Seth Ickermann is a visual artist and director best known for defining the look of Turbokiller and Blood Machines with Carpenter Brut. His work sits at the intersection of sci-fi cinema, album art, and graphic mythmaking. Turbokiller functions like a neon fever dream. It’s pure iconography, speed, violence, and colour, closer to a moving album cover than a narrative film. Blood Machines takes that visual language and stretches it into long-form cinema, adding ritual, character, and cosmic fatalism without sanding off the edges. Together, they establish a coherent visual universe: part synthwave, part space opera, part occult hallucination.