Trained on seventeen illustrations created by <a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/Aubrey_Beardsley">Aubrey Beardsley</a> (<a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/Help:IPA/English">/ˈbɪərdzli/</a> <a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/Help:Pronunciation_respelling_key">BEERDZ-lee</a>; 21 August 1872 – 16 March 1898) for <a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/Le_Morte_d%27Arthur">Le Morte d'Arthur</a> by <a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/Thomas_Malory">Thomas Malory</a>. For his works, please go to<ul><li><a target="_blank" rel="ugc" href="https://www.eamesfineart.com/artists/152-aubrey-beardsley/overview/">https://www.eamesfineart.com/artists/152-aubrey-beardsley/overview/</a></li><li><a target="_blank" rel="ugc" href="https://www.wikiart.org/en/aubrey-beardsley">https://www.wikiart.org/en/aubrey-beardsley</a></li></ul>The training images all have these fancy frames, so depending on the prompt (and I am not sure which one will cause it, probably having to do with medieval theme?) you may or may not get that frame. With the frame there is usually a caption text box, which will be filled with nonesense text unless you try putting this into your prompt: "Caption text box at bottom left corner says '...'". But there is no guarantee that this will work.From ChatGPT:<a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/File:Aubrey_Beardsley_by_Frederick_Hollyer,_1893_(cropped).jpg"><img src="https://upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Aubrey_Beardsley_by_Frederick_Hollyer%2C_1893_%28cropped%29.jpg/220px-Aubrey_Beardsley_by_Frederick_Hollyer%2C_1893_%28cropped%29.jpg" /></a>Portrait by <a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/Frederick_Hollyer">Frederick Hollyer</a>, 1893<a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/File:Blanche_Beardsley.jpg"><img src="https://upload.wikimedia.org/wikipedia/commons/thumb/b/b9/Blanche_Beardsley.jpg/250px-Blanche_Beardsley.jpg" /></a>Aubrey Beardsley by <a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/Jacques-%C3%89mile_Blanche">Jacques-Émile Blanche</a>, oil on canvas, 1895 (<a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/National_Portrait_Gallery,_London">National Portrait Gallery</a>, London)<a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/File:Aubrey_Beardsley_ca._1895.jpg"><img src="https://upload.wikimedia.org/wikipedia/commons/thumb/4/45/Aubrey_Beardsley_ca._1895.jpg/250px-Aubrey_Beardsley_ca._1895.jpg" /></a>Aubrey Beardsley, c. 1894–1895<a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/Aubrey_Beardsley">Aubrey Beardsley</a> (21 August 1872 – 16 March 1898) was a British illustrator and writer, known for his black-and-white ink drawings that combined eroticism, decadence, and the grotesque with intricate, highly stylized designs. A key figure of the Aesthetic Movement and Art Nouveau, his work was often provocative, satirical, and heavily influenced by Japanese woodblock prints (ukiyo-e) and symbolism. Despite his short life—he died at age 25 from tuberculosis—Beardsley left a lasting impact on illustration, graphic design, and visual storytelling.<hr /><h2 id="early-life-and-influences-vkfwnn2ji">Early Life and Influences</h2><ul><li>Born: August 21, 1872, in Brighton, England.</li><li>Showed artistic talent from an early age and was encouraged by Pre-Raphaelite artist Edward Burne-Jones to pursue art.</li><li>He was self-taught, but attended the Westminster School of Art in London for a short period.</li><li>Influenced by Japanese ukiyo-e prints, the Pre-Raphaelites, and Symbolist art, which shaped his signature bold, linear style.</li></ul><hr /><h2 id="artistic-career-5zsue87pm">Artistic Career</h2><h3 id="breakthrough-and-the-yellow-book-(1894-1895)-lnim2sqrm">Breakthrough and The Yellow Book (1894–1895)</h3><ul><li>In 1893, Beardsley gained fame after illustrating Thomas Malory’s Le Morte d’Arthur. His detailed, decorative approach was seen as radical.<a target="_blank" rel="ugc" href="https://upload.wikimedia.org/wikipedia/commons/a/a3/How_Morgan_le_Fay_Cave_a_Shield_to_Sir_Tristram.jpg"><img src="https://upload.wikimedia.org/wikipedia/commons/thumb/a/a3/How_Morgan_le_Fay_Cave_a_Shield_to_Sir_Tristram.jpg/500px-How_Morgan_le_Fay_Cave_a_Shield_to_Sir_Tristram.jpg" alt="File:How Morgan le Fay Cave a Shield to Sir Tristram.jpg" /></a></li><li>He became art editor of The Yellow Book, a magazine associated with Aestheticism and Decadence, featuring avant-garde literature and art.<a target="_blank" rel="ugc" href="https://upload.wikimedia.org/wikipedia/commons/a/ac/Aubrey_Beardsley_-_Masquerade.jpg"><img src="https://upload.wikimedia.org/wikipedia/commons/thumb/a/ac/Aubrey_Beardsley_-_Masquerade.jpg/716px-Aubrey_Beardsley_-_Masquerade.jpg" alt="File:Aubrey Beardsley - Masquerade.jpg" /></a></li><li>His highly erotic and satirical illustrations shocked Victorian audiences, and he was dismissed from The Yellow Book in 1895 after being falsely linked to Oscar Wilde’s scandal.