Premium character LoRAs
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The Terminator 1984
A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.
Usage
Include the trigger word trmntr in your prompt.
Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.
Prompt Examples
Here are some prompt examples:
"trmntr, A sleek, metallic humanoid figure with a skull-like head and glowing red eyes is positioned in profile, its jaw slightly open as if mid-movement or in alertness. The background features a blurred, hexagonal-patterned mesh barrier, suggesting an industrial or containment environment, with faint yellow lines visible on the ground. The lighting is dim and directional, casting sharp highlights on the figure’s polished surface while leaving much of the scene in shadow, indicating an artificial, possibly nighttime or underground setting. Dominant colors are dark metallic grays and blacks, punctuated by the vivid red glow of the eyes. The camera is tightly framed on the upper torso and head, angled slightly from the side to emphasize the figure’s mechanical structure and intense gaze."
"trmntr, A man in a dark coat and a woman in a pink top and light jeans walk side by side on a paved sidewalk, their expressions suggesting concern or urgency. Behind them, a large white semi-truck is parked, and to their right, a weathered sign reads “TIKI MOTEL” in bold red letters, surrounded by greenery. The scene is bathed in warm, golden light, indicating late afternoon or early evening, casting long shadows across the pavement. The dominant colors are earthy tones—beige, gray, and muted greens—with the red sign and pink top providing pops of color. The camera frames them from a medium distance, capturing their full figures and the surrounding environment in a slightly low-angle shot that emphasizes the roadside setting."
"trmntr, A man with dark, tousled hair and a bandaged right hand presses his fingers to his forehead, his face contorted in pain or exhaustion, while his left hand rests on his shoulder. He is seated in a dimly lit, narrow room with plain, textured walls, and a mirror behind him reflects a faint light source and the blurred outline of another person holding a tool. The lighting is low and directional, casting deep shadows across his face and highlighting the sweat and tension in his expression, suggesting a late-night or confined, tense atmosphere. Dominant colors are muted grays, browns, and the stark white of the bandage, creating a gritty, somber mood. The camera is positioned in a tight close-up, angled slightly from the side, emphasizing his emotional and physical strain"
"trmntr, A close-up of a large, industrial machine with multiple cylindrical chambers, some glowing with a deep red light, suggesting active processing or containment. The setting is a dimly lit factory or laboratory, with metallic surfaces, pipes, and mechanical arms visible, and a faint haze or steam in the air. The lighting is low and moody, with cool blue and gray tones dominating, punctuated by the warm red glow from within the machine’s components. The camera is positioned at a low angle, emphasizing the machine’s imposing scale and intricate mechanical details."
"trmntr, A man in a long, olive-green trench coat stands still on a bustling city sidewalk, his gaze directed forward with a look of concern or contemplation, while a man behind him carries a small child on his shoulders. The scene is set on a tree-lined urban street with pedestrians walking past, including a child in a pink outfit and others in casual summer attire; a partially visible storefront sign reads “AND DIAMONDS.” The lighting is soft and diffused, suggesting an overcast day or late afternoon, casting even tones across the scene. Dominant colors include muted greens, browns, and pastel pinks, with the background slightly blurred to emphasize the central figure. The camera is positioned at eye level, framing the man in the trench coat as the focal point against the motion of"
"trmntr, two men stand in a cluttered police station office, engaged in a serious conversation; one holds papers while the other listens intently, both dressed in professional attire with badges visible. The room is filled with stacks of files, a vintage television, and a wooden plaque bearing “LAPD” and its motto, framed by glass partitions and a window with blinds partially open. The lighting is even and functional, suggesting an indoor daytime scene, with muted tones of beige, blue, and brown dominating the palette. The camera frames the interaction from a medium shot, capturing both figures and their surroundings with a slight angle that emphasizes the tension in their exchange."
"trmntr, A man in a dark green sweater with a plaid collar stands in an office-like space, holding a black folder and gesturing with his other hand as if in mid-conversation or explanation. Behind him, a round wall clock shows the time as approximately 7:05, and fluorescent lights illuminate the room, casting a sterile, even glow. The setting includes a numbered door marked “6” and a visible computer monitor, suggesting a bureaucratic or administrative environment. The color palette is muted, dominated by grays, greens, and browns, with the lighting creating soft shadows. The camera frames him from a slightly low angle, emphasizing his expressive face and upper body as he speaks."
