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Junk Head 2017

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word jnkh in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"jnkh, two humanoid figures with weathered, clay-like skin stand side by side in a cluttered industrial workshop, both wearing goggles and headgear with mechanical attachments, suggesting they are engaged in manual labor or inspection. Behind them, large, rusted machinery and pipes fill the background, while their dark, worn aprons and scarves hint at a gritty, utilitarian environment. The lighting is warm and directional, casting soft shadows and highlighting the textures of their faces and gear, suggesting late afternoon or early evening. Dominant colors are earthy browns, muted greys, and faded metallics, creating a worn, tactile atmosphere. The camera frames them in a medium close-up, slightly angled to emphasize their expressions and the details of their gear against the industrial backdrop."

"jnkh, A small, white humanoid robot with a red streak across its head leans against a cracked concrete wall, appearing dazed or injured, while another similar figure lies motionless in the rubble behind it. The setting is a desolate, debris-strewn ruin with broken concrete blocks and dark, tattered fabric hanging in the background, suggesting recent destruction. The lighting is dim and directional, casting sharp shadows and highlighting the textures of the rubble and the robot’s smooth surface, indicating either dawn or dusk. Dominant colors are muted grays and whites, punctuated by the stark red on the robot’s head. The camera is positioned at a low angle, close to the robot’s level, creating an intimate and somber perspective that emphasizes its vulnerability."

"jnkh, A weathered, yellow-and-black mechanical figure with a boxy head and articulated limbs is captured mid-stride, carrying a red bucket in one hand, kicking up dust as it moves across a rough, rocky terrain. The setting is a dim, cavernous space with textured stone walls and scattered debris, suggesting an abandoned or industrial underground environment. The lighting is low and directional, casting deep shadows and highlighting the metallic surfaces and rusted details, implying either dawn or dusk. Dominant colors are earthy browns, muted yellows, and dark grays, with the red bucket providing a stark contrast. The camera is positioned at a low angle, slightly to the side, emphasizing the robot’s movement and the gritty, immersive atmosphere."

"jnkh, in a dim, industrial workshop filled with rusted pipes, metal grates, and red-handled valves, three humanoid figures in worn work attire stand in a tense, silent interaction; one holds a cracked, white helmet while another faces them, their faces obscured by goggles and scarves. The lighting is low and directional, casting deep shadows and highlighting the gritty textures of their clothing and the surrounding machinery, suggesting late afternoon or an underground setting. Dominated by earthy browns, muted greys, and the stark white of the helmet, the scene is framed tightly from a slightly low angle, emphasizing the figures’ postures and the oppressive, mechanical environment around them."

"jnkh, A figure with a weathered, textured appearance crouches behind a rough, cracked stone ledge, aiming a modified rifle equipped with a scope. The setting is a dim, industrial ruin with towering, moss-streaked concrete pillars and rusted metal scaffolding in the background, suggesting abandonment or decay. The lighting is low and directional, casting deep shadows and highlighting the gritty textures of the environment, implying either dawn or dusk. Dominant colors are muted browns, grays, and ochres, reinforcing a desolate, earthy atmosphere. The camera is positioned at a low angle, close to the ground, emphasizing the figure’s tense posture and creating an immersive, cinematic perspective."

"jnkh, A small, weathered robot with a yellow and white painted body stands upright in a cluttered, industrial ruin, its head-mounted camera lens and riveted metal joints suggesting it’s been abandoned or repurposed. Behind it, rusted metal beams and debris litter the ground, while the background is softly blurred, emphasizing the robot’s solitary presence. The lighting is diffused and even, casting no harsh shadows, suggesting an overcast day or shaded interior. Dominant colors are muted yellows, grays, and browns, with the robot’s paint peeling to reveal darker underlayers. The camera is positioned at eye level, framing the robot centrally with shallow depth of field, drawing focus to its worn, mechanical details."