</li></ul><h3 id="collaboration-with-oscar-wilde-and-salome-(1894)-75s90avgs">Collaboration with Oscar Wilde &amp; Salomé (1894)</h3><ul><li>Beardsley illustrated Wilde’s French play Salomé, producing some of his most famous and controversial works.<a target="_blank" rel="ugc" href="https://upload.wikimedia.org/wikipedia/commons/c/cb/Salom%C3%A9-_a_tragedy_in_one_act_pg_79.jpg"><img src="https://upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Salom%C3%A9-_a_tragedy_in_one_act_pg_79.jpg/427px-Salom%C3%A9-_a_tragedy_in_one_act_pg_79.jpg" alt="File:Salomé- a tragedy in one act pg 79.jpg" /></a></li><li>The drawings were heavily erotic and grotesque, featuring androgynous figures, elongated forms, and elaborate patterns.</li><li>His depiction of Salomé with the severed head of John the Baptist became one of the most iconic images of the period.</li></ul><h3 id="later-work-and-the-savoy-(1896-1897)-tz6l1x4m7">Later Work and The Savoy (1896–1897)</h3><ul><li>After leaving The Yellow Book, Beardsley co-founded The Savoy, a literary and arts magazine.</li><li>His later illustrations became even more abstract and exaggerated, with sinuous lines and bold contrasts.</li><li>His health deteriorated due to tuberculosis, but he continued producing some of his most refined works.</li></ul><hr /><h2 id="style-and-themes-o9z70wwqh">Style and Themes</h2>Beardsley’s art is recognizable for its:<ul><li>Bold black-and-white contrasts</li><li>Exaggerated, elongated figures</li><li>Highly decorative, intricate patterns</li><li>Erotic, grotesque, and often macabre themes</li><li>Influences from Japanese woodblock prints and Symbolism</li></ul><h3 id="common-themes:-4jbcxg4pu">Common Themes:</h3><ol><li>Decadence &amp; Eroticism – Sensual, often scandalous depictions of mythological and literary figures.</li><li>Satire &amp; Grotesque Humor – Mocking Victorian morality, particularly in works like Lysistrata.</li><li>Death &amp; the Macabre – Themes of fate, doom, and surreal, dreamlike imagery.</li><li>Androgyny &amp; Gender Fluidity – His characters often blur traditional gender distinctions.</li></ol><hr /><h2 id="famous-works-wzt02esy9">Famous Works</h2><ol><li>Illustrations for Salomé (1894)<ul><li>Erotic and darkly surreal, defining the Decadent Movement.</li></ul></li><li>The Peacock Skirt (1894)<ul><li>One of his most famous pieces, inspired by Japanese prints and Wilde’s Salomé.</li></ul></li><li>Le Morte d’Arthur (1893–1894)<ul><li>His earliest major work, bringing a dark, intricate quality to medieval romance.</li></ul></li><li>The Climax (1894)<ul><li>A haunting image of Salomé holding the severed head of John the Baptist.</li></ul></li><li>Illustrations for Lysistrata (1896)<ul><li>Highly erotic and satirical drawings for Aristophanes’ play, scandalous in their time.</li></ul></li></ol><hr /><h2 id="death-and-legacy-vu8z12ai8">Death and Legacy</h2><ul><li>Beardsley converted to Catholicism before his death and requested that his erotic works be destroyed (though this was ignored).</li><li>Died on March 16, 1898, at age 25 in Menton, France, from tuberculosis.</li><li>His style influenced Art Nouveau, Symbolism, and modern graphic design, inspiring artists like Harry Clarke, Erté, and the psychedelic poster movement of the 1960s.</li><li>Today, he is regarded as one of the greatest illustrators of the Decadent era, with his works housed in major museums and collections worldwide.</li></ul><hr /><h3 id="conclusion-230m75fvn">Conclusion</h3>Aubrey Beardsley was a radical and controversial artist, blending eroticism, satire, and high aestheticism into a distinctive style. Though he lived only 25 years, his avant-garde, provocative illustrations revolutionized book illustration and continue to influence modern art, fashion, and design.

Golden Age of British Book Illustration: Aubrey Beardsley (Le Morte d'Arthur.)

This version is trained with the decorative frame (and caption box) removed. Unlike the framed version, this one was trained at 512x512 rather than 1024x1024.This is epoch 12. The other epochs can be found at tensor.art/models/844794851640770073/Aubrey-Beardsley-NoF3-CapD6Co5-2025-01-27-07:00:22-Ep-12FLUX.1 - dev-fp8Trigger: aubreybeardsley1 illustrationRepeat: 20 Epoch: 12 (Trained on 17 512x512 images for 4080 total steps)Unet LR: 0.0005 Scheduler: cosine Optimizer: AdamWNetwork Dim: 6 Alpha: 3<ul><li>Epoch Loss</li><li>1 0.396</li><li>...</li><li>3 0.380</li><li>4 0.374</li><li>5 0.362</li><li>6 0.358</li><li>7 0.347</li><li>8 0.336</li><li>9 0.328</li><li>10 0.327</li><li>11 0.317&lt; lowest</li><li>12 0.320</li></ul>

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