"trmntr, A man with disheveled hair and a headband leans forward intently, his mouth slightly open as if speaking or reacting, with a small object dangling from his lips. He is in a dim, shadowy environment, possibly a confined or rugged space, with dark, textured surfaces and what appears to be a torn or worn fabric nearby. The lighting is low and focused, casting sharp highlights on his face while leaving the background in near darkness, suggesting nighttime or an enclosed, poorly lit setting. Dominant colors are deep blues, blacks, and muted grays, with a stark contrast created by the light on his skin. The camera frames him in a tight close-up from a slightly low angle, emphasizing his expression and the intensity of the moment."
"trmntr, A wet city street at night, viewed from a low angle on the sidewalk, with a yellow fire hydrant in the foreground and distant cars moving under streetlights. Buildings line both sides of the road, their ground-floor storefronts shuttered, with faded signs and illuminated billboards casting a glow on the reflective pavement. The scene is bathed in cool blue and gray tones, punctuated by the warm yellow of streetlights and the red and white flashes of vehicle taillights. The camera is positioned close to the curb, creating a sense of immersion in the quiet, rain-slicked urban environment."
"trmntr, A man with thick-rimmed glasses and a mustache, wearing a dark uniform, peers through a wooden-framed window, his mouth slightly open as if speaking or reacting. Behind him, a sign reads “ALL BAIL BONDSMEN REPORT TO ROOM,” indicating a bureaucratic or law enforcement setting. The scene is lit with even, artificial indoor lighting, suggesting a daytime or neutral-hour environment inside a functional building. Dominant colors are muted browns and dark blues, with the wood grain and uniform texture adding to the utilitarian feel. The camera is positioned at eye level, framing the man’s face and upper torso within the window’s rectangular opening, creating a sense of observation or confrontation."
"trmntr, A close-up reveals a grotesque, gaping wound in flesh, filled with dark, viscous blood and embedded with several metallic, cylindrical objects resembling bullets. The scene is set against a pale, textured surface, likely skin, with blood pooling and dripping around the edges. The lighting is dim and focused, casting deep shadows within the wound and highlighting the glistening, saturated reds and dark metallic tones. The camera is tightly framed, angled slightly downward, emphasizing the visceral horror and the stark contrast between the organic tissue and the cold, inorganic projectiles."
"trmntr, A person in a dark, worn leather jacket sits in profile, gazing intently out a window with horizontal blinds, their face partially illuminated by the filtered daylight. The setting appears to be a dim, weathered interior with peeling walls, and a curved metal railing is visible in the foreground, suggesting a confined or industrial space. The lighting is stark and directional, casting strong shadows and highlighting the texture of the jacket and the person’s focused expression, indicating late afternoon or early evening. Dominant colors are muted browns, grays, and the pale, streaked light from the window. The camera is positioned at a low angle, capturing the subject from the side with a shallow depth of field that blurs the background, emphasizing their solitary contemplation."
"trmntr, A tense standoff unfolds between two men in a dimly lit, wood-paneled room, one holding a firearm pointed at the other, who stands with a wary posture. The setting appears to be a rustic interior, possibly a cabin or lodge, with a mounted bird on the wall and fluorescent lighting casting stark, shadowed illumination from above. The dominant colors are muted grays, browns, and dark tones, emphasizing the gritty atmosphere. The camera frames the scene in a medium close-up, angled slightly from the side, focusing on the intensity of the confrontation and the details of the weapon and clothing."
"trmntr, A lone, towering mechanical figure stands amidst a field of shattered metal and debris, its arm extended as it fires a vivid purple laser beam that slices horizontally across the frame. The setting is a desolate, ruined urban landscape under a dark, smoky sky, with jagged silhouettes of collapsed structures rising in the background. The scene is bathed in cold, dim blue and purple tones, with the laser’s glow casting sharp highlights on the wreckage. Shot from a low, wide angle, the camera emphasizes the scale of the destruction and the imposing presence of the machine against the gloomy, post-apocalyptic backdrop."
