I've had good generation consistency with Auto/Kerras/Polyexpo on the SDEs and Euler A at LoRA: 0.8 / trigger: 1.1. When it comes to Clip, both 1 and 2 produce good results, though I would recommend 2. Overall, I'm finding Euler A gives the best results.

Prompting -- the name should be the first one listed.

For the most part, while I do use other models if I'm not seeing what I want, I will mainly use my checkpoints: UberBoop (SD), XLBoopV2 (SDXL), Equus(Pony), and Fluxzilla (Flux).

Julie Bélanger Roy

French Canadian contralto Julie Bélanger Roy started her musical studies early as a violinist and a violist. While studying viola at the Conservatory of Music in Montreal, Canada, she started taking voice lessons with the respected mezzo-soprano Gabriele Lavigne.

After completing a Master’s degree in viola performance, Ms. Bélanger Roy, then a successful violist, started her Master’s degree in vocal performance. During her graduate studies at the University of Tennessee, USA, Ms. Bélanger Roy studied with soprano Cecily Nall and sang in masterclasses for nationally renowned David Jones, Benton Hess, Martin Katz, and Arlene Shrut.

Ms. Bélanger Roy’s last opera performances include the role of La Zia Principessa in Marble City Opera production of Suor Angelica, Tituba in the University of Tennessee production of The Crucible, Suor Zelatrice in the Utah Festival Opera & Musical Theatre production of Suor Angelica, the role of Dame Quickly in the Bay View Music Festival production of Verdi's Falstaff in Michigan as well as Bianca in the University of Tennessee production of Britten’s The Rape of Lucretia.

Her last orchestra performances on the viola and violin include engagements with Symphony of the Mountains, Oak Ridge Symphony Orchestra, Knoxville Symphony Orchestra, and Brevard Philharmonic. In addition to her classical career, the Canadian contralto & string player is also the frontwoman of symphonic metal ensembles Gone in April & Märchenbilder, with whom she has performed in Asia and across North America. She works as a session musician for national and international artists at WaveTransform Studio, is featured as a guest musician on various albums (Vivaldi Metal Project, Beyond Fiction, Pagliacci, Across April Skies, etc.), and is occasionally invited to play with the Swiss Folk Metal ensemble Eluveitie on their North American Tours.