<h1 id="premium-character-loras">Premium character LoRAs</h1>Original synthetic characters, bundles and AI tools are in my shop:<a target="_blank" rel="ugc" href="https://rkrra.com/civitai">https://rkrra.com/civitai</a>Get the character LoRAs on Patreon: <a target="_blank" rel="ugc" href="https://www.patreon.com/cw/RkRRa">https://www.patreon.com/cw/RkRRa</a>Join the community on Discord: <a target="_blank" rel="ugc" href="https://discord.gg/nB79wRNtMT">https://discord.gg/nB79wRNtMT</a><h2>Hannibal 2001</h2>A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.<h3>Usage</h3>Include the trigger word <code>hnnbl2001</code> in your prompt.Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.<h3>Prompt Examples</h3>Here are some prompt examples:<blockquote>"hnnbl2001, A man in a dark coat stands at a public payphone, holding the receiver to his ear, while a woman with a black backpack walks away from the camera down a sunlit arcade. The setting is an open-air colonnade with repeating arches receding into the distance, where other pedestrians stroll casually. Bright sunlight streams from the far end, casting long shadows and illuminating dust motes in the air, suggesting midday. The dominant colors are muted grays and browns of the stone architecture, contrasted with the dark tones of the man’s coat and the woman’s backpack. The camera is positioned at eye level, capturing the scene from behind the woman, creating a sense of depth as the arcade stretches into the hazy background."</blockquote><blockquote>"hnnbl2001, A group of uniformed agents, identifiable by “DEA” lettering on their jackets, are gathered around a vintage car in what appears to be a warehouse or industrial yard, examining scattered papers and documents on the hood. The setting is dimly lit with natural light filtering through large, barred windows in the background, casting a hazy, atmospheric glow over the scene; the time of day seems to be late afternoon or early evening. Dominant colors are muted grays, blacks, and the faded red of the car’s grille, contrasted by the green foliage visible outside. The camera is positioned at a medium distance, capturing the agents from a slightly low angle, emphasizing their focused activity and the gritty, enclosed environment."</blockquote><blockquote>"hnnbl2001, A dark sedan with headlights on drives slowly along a narrow, muddy dirt road beneath a large concrete overpass, its motion kicking up faint dust. The overpass looms overhead and extends into the distance, partially obscured by mist and dense green foliage clinging to its supports. The scene is set at twilight or early dawn, with dim, cool ambient light casting long shadows and emphasizing the car’s glowing headlights as the primary light source. Dominant colors are muted grays, deep greens, and the warm yellow-orange of the headlights. The camera is positioned low and slightly to the side, capturing the car’s approach from a wide angle that emphasizes the isolation and scale of the infrastructure against the natural surroundings."</blockquote><blockquote>"hnnbl2001, A small, dark motorboat rests motionless on calm, rippling water, partially framed by the silhouetted branches of overhanging trees. The scene is set at night, with dim, cool blue tones dominating the water and boat, while faint glimmers of reflected light suggest a distant source. The camera is positioned at a low angle from the shore, looking through the foliage, creating a sense of voyeuristic observation and quiet isolation."</blockquote><blockquote>"hnnbl2001, A bald man in a brown shirt stands behind a railing, holding up a flip phone as if recording or broadcasting, his expression tense. In the foreground, the thick, textured fur of a large brown animal dominates the frame, partially obscuring the view. Behind him, a weathered wooden speaker box is mounted on the railing, with a corrugated metal roof visible beneath a pale, overcast sky. The lighting is flat and diffused, suggesting a cloudy day, and the dominant colors are muted browns, grays, and earth tones. The camera is positioned low, looking up at the man, creating a sense of immediacy and confrontation with the animal."</blockquote><blockquote>"hnnbl2001, A lone car with headlights on navigates a misty, dew-covered pasture, its beam cutting through the gloom as it follows a herd of cattle moving across a rolling hill. The scene is framed by a weathered barbed-wire fence in the foreground, with solitary trees dotting the landscape and distant, hazy mountains forming a backdrop under a twilight sky. The lighting is dim and cool, dominated by muted greens, grays, and the warm glow of the car’s headlights, suggesting early morning or late evening. The camera is positioned at a low, wide angle, capturing the vastness of the rural expanse and the quiet motion of the herd."