"jnkh, A small, weathered doll with textured, brown hair and a knit sweater sits amidst a pile of rusted metal debris, its hands resting on the wreckage as if examining or holding something. The setting is a dim, industrial ruin with scattered pipes, broken machinery, and perforated metal sheets, suggesting abandonment and decay. The lighting is low and moody, casting deep shadows and highlighting the grime on the doll and surrounding objects, evoking a late afternoon or overcast gloom. Dominated by muted browns, grays, and blacks, the palette enhances the somber, gritty atmosphere. The camera frames the doll in a medium close-up, slightly angled from the side, drawing focus to its stillness against the chaotic backdrop."

"jnkh, two humanoid figures in textured, bright red suits stand side by side in a dimly lit, industrial warehouse, their faces partially obscured by the hooded fabric, with only small black eyes and pale, expressionless mouths visible. The background reveals exposed metal beams, concrete walls, and scattered equipment, suggesting a utilitarian or abandoned space. Warm, directional overhead lights cast soft glows and shadows across the scene, indicating an interior setting during evening or night. The dominant color is the vivid red of the suits, contrasted against the muted grays and browns of the surroundings. The camera frames the figures in a medium shot, positioned slightly low to emphasize their imposing, muscular forms and create a sense of grounded presence."

"jnkh, two figures in full protective gear, including gas masks and harnesses, stand in a desolate, rubble-strewn concrete space; the foreground figure kneels beside a small, vivid red bloodstain on the floor, while the second stands upright in the background. The environment is stark and industrial, with cracked walls and scattered debris, illuminated by a dim, cool-toned light that casts deep shadows, suggesting an overcast or artificial nighttime setting. Dominated by muted grays and blacks of the suits and surroundings, the scene is punctuated by the stark contrast of the crimson blood. Shot from a low angle, the camera emphasizes the kneeling figure’s posture and the ominous presence of the standing figure, creating a tense, immersive composition."

"jnkh, A humanoid robot with a smooth, white head and black eyes stands upright, holding a rifle-like weapon, facing a hooded figure in a deep red coat who is partially obscured and turned away. The scene unfolds in a dilapidated, concrete-walled space with debris scattered on the floor, suggesting abandonment or conflict. The lighting is dim and directional, casting strong shadows and highlighting the robot’s metallic sheen and the rich texture of the red fabric, implying either dawn or dusk. The color palette is dominated by muted grays and stark whites contrasted with the vivid red of the coat. The camera frames the subjects in a medium shot from a slightly low angle, emphasizing the robot’s imposing stance and the mysterious posture of the hooded figure."

"jnkh, three humanoid figures with mechanical headgear and scarves stand in a cluttered, industrial workshop, their hands clasped or gesturing as if in conversation or contemplation. Behind them, large, rusted machinery and stacked crates fill the background, suggesting a place of labor or repair. The lighting is soft and diffused, casting muted shadows and giving the scene a late afternoon or overcast ambiance. Dominant colors are earthy browns, faded yellows, and metallic grays, contributing to a worn, utilitarian aesthetic. The camera is positioned at eye level, framing the figures centrally with a shallow depth of field that blurs the background slightly, drawing focus to their expressions and posture."

"jnkh, A weathered, white-painted humanoid figure with a smooth, rounded head and simple dark eyes sits upright, its arms slightly raised and resting on a wooden surface behind it. The setting is dimly lit, with warm, muted tones suggesting an indoor, possibly abandoned or rustic space, featuring dark wood framing and textured walls. The lighting casts soft shadows, emphasizing the figure’s aged, chipped paint and mechanical joints, while the camera frames it in a tight, centered close-up that draws focus to its still, contemplative posture. Dominant colors are off-white, brown, and deep shadow, creating a somber, nostalgic atmosphere."

"jnkh, A small, bald, doll-like figure with a textured, pale face and wide, open hands is positioned against a weathered concrete wall, wearing oversized headphones with orange ear cushions and a brown scarf. The figure appears to be in motion, as if dancing or reacting to music, with its arms raised and palms facing forward. The wall behind it is cracked and peeling, revealing patches of yellowish paint beneath the gray surface. The lighting is even and diffused, suggesting an overcast day or indoor setting, casting soft shadows. Dominant colors are muted grays, browns, and the warm orange of the headphones. The camera is framed at eye level, capturing the figure from the chest up, emphasizing its expressive posture and the gritty texture of the background."

