Update: Please if you see any of my models somewhere else report or let me know! Thnx
Trained on base model ZIT + ZIB. (You can combine them both in single prompt)
Please read about version info box on the right.
Feedback and ratings are much appreciated.
Feel free to check other similar models:
16mm (Super) Film Emulator style XL
Anamorphic format film style XL (Hollywood Cinematic style)
Cinematic text title (on screen) style XL
Cinematic "color grading" motion picture film style XL
Cinenaut XL (A TRUE CINEMATIC DIFFUSION)
Cinematic Photography Style XL
Cinematic Kodak Motion Picture "Film Still" Style XL
Cinematic Film Stock Footage Style XL
Cinematic Vintage Film Style XL
High Angle (from above) cinematic style XL
Hyperrealism 3D Cinematic Style XL
Kodak Film Grain (Cinematic) Photography style XL
Infrared Cinematic Photography style XL
Lens Flare Cinematic Reflection style XL
Low Angle (from below) cinematic style XL
Music Video cinematic style XL (Including 60's 70's 80's 90's, etc.)
Point of view (pov + fps) cinematic subjective camera style XL
Rotated View (Dutch Angle) Cinematic Style XL
Realistic Photographic Film Stock Footage Style XL
Set design style (cinematic scenic design) XL
Split Diopter style (Deep Focus) XL
Television advertisement cinematic Film style XL (including fashion models)
Text message on screen bubble (cinematic style) XL
Description
zib v3.1
lower or rise lora weight for optimal results.
same as previous version but trained on zib model.
FAQ
Comments (2)
Wow, this with Flux Klein 9B would be sick! Great concept and seems to be a nice execution! <3
It’s really cool to see how far face‑editing and creative AI tools have come - swapping expressions and styles so seamlessly opens up a ton of playful possibilities. When I’m working with images like travel shots or portraits, I also pay a lot of attention to the environment around the subject, because a bland sky can make even a fun edit feel flat. That’s why I keep a bunch of realistic sky options from sky presets in my toolkit - swapping in a more dramatic or fitting sky can really lift the whole image without overdoing anything.