</blockquote><blockquote>"hnnbl2001, A man with graying hair and a trimmed beard, dressed in a dark suit and white shirt, gazes intently toward someone just out of frame, his expression heavy with contemplation or concern. The background is softly blurred, suggesting a crowded, dimly lit indoor gathering with indistinct figures and warm, ambient lighting that casts deep shadows across his face. The dominant colors are muted—dark tones of black and charcoal contrast with the stark white of his shirt and the subtle glow of the surrounding lights. The camera frames him in a tight close-up, angled slightly from the side, emphasizing his furrowed brow and the intensity of his focused gaze."</blockquote><blockquote>"hnnbl2001, three vehicles are parked along a residential street at dusk, their forms silhouetted against the dimming sky. A dark van sits centered, flanked by a sedan on the left and an SUV with a roof rack on the right, all angled slightly toward the viewer. The scene is bathed in cool, low light with deep blues and muted grays dominating the palette, casting long shadows from the trees and houses in the background. The camera is positioned low and wide, capturing the street’s expanse and emphasizing the quiet stillness of the neighborhood as evening settles in."</blockquote><blockquote>"hnnbl2001, A person leans out of the driver’s side window of a maroon classic car, aiming a handgun forward while holding a shotgun in their other hand raised above their head. The car is parked on a street with blurred urban buildings in the background, and a white disposable cup rests on the hood. The scene is lit with bright, direct daylight, casting sharp reflections on the car’s glossy surface. Dominant colors are deep maroon, black, and metallic chrome, contrasted by the pale white cup and background structures. The camera is positioned at a low angle, capturing the car’s side profile and the subject’s tense posture in a tight, dynamic frame."</blockquote><blockquote>"hnnbl2001, A hand rests gently on the metallic fretboard of an acoustic guitar, fingers poised over the strings as if preparing to play or having just finished a note. The instrument’s dark wood and reflective metal components contrast with the soft, dim lighting that casts subtle shadows and highlights the skin’s texture. The background is blurred with out-of-focus bokeh, suggesting an intimate indoor setting, while the dominant colors are deep browns, muted grays, and warm metallic tones. The camera is tightly framed in a close-up, angled slightly from above, emphasizing the tactile connection between the hand and the instrument."</blockquote><blockquote>"hnnbl2001, A solitary figure in a dark suit walks away from the camera along a stone path beside a riverbank, holding a coat over one arm, heading toward a bridge arching over the water. The setting is a riverside terrace with outdoor tables and chairs, some occupied by patrons, flanked by flowering bushes and string lights glowing softly as dusk settles. Warm golden light from the setting sun spills through the bridge’s arches, casting long shadows and illuminating the water’s surface, while the buildings above are painted in earthy yellows and ochres. The dominant colors are deep browns, muted greens, and the warm amber of fading daylight, framed from a low angle that emphasizes the path’s leading line toward the bridge and the tranquil, contemplative mood."</blockquote><blockquote>"hnnbl2001, A person with blonde hair tied back in a ponytail, wearing a black cap and dark clothing, is aiming a handgun with both hands toward a maroon vintage sedan. The car, featuring chrome trim and wire-spoke wheels, is parked in a gritty, industrial lot with stacked wooden pallets and a brick building in the background; another vehicle is partially visible behind it. The lighting is dim and overcast, suggesting late afternoon or early evening, casting muted tones across the scene. Dominant colors are muted reds, grays, and blacks, with the car’s maroon contrasting against the dull surroundings. The camera is positioned over the shoulder of the shooter, framing the action from behind and focusing on the gun’s barrel and the target vehicle ahead."</blockquote><blockquote>"hnnbl2001, A computer screen displays a webpage from the FBI’s official site, with a navigation menu on the left and a “Most Wanted” section on the right, featuring hyperlinks like “FBI’s Top Ten Most Wanted Fugitives” and “Seeking Information.” The interface is framed by a dark blue sidebar with white text, and the main content area is light gray with red underlined links. The lighting is dim and cool-toned, suggesting an indoor setting at night or in low ambient light, with the screen’s glow being the primary illumination source. The camera is positioned at a slight angle, capturing the screen’s surface with a shallow depth of field that blurs the edges, emphasizing the central content."</blockquote><blockquote>"hnnbl2001, A man in a striped polo shirt and jeans walks across a street while holding a tray with food and drinks, his gaze directed downward. Behind him, another man in a dark jacket and cap stands near a black van, while a third person with a cane leans against the vehicle. The scene unfolds on a residential street lined with brick buildings and lush green trees, under the soft, fading light of late afternoon or early evening. The palette is dominated by muted earth tones, deep greens, and the gray of pavement and vehicles, with shadows lengthening across the frame. The camera captures the moment from a low, slightly angled perspective, emphasizing the figures’ movement and the quiet, everyday atmosphere of the neighborhood."