"jnkh, A small, white, humanoid figure with a smooth, featureless head and articulated limbs stands in a narrow, grimy concrete corridor, facing forward as if observing something ahead. From the ceiling, a massive, segmented, spiky appendage curves down toward the figure, its rough, textured surface illuminated by a single overhead light that casts stark shadows and a hazy glow on the dusty floor. The scene is lit by a single, harsh overhead bulb, creating a dim, industrial atmosphere with muted browns, grays, and the stark white of the figure, punctuated by a splash of red near the base of the appendage. The camera is positioned at eye level with the figure, framing the scene in a tight, immersive shot that emphasizes the looming scale of the appendage and the"

"jnkh, A small, ragged figure crouches amid a pile of trash and debris, reaching with both hands toward something partially buried in the refuse. The setting is a grim, cluttered alleyway or underpass, strewn with plastic bags, broken wood, and discarded refuse, with rusted metal rails running diagonally in the background. The lighting is dim and diffused, casting soft shadows and suggesting an overcast or late afternoon hour, with a muted palette dominated by grays, browns, and faded blacks. The camera is positioned at a low angle, close to the ground, emphasizing the figure’s vulnerability and the overwhelming scale of the waste surrounding them."

"jnkh, A small, white humanoid robot with black, glossy eyes lies on its side on a rough, gray concrete surface, its limbs slightly bent as if in mid-motion or having fallen. The robot’s head is tilted upward, and its exposed mechanical joints and beige paneling contrast with its smooth, matte white exterior. The lighting is soft and diffused, casting gentle shadows and suggesting an overcast day or shaded environment. Dominant colors are muted whites, grays, and blacks, with the robot’s beige accents adding subtle warmth. The camera is positioned at a low angle, looking slightly upward at the robot, emphasizing its vulnerable, grounded posture."

"jnkh, A small, round-headed puppet with reddish-brown ears and a brown scarf is being gently held by a larger, taller puppet wearing a metal visor and a dark apron, its hand resting on the smaller one’s head. The scene is set in a dim, industrial-looking space with a bright, glaring light source in the background casting lens flares, suggesting a late afternoon or artificial illumination. Dominant colors are muted earth tones—beige, brown, and gray—with the stark white of the light creating contrast. The camera is positioned at a low angle, focusing closely on the interaction between the two figures, emphasizing their textures and the intimacy of the moment."

"jnkh, A small, white, humanoid robot with a smooth, rounded head and simple black eyes sits at the base of a weathered concrete staircase, its arms slightly raised as if in mid-movement or contemplation. The setting is a dim, gritty interior with peeling walls and scattered debris, suggesting abandonment or disuse. The lighting is subdued and warm-toned, casting soft shadows and giving the scene a sepia-like, melancholic atmosphere, likely set during late afternoon or dusk. Dominated by muted browns, grays, and off-whites, the frame is shot from a low angle, emphasizing the robot’s small stature against the looming, empty stairs."

"jnkh, A weathered, yellow-and-gray humanoid robot stands in a dilapidated room, holding a red bucket in one hand, its mechanical joints and riveted body showing signs of age and neglect. The setting is a stark, industrial space with riveted metal walls, three rusted metal chairs lined up against the wall, and three pink, fleshy-looking protrusions embedded in the wall above the chairs. The lighting is dim and diffuse, casting soft shadows and suggesting an overcast or underground environment, with muted tones of beige, gray, and faded green dominating the scene. The camera is positioned at eye level, capturing the robot and its surroundings in a medium shot that emphasizes the desolation and stillness of the space."

"jnkh, in a gritty, rain-slicked industrial yard, a group of humanoid figures—some with mechanical limbs and others in red fabric—stand or sit in weathered, rusted vehicles, appearing to be in motion or preparing for action. The background reveals stacked metal debris, a large industrial air conditioning unit, and corrugated metal walls, all under dim, overcast lighting that casts a muted, grayish tone over the scene. Dominant colors are earthy browns, dull greens, and stark reds, contrasting with the wet, reflective asphalt. The camera is positioned at a low angle, focusing on the back of a central figure with a microphone headset, creating a sense of immediacy and immersion in the cluttered, mechanical environment."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 278 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.