What does your model do? What's it for?
This model is designed for generating traditional Chinese ink wash painting (shuimo hua) style images. It excels at producing ethereal landscapes, bamboo, plum blossoms, cranes, mountains, rivers, and poetic scenes with flowing brush strokes, ink diffusion effects, and strong negative space.
What is your model good at? What should it be used for?
· Ancient Chinese architecture and gardens
· Zen / Chan Buddhist inspired scenes
· Calligraphy elements and seal stamps
· Misty mountains, waterfalls, pine trees
· Concept art for wuxia / xianxia (martial arts fantasy)
· Book covers, posters, and cultural projects
What is your resource bad at? How should it not be used?
· Does NOT produce realistic/modern photography style
· Does NOT produce vibrant/neon colors (ink wash is restrained, black/grey/sepia with occasional light color accents)
· Avoid complex mechanical or sci-fi subjects
· Not suitable for high-detail photorealistic faces
Description
【中文】
首个水墨画风格模型 v1.0
- 擅长：山水、花鸟、竹林、古建筑、留白意境
- 风格：传统国画、水墨晕染、毛笔笔触
- 推荐权重：0.7-1.0
- 负面提示词建议：photorealistic, 3d, oil painting, vibrant colors
【English】
First release of Ink Wash Painting style v1.0
- Good at: landscapes, bamboo, plum blossoms, cranes, misty mountains
- Style: traditional Chinese brush painting, ink diffusion, negative space
- Recommended strength: 0.7-1.0
- Negative prompt: photorealistic, 3d, oil painting, vibrant colors
【Model Positioning】
This model focuses on generating traditional Chinese ink wash painting (Shuimo hua) style images, with "ink and wash as the supreme" as its core aesthetics,演绎 a myriad of worlds between black and white.
【Core Aesthetic Features】
• Brush & Blank Space: "Counting white as black" — large areas of blank space evoke infinite imagination
• Five Shades of Ink: Charred, thick, heavy, light, clear — infinite variations through water
• Artistic Conception as Soul: Pursuing "vivid rhythm" rather than absolute realism
【Main Subjects】
• Landscape painting: "walkable, viewable, wanderable, livable"
• Bird-and-flower painting: Four Gentlemen (plum, orchid, bamboo, chrysanthemum)
• Figure painting: Focus on spirit transmission
【Good At】
• Mountains and rivers, bamboo forests, plum blossoms, orchids, chrysanthemums, cranes, pines
• Misty peaks, waterfalls, ancient architecture, gardens
• Brushstroke textures, ink diffusion effects, "flying white" texture
• Zen, aloofness, cool elegance, transcendent Eastern aesthetics
【Recommended Usage】
• CFG scale: 7-9
• Sampler: DPM++ 2M Karras or Euler a
• Suggested trigger words: ink wash, shuimo, chinese painting, brush stroke, negative space, splash ink
【Negative Prompts】
photorealistic, 3d, oil painting, vibrant colors, neon, modern art, western style, realistic face, high detail texture
【Not Good At】
• Realistic photography style
• Vibrant/neon colors
• Complex mechanical or sci-fi subjects
• High-detail photorealistic faces
【Master Style References】
• Huang Gongwang's "Dwelling in the Fuchun Mountains" — hemp-fiber texture, plain and natural
• Ni Zan's "Rongxi Studio" — folded-belt texture, one-river-two-banks, cool and empty
• Liang Kai's "Splashed Ink Immortal" — reduced brush freehand, less is more
• Bada Shanren — minimalism, aloofness, "white eyes to the sky"
• Xu Wei — calligraphy into painting, bold and unrestrained
• Qi Baishi — "Wonder lies between likeness and unlikeness"
• Huang Binhong — accumulated ink method, "profound and moist"
【Core Philosophy】
"Painting is nothing more than casual brushwork, not seeking likeness, just amusing oneself." — Ni Zan
"The wonder lies between likeness and unlikeness; too like flatters the vulgar, not like deceives the world." — Qi Baishi
"Ink and wash as the supreme." — Wang Wei