</blockquote><blockquote>"hnnbl2001, An elderly woman with pale, wrinkled skin and wild gray hair sits upright in a wheelchair, her gaze fixed upward with a vacant, haunting expression. The setting is a dimly lit, cluttered room filled with medical or mechanical equipment, including metal poles, wires, and a small monitor attached to her chair. The lighting is cool and blue-toned, casting deep shadows and emphasizing the somber, clinical atmosphere, suggesting late evening or nighttime. Dominant colors are muted blues, grays, and blacks, with the woman’s dark checkered shirt blending into the gloomy surroundings. The camera frames her in a medium close-up, slightly low angle, drawing focus to her face and the unsettling stillness of the scene."</blockquote><blockquote>"hnnbl2001, A black van with a visible license plate is driving down a sloped urban road, following a gray sedan and a red sedan ahead. The scene is framed from behind the van, looking forward along the road, which is bordered on the right by a tall concrete retaining wall and on the left by a low concrete barrier and distant brick buildings. The lighting suggests late afternoon or early evening, casting long shadows and creating a muted, slightly hazy atmosphere. Dominant colors are dark grays and blacks from the vehicles, contrasted with the red car and the beige tones of the concrete structures. The camera maintains a steady, rear-facing perspective, emphasizing the forward motion and the urban environment."</blockquote><blockquote>"hnnbl2001, A close-up of a digital login screen displays a username field reading “Piranesco” and a password field filled with asterisks, suggesting a user is in the process of authenticating. The screen’s pixelated texture and cool blue-gray tones dominate the frame, with a soft, even lighting that implies an indoor, artificial environment. The camera is tightly framed, focusing on the input fields, with a shallow depth of field blurring the surrounding interface elements."</blockquote><blockquote>"hnnbl2001, A dark, silhouetted arrangement of topiary-like plants sits on a glass-topped console table in a dimly lit entryway, with a closed blue door framed by tall, arched windows behind it. To the right, a wooden staircase with a dark railing ascends, flanked by a small table holding two lamps with dark shades, while the polished hardwood floor reflects faint light. The scene is bathed in soft, natural daylight filtering through the windows, casting deep shadows and creating a moody, quiet atmosphere with dominant tones of muted blue, black, and warm wood. The camera is positioned at eye level, looking down the hallway toward the door, emphasizing the depth and stillness of the space."</blockquote><blockquote>"hnnbl2001, A group of uniformed agents, identifiable by “DEA” lettering on their jackets, are moving through a dim, industrial alleyway, suggesting an active law enforcement operation. In the foreground, a vintage car is parked with scattered papers on its hood, while a white van and a red shipping container are visible in the background near a building with barred windows and overgrown foliage. The scene is lit with muted, diffused daylight, casting deep shadows and creating a cool, blue-gray color palette that emphasizes the gritty, tense atmosphere. The camera is positioned at eye level, capturing the agents from behind as they advance into the frame, immersing the viewer in the unfolding action."</blockquote><blockquote>"hnnbl2001, A figure with a heavily perforated, mud-caked face and torso is slumped in the driver’s seat of a rusted, weathered vehicle, appearing lifeless or incapacitated. The setting is an outdoor, rural area with a corrugated metal roof structure in the background, and the foreground is partially obscured by the fuzzy, brown fur of an animal, likely a bear, suggesting a tense or ominous encounter. The lighting is flat and diffused, indicating an overcast day, casting muted tones across the scene dominated by browns, grays, and dull metallics. The camera is positioned low and close, with a shallow depth of field that blurs the foreground fur while keeping the figure and vehicle in sharp focus, enhancing the unsettling, immersive perspective."</blockquote><h3>Training</h3><ul><li>Base model: Krea 2 (trained on Raw)</li><li>Type: Style LoRA</li><li>Dataset: 300 images</li><li>Steps: 2000</li><li>Network rank / alpha: 32 / 32</li><li>Learning rate: 0.0002</li><li>Optimizer: adamw8bit</li><li>Resolutions: 512 / 1024</li></ul><h3>Generation settings</h3>Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.<ul><li>Raw: ~30 steps, guidance 3.5</li><li>Turbo: ~8 steps, guidance 1.0</li></ul>The preview images were generated with <code>krea2_turbo_mxfp8.safetensors</code>, at 8 steps, guidance 1, LoRA weight 1.

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