# The Mandalorian And Grogu 2026A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.## UsageInclude the trigger word *<code>tmndlrn</code>** in your prompt.Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.## Prompt ExamplesHere are some prompt examples:"tmndlrn, A small, green-skinned creature with large ears and dark eyes sits upright in a snowy landscape, wrapped in a thick, textured robe with a high collar that covers its neck. The background consists of snow-covered, rugged terrain with faintly visible rock formations, and fine snowflakes are falling around the figure. The lighting is soft and diffused, suggesting an overcast day, casting a cool, muted tone over the scene dominated by whites, grays, and the creature’s green hue. The camera is positioned at eye level, framing the subject centrally against the wintry backdrop, emphasizing its solitary presence.""tmndlrn, A dense, alien forest of bulbous, moss-covered trees stretches across a misty plain, their gnarled forms silhouetted against a heavy, overcast sky. The scene is bathed in a muted, greenish-yellow light filtering through thick clouds, suggesting either dawn or dusk in a damp, atmospheric environment. The camera is positioned low and wide, capturing the eerie stillness of the landscape with a shallow depth of field that blurs the distant trees, emphasizing the looming, organic shapes in the foreground.""tmndlrn, A heavily armored figure with a reflective helmet and a brown scarf stands at the controls of a cockpit, gripping a lever with one hand while a small, green-skinned creature in a hooded robe sits beside them, looking forward. The interior is lined with gray and black panels, illuminated by glowing red and white indicator lights, with curved windows revealing a bright, overcast sky outside. The lighting is cool and diffused, suggesting daytime, with metallic silver, muted gray, and earthy brown tones dominating the scene. The camera is positioned at eye level, framing the armored figure centrally with the creature slightly off to the side, creating a sense of focused readiness.""tmndlrn, A group of armored figures are riding in an open-top, vintage-style vehicle with glowing headlights, speeding across a dusty, grassy plain. In the background, a cluster of weathered, industrial-looking buildings rises against a bright, partly cloudy sky. The scene is lit by strong daylight, casting sharp highlights on the vehicle’s chrome and the figures’ helmets, with dominant tones of muted green, gray, and earthy browns. The camera is positioned low and in front of the vehicle, capturing the motion blur of the landscape to emphasize speed and urgency.""tmndlrn, A masked figure in dark, armored attire stands facing a bald man in a gray suit, who appears to be speaking or gesturing with clasped hands. They are positioned in front of a large, curved metallic structure with a palm tree visible nearby, suggesting an outdoor, possibly industrial or desert-like environment. The lighting is warm and directional, casting long shadows and indicating late afternoon or early evening. Dominant colors include muted grays, browns, and the metallic sheen of the armor, contrasted by the man’s dark inner shirt. The camera frames the scene from a medium distance, capturing both figures in profile with a shallow depth of field that blurs the background slightly.""tmndlrn, A heavily armored figure with a distinctive helmet sits at a table, facing another person whose back is to the camera, suggesting a tense or serious conversation. The setting is a dimly lit, industrial-style interior with metallic surfaces, exposed pipes, and a blurred background featuring a seated person and a faintly visible emblem on the wall. The lighting is subdued and directional, casting shadows that emphasize the armor’s contours, with a cool, grayish tone dominating the palette. The camera is positioned over the shoulder of the person facing away, creating an intimate, over-the-shoulder framing that focuses attention on the armored figure’s posture and the implied interaction.""tmndlrn, two humanoid figures are crouched low in a sandy dune, one peering through binoculars while the other lies prone, gazing intently toward the horizon. The setting is a windswept coastal landscape with sparse grasses, a wide expanse of ocean stretching to a hazy, overcast sky, and a muted, desaturated color palette dominated by beige, gray, and olive tones. The camera is positioned at eye level with the figures, capturing them from a low angle that emphasizes their concealment and the vastness of the environment, with soft, diffused lighting