. The lighting is artificial and focused, casting sharp highlights on the illuminated elements, with no discernible time of day. The camera is tightly framed, angled slightly downward to emphasize the screen’s details and the precision of the interface."</blockquote><blockquote>"strtrkgnrt1994, from a low-angle rear view, several figures with long, curly hair are gathered inside a dimly lit, metallic corridor, their attention fixed on two people walking away down a brightly illuminated passageway. The setting is a futuristic interior with angular walls, glowing panels, and a visible doorframe, suggesting a high-tech environment. Warm, amber-toned lighting contrasts with the cool, sterile glow of the distant corridor, creating a sense of depth and focus. The dominant colors are deep browns, blacks, and metallic grays, punctuated by the bright white and green hues of the distant hallway. The camera is positioned close to the subjects, framing them from behind and emphasizing their collective gaze toward the receding figures."</blockquote><blockquote>"strtrkgnrt1994, in a futuristic command room, several crew members in red uniforms stand around a central console, with one person placing a hand on a blue captain’s chair while others gesture or look at glowing green schematics on a large screen behind them. The setting features sleek metallic walls, illuminated doorways, and a polished floor, suggesting a high-tech vessel interior. The lighting is cool and artificial, casting sharp highlights on the uniforms and console, with no natural light indicating an enclosed, possibly space-based environment. Dominant colors are deep reds, metallic grays, and vibrant green from the display, contrasted by the chair’s teal upholstery. The camera is positioned at eye level, capturing the scene in a medium-wide shot that emphasizes the spatial hierarchy and the focused activity around the central chair."</blockquote><blockquote>"strtrkgnrt1994, A historic sailing vessel named “ENTERPRISE” is anchored in calm, deep blue-green waters, its ornate bow painted in bold red, blue, and gold with decorative scrollwork. A crew member in white attire stands on a narrow plank extending from the ship’s side, while others are visible near the rigging under a hazy, pale sky. The scene is bathed in soft, diffused daylight, suggesting early morning or late afternoon, with the ship’s hull and rigging casting subtle shadows. The camera captures the vessel from a low, slightly angled perspective, emphasizing its grand scale and the gentle swell of the sea around its hull."</blockquote><blockquote>"strtrkgnrt1994, A bald figure in a red-and-black uniform stands at a curved console, gazing intently at a large, curved screen displaying a starfield with a targeting reticle centered on a bright celestial object. The setting is a futuristic command deck, with glowing green alphanumeric coordinates and star names overlaid on the deep blue cosmic backdrop, framed by metallic railings and illuminated paneling. The lighting is cool and ambient, emanating from the screen and console, casting soft highlights on the figure’s uniform and the surrounding surfaces, suggesting a nighttime or space-based environment. Dominant colors are deep blue, black, and red, accented by glowing green text and orange-red targeting elements. The camera is positioned slightly behind and to the side of the figure, capturing a medium shot that emphasizes both the subject’s"</blockquote><blockquote>"strtrkgnrt1994, A man with a neatly trimmed beard and intense blue eyes gazes upward and to his right, his expression conveying focused concern or surprise. He wears a red uniform with a gray collar and metallic insignia, suggesting a formal or professional role, set against the dim, metallic interior of a spacecraft or high-tech facility. The lighting is low and directional, casting shadows across his face while illuminating his eyes and the contours of his uniform, indicating an interior scene at night or in a controlled environment. The dominant colors are deep red, muted gray, and dark tones, with a soft glow from a distant window or panel behind him. The camera frames him in a tight close-up, emphasizing his facial expression and the tension in the moment."</blockquote><blockquote>"strtrkgnrt1994, two figures lie prone on a narrow, rusted metal walkway suspended high against a steep, sun-baked rock face, one reaching upward with an outstretched arm while the other lies still. The walkway, reinforced with chains and metal beams, appears precarious and weathered, clinging to the rugged, textured cliffside under a clear, deep blue sky. Bright, direct sunlight casts sharp shadows, indicating midday, and the dominant colors are earthy browns and ochres of the rock, contrasted with the dark metal and the stark blue of the sky. The camera is positioned at a low angle, looking up along the incline of the walkway, emphasizing the height and danger of the scene."</blockquote><blockquote>"strtrkgnrt1994, A bald figure in a dark uniform with a red collar stands alone on a rocky outcrop, gazing toward a sleek, silver spacecraft hovering in the distance. The setting is a vast, arid desert landscape with jagged red and tan rock formations and distant, muted mountains under a clear, deep blue sky. Bright, direct sunlight illuminates the scene, casting sharp shadows and emphasizing the warm earth tones against the cool blue of the sky. The camera frames the subject from behind, placing them in the center of the composition, with the spacecraft positioned to the right, creating a sense of scale and isolation."</blockquote><blockquote>"strtrkgnrt1994, two individuals in uniform stand beside a sleek, metallic shuttlecraft labeled “MARK V,” their hands resting on its surface as if inspecting or preparing it. The setting is a dimly lit, utilitarian hangar with green-tinted overhead lighting and industrial panels, suggesting a functional, high-tech environment. The dominant colors are muted greens, metallic grays, and accents of red on the shuttle’s hull, casting a cool, ambient glow that implies nighttime or interior artificial illumination. The camera frames the scene from a medium shot, angled slightly from the side to capture both figures and the shuttle in context, emphasizing their interaction with the vessel."</blockquote><blockquote>"strtrkgnrt1994, A hand interacts with a futuristic control panel, pressing a button on the right side while a central circular display glows with alternating red and blue segments, accented by a vertical green light. The panel is framed by glowing lime-green circuitry and rows of translucent blue knobs, set against a dark background with abstract blue and green symbols. The lighting is artificial and high-contrast, casting sharp reflections on the glass surfaces, suggesting an interior setting at night or in a dimly lit environment. Dominant colors are electric blue, lime green, and deep red, with the camera positioned at a close, slightly angled perspective to emphasize the tactile interaction and the intricate design of the interface."</blockquote><blockquote>"strtrkgnrt1994, A figure in a dark uniform stands centered in a richly decorated, warmly lit living room, gazing forward with a calm posture. The space is adorned with ornate furniture, including patterned armchairs and a sofa, a chandelier overhead, and a glowing Christmas tree in the foreground with blurred, colorful lights. The lighting is soft and golden, emanating from table lamps and candelabras, suggesting evening or nighttime, with a view of a starry sky visible through the window. Dominant colors are deep browns, creams, and golds, contrasted by the vibrant bokeh of red, green, and blue from the tree’s decorations. The camera is framed at eye level, with the tree’s lights creating a shallow depth of field that draws focus to the central figure"</blockquote><h3>Training</h3><ul><li>Base model: Krea 2 (trained on Raw)</li><li>Type: Style LoRA</li><li>Dataset: 300 images</li><li>Steps: 2000</li><li>Network rank / alpha: 32 / 32</li><li>Learning rate: 0.0002</li><li>Optimizer: adamw8bit</li><li>Resolutions: 512 / 1024</li></ul><h3>Generation settings</h3>Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.<ul><li>Raw: ~30 steps, guidance 3.5</li><li>Turbo: ~8 steps, guidance 1.0</li></ul>The preview images were generated with <code>krea2_turbo_mxfp8.safetensors</code>, at 8 steps, guidance 1, LoRA weight 1.

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