"trmntr, A muscular man in a gray jacket with a black collar holds a rifle, his gaze locked in tension with another man in a patterned shirt who faces him. The setting is a dimly lit, cluttered interior, possibly a shop or bar, with wooden paneling, a mounted bird on the wall, and shelves filled with bottles and merchandise in the background. Fluorescent lighting casts a cool, even glow, suggesting an indoor scene during the day or evening. Dominant colors are muted grays, browns, and blacks, with the rifle’s dark metal and the patterned shirt adding texture. The camera frames the two men in a medium close-up, angled slightly from the side, emphasizing their confrontation and the intensity of the moment."
"trmntr, A muscular, shirtless man stands centered in a dimly lit, modern interior space, his gaze fixed forward with a serious, intense expression. The setting features a ceiling with recessed fluorescent lighting casting a cool blue glow, and dark, reflective surfaces in the background suggest a sleek, possibly industrial or high-tech environment. The dominant colors are muted tones of black and gray, punctuated by the stark blue of the artificial lighting, creating a moody, cinematic atmosphere. The camera frames him in a tight, low-angle shot that emphasizes his broad shoulders and focused demeanor, enhancing the sense of power and determination."
"trmntr, A lone figure in a dark, weathered leather jacket and sunglasses moves cautiously down a narrow, dimly lit hallway, holding a firearm in one hand while a rifle is slung over their shoulder. The walls are textured and grimy, with a faded sign reading “WATCH COMMANDER” visible above a doorway, and a wall-mounted device to the right. The lighting is low and atmospheric, casting deep shadows and highlighting the figure’s silhouette against the cool, grayish-blue tones of the environment, suggesting a tense, nocturnal or overcast setting. The camera frames the subject from behind and slightly to the side, emphasizing their forward motion and the confined, suspenseful space."
"trmntr, A dark gray sedan is parked in a dimly lit, snowy outdoor lot, its rear window shattered into a web of cracks and its roof littered with scattered glass fragments, suggesting recent violent impact. In the background, another vehicle is partially visible, and the ground is covered in snow and debris, with faint reflections of artificial light glinting off the wet surfaces. The scene is illuminated by cold, artificial lighting, casting sharp shadows and emphasizing the stark, wintry night. The dominant colors are muted grays, blacks, and whites, with the metallic sheen of the car’s body contrasting against the dull snow. The camera is positioned at a low, angled side-rear view, focusing on the damaged car’s passenger side and rear window to highlight the extent of the destruction."
"trmntr, A man with disheveled hair and a grim, sweaty expression leans forward intently, his mouth slightly open as if speaking urgently or reacting to someone off-screen. The setting appears to be the dim interior of a vehicle at night, with a bright, out-of-focus light source visible in the background and a blurred figure or object in the foreground. The lighting is low and moody, casting deep shadows across his face while highlighting beads of sweat and dirt, with dominant tones of dark gray, black, and muted skin tones. The camera frames him in a tight close-up, angled slightly from the side, emphasizing his tense facial features and the immediacy of the moment."
"trmntr, A woman lies on her back on a stretcher, appearing injured with visible bruises and blood near her mouth, while receiving medical attention; she is covered with a light blue blanket and has an oxygen tube in her nose and an IV line in her arm. Around her, several individuals in dark uniforms are attending to her, suggesting an emergency or transport scenario. The setting appears to be indoors, possibly a hospital corridor or emergency bay, with neutral-toned flooring and a white pillow beneath her head. The lighting is even and clinical, indicating artificial illumination typical of an institutional environment, likely during daytime hours. Dominant colors include muted blues, pinks from her clothing, and the stark whites of the medical equipment and pillow. The camera is positioned at a low angle, close to the subject’s face,"
Training
- Base model: Krea 2 (trained on Raw)
- Type: Style LoRA
- Dataset: 184 images
- Steps: 2000
- Network rank / alpha: 32 / 32
- Learning rate: 0.0002
- Optimizer: adamw8bit
- Resolutions: 512 / 1024
Generation settings
Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.
- Raw: ~30 steps, guidance 3.5
- Turbo: ~8 steps, guidance 1.0
The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.