suggesting either early morning or late afternoon.""tmndlrn, A train speeds along an elevated, rusted metal bridge at night, its motion blurred and its headlights cutting through the misty air. Below, a complex network of industrial walkways, pipes, and dimly lit structures sprawls across a wet, reflective urban canyon, with a lone figure in a dark coat clinging to the railing. The scene is bathed in stark, artificial light—glowing streetlamps and the train’s headlights—casting sharp shadows and creating a hazy, cinematic glow against the deep blues and grays of the night. The camera is positioned low and angled upward, emphasizing the height of the bridge and the looming presence of the train, while the foreground’s wet metal and steam add texture and depth.""tmndlrn, A small, green-skinned creature with large ears and a soft, textured robe sits upright on a dusty, gravelly ground, holding a metallic cylindrical object in one hand. The background is softly blurred, revealing sparse, dry vegetation and the faint outline of a weathered structure, suggesting a desolate, outdoor environment. The lighting is diffused and even, casting gentle shadows and indicating either early morning or late afternoon, with a muted palette of grays, browns, and soft greens dominating the scene. The camera is positioned at eye level, framing the subject centrally in a medium shot that emphasizes its curious expression and the object it holds.""tmndlrn, A large, reptilian creature with textured, dark skin and prominent facial features sits in the cockpit of a spacecraft, intently manipulating a control panel with both hands. The interior is utilitarian, featuring worn gray and black seats, exposed wiring, and a complex array of switches and screens, with a large, circular viewport behind the subject revealing a dim, star-filled expanse. The lighting is cool and artificial, casting sharp shadows and highlighting the metallic surfaces and the creature’s fur-covered hands, suggesting a scene set during nighttime or in deep space. The camera is positioned at eye level, framing the subject centrally with a shallow depth of field that blurs the background, emphasizing the focused, mechanical interaction within the confined cockpit.""tmndlrn, two massive, four-legged mechanical walkers stand amidst a snow-dusted, rugged mountainous terrain, their heavy legs partially embedded in the rocky ground as if frozen mid-movement. The scene is enveloped in a misty, overcast atmosphere, with soft, diffused light casting muted shadows across the jagged cliffs and sparse evergreen trees clinging to the slopes. Dominated by shades of gray, white, and dark stone, the palette emphasizes coldness and isolation, while the low-angle shot enhances the imposing scale of the machines against the towering, snow-laden cliffs.""tmndlrn, A lone armored figure stands in profile, gazing toward a large, angular spacecraft with a ramp extended, set against a rugged, rocky landscape. The scene is bathed in soft, diffused daylight, suggesting either early morning or late afternoon, with muted tones of gray, metallic silver, and earthy browns dominating the palette. The camera frames the subject from a medium close-up, slightly low angle, emphasizing the imposing silhouette and the vast, desolate environment beyond.""tmndlrn, A heavily armored, multi-legged combat vehicle is firing a bright, glowing projectile from its front-mounted cannon, kicking up debris as it advances through a narrow, snow-dusted canyon. Jagged, dark rock formations loom on either side, partially obscured by falling snow and mist, while the vehicle’s weathered, grayish-white hull reflects the dim, overcast light. The scene is lit by a cold, diffused glow from above, casting deep shadows and emphasizing the metallic textures and mechanical details of the machine. Shot from a low, angled perspective, the camera emphasizes the vehicle’s imposing scale and forward momentum as it navigates the treacherous terrain.""tmndlrn, A heavily armored figure stands in a dimly lit, industrial-style interior, holding a weapon with both hands, seemingly in a moment of tense confrontation or dialogue with another person partially visible in the foreground. The setting features exposed metal beams, white-paneled walls with geometric patterns, and scattered furniture including a tall pedestal table and a dark console, suggesting a utilitarian or repurposed space. The lighting is subdued and directional, casting sharp shadows and highlighting metallic surfaces, with a cool, muted color palette dominated by grays, blacks, and soft whites, punctuated by faint blue glows from the weapon. The camera is positioned at eye level, framing the armored figure centrally while keeping the foreground subject out of focus, creating a sense of immediacy and tension.""tmndlrn, A figure in a metallic, segmented helmet and armor stands facing another person with shoulder-length, wavy hair, who is seen from behind, suggesting a moment of quiet confrontation or dialogue. The setting is an arid, sun-drenched landscape with sparse vegetation and palm-like trees in the background, under a bright, hazy sky. Warm, golden light bathes the scene, casting soft shadows and highlighting the reflective surfaces of the armor, with earthy browns, muted greens, and metallic silver dominating the palette. The camera frames the scene from a medium shot, positioned slightly behind the second figure, emphasizing the armored individual’s imposing presence and the tension of the interaction.""tmndlrn, A lone armored figure stands with their back to the viewer, gazing toward a distant, rugged landscape, their posture suggesting contemplation or readiness. Behind them, the metallic hull of a large spacecraft looms, its yellow and gray panels contrasting with the muted earth tones of the barren terrain. The scene is lit by soft, diffused daylight, casting gentle shadows and highlighting the reflective surfaces of the armor and the weathered textures of the environment. Dominated by shades of gray, silver, and earthy browns, the composition is framed from a medium distance, capturing the figure’s full silhouette against the vast, desolate backdrop.""tmndlrn, A weathered, yellow-and-gray aircraft with twin circular engines is captured mid-flight, banking sharply against a backdrop of overcast, gray clouds. The vessel’s metallic surface shows signs of wear and battle damage, and its cockpit is visible beneath a reinforced canopy. The scene is lit by diffused daylight, casting soft shadows and emphasizing the muted tones of the sky and the ship’s faded paint. Shot from a low, tilted angle, the camera follows the craft’s dynamic motion, creating a sense of speed and urgency as it cuts through the hazy atmosphere.""tmndlrn, A massive, heavily armored mechanical walker with multiple articulated legs hovers low over a dense, alien forest of giant, moss-covered tree-like structures. The scene is set under a thick, overcast sky with muted green and gray tones, casting a dim, diffused light that enhances the eerie, misty atmosphere. The dominant colors are earthy greens, grays, and browns, with subtle glowing orange lights visible on the walker’s undercarriage. The camera is positioned at a low angle, looking up at the walker as it moves slowly forward, emphasizing its imposing scale and the surreal, otherworldly environment.""tmndlrn, A lone figure in dark, armored attire walks toward the open ramp of a large, weathered starship, while another person in a green jacket follows behind. The scene unfolds in a sun-drenched, sandy hangar bay flanked by curved, metallic storage domes and lush palm trees in the background, with a yellow cone and scattered crates on the ground. Bright, direct sunlight casts sharp shadows, indicating midday, and the palette is dominated by metallic grays, sandy beige, and vibrant green foliage. The camera is positioned at a low angle, emphasizing the imposing scale of the starship and the expansive, open environment.""tmndlrn, A small, hooded figure with large, pointed ears stands alone on a snowy, barren landscape, gazing forward with a calm, observant posture. To the left, a portion of a dark, angular mechanical structure is visible, contrasting with the soft, hazy white expanse of the background, which suggests a vast, frozen plain under a pale, overcast sky. The lighting is diffused and cool, casting muted shadows and emphasizing the icy blue and gray tones that dominate the scene. The camera is positioned at a low angle, framing the figure centrally against the expansive, desolate horizon, enhancing the sense of isolation and quiet contemplation."## Training| | ||---|---|| Base model | Krea 2 (trained on Raw) || Type | Style LoRA || Dataset | 181 images || Steps | 2000 || Network rank / alpha | 32 / 32 || Learning rate | 0.0002 || Optimizer | adamw8bit || Resolutions | 512 / 1024 |## Generation settingsTrained on Krea 2 Raw, and transfers to Krea 2 Turbo for fastergeneration.- Raw: ~30 steps, guidance 3.5- Turbo: ~8 steps, guidance 1.0The preview images were generated with <code>krea2_turbo_mxfp8.safetensors</code>, at 8 steps, guidance 1, LoRA weight 1.

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