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Resident Evil Retribution 2012
A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.
Usage
Include the trigger word rsdntevlrt2012 in your prompt.
Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.
Prompt Examples
Here are some prompt examples:
"rsdntevlrt2012, A young girl with braided hair stares directly forward, framed within a red-tinted digital interface that labels her as a target. Behind her, several armed figures move through a dim, industrial corridor illuminated by vertical neon lights, while a screen on the left lists hostile intruders with file numbers. The entire scene is bathed in a monochromatic red glow, suggesting a high-tech, surveillance-heavy environment at night or in a sealed facility. The camera uses a tight, centered framing to emphasize the girl’s face and the overlaying HUD elements, creating a tense, immersive perspective."
"rsdntevlrt2012, A lone figure in a red shirt stands in a vast, industrial hall, holding a firearm and looking upward toward a massive, weathered Soviet emblem featuring a hammer and sickle, flanked by wings and inscribed with Cyrillic text. The setting is a dim, smoke-filled interior with rows of bright fluorescent lights casting stark vertical beams, suggesting a late-night or post-apocalyptic atmosphere. Dominant colors are muted grays, industrial browns, and the stark yellow of the emblem’s ribbon, contrasted by the red of the figure’s shirt. The camera frames the scene from a low angle, emphasizing the scale of the emblem and the isolation of the figure beneath it."
"rsdntevlrt2012, A close-up of a public transit directional sign in Russian, displaying routes and destinations such as “Улица Воздвиженка,” “Александровский Сад,” and “Борс.” The sign features bold black text on a white background, with colored bands—blue and red—highlighting specific stops and arrows indicating direction. The lighting is even and bright, suggesting an indoor or well-lit urban environment during daytime. Dominant colors are white, black, blue, and red, with a beige section for route number 9. The camera is angled slightly downward, focusing tightly on the sign’s text and directional arrows, with a blurred architectural background visible at the bottom."
"rsdntevlrt2012, A grotesque, biomechanical entity with exposed, fleshy tendrils and a gaping, translucent maw hangs from a dark, industrial ceiling, its form dripping with viscous fluid. Two figures in tactical gear sprint past in the foreground, their motion blurred as they flee toward a heavy, metallic door, suggesting imminent danger. The scene is lit by harsh, cold artificial lights mounted on the wall, casting stark shadows in a dim, metallic corridor with riveted panels and exposed pipes. Dominated by deep browns, grays, and the sickly sheen of wet flesh, the frame is captured from a low angle, emphasizing the creature’s looming, monstrous scale and the urgency of the escape."
"rsdntevlrt2012, A person in a form-fitting black tactical suit with reinforced padding and a red emblem on the chest stands in a spacious, minimalist room, glancing toward a wall-mounted display of futuristic firearms. The setting features a glossy floor with geometric red and white patterns, large white panel walls, and sleek metallic fixtures, suggesting a high-tech facility. Bright, even lighting illuminates the scene, casting soft reflections on the polished surfaces, with no discernible time of day. Dominant colors are black, white, and metallic silver, accented by the red floor design. The camera frames the subject in a medium shot from a slightly low angle, emphasizing their posture and the surrounding environment."
"rsdntevlrt2012, in a rain-slicked urban night scene, two figures stand amidst a cluster of yellow taxis and a white police car, one gesturing toward the other as if in mid-conversation or confrontation. Behind them, towering billboards display advertisements for Norton, Mountain Dew, and Stella Artois, casting bright, artificial light over the wet pavement and vehicles. The dominant colors are the yellow of the taxis, the orange glow of the billboards, and the dark, reflective tones of the night, punctuated by the red and blue emergency lights of the police car. The camera is positioned at a low, wide angle, capturing the chaotic arrangement of vehicles and the towering advertisements, emphasizing the scale and intensity of the moment."
"rsdntevlrt2012, A woman in dark tactical gear executes a high kick against an opponent, her face tense with exertion as snowflakes drift through the air. The scene unfolds in a snowy, open landscape, with the blurred silhouette of the opponent dominating the foreground and a pale, overcast sky casting a cool blue hue over the entire frame. The dominant colors are muted blacks and whites, punctuated by the icy blue tones of the environment, while the camera captures the action from a low, dynamic angle that emphasizes the motion and intensity of the moment."
"rsdntevlrt2012, A woman in a red-and-white plaid shirt is crouched beside a silver SUV that has flipped onto its roof, her hand pressed against the open door as if trying to stabilize or escape. The scene unfolds on a suburban street littered with debris, smoke, and scattered wreckage, with a group of people advancing down the road in the background near a burning vehicle. The overcast sky casts a muted, grayish light over the setting, emphasizing the chaotic aftermath, while the dominant colors are muted grays, browns, and the pop of the plaid shirt. The camera is positioned at a low angle, capturing the overturned car’s underside and the woman’s urgent posture, immersing the viewer in the immediate danger and disarray."
"rsdntevlrt2012, A lone figure in a purple outfit stands on a vast, snow-covered expanse, facing another person who is mid-air, seemingly falling or being propelled away from a partially collapsed, white industrial structure. Scattered across the snow are dark, discarded items, including what appears to be a coat and small mechanical fragments. The scene is bathed in a cold, blue-toned light, suggesting a harsh, overcast winter day or a high-altitude environment. The camera captures the moment from a high, wide-angle perspective, emphasizing the isolation and scale of the snowy landscape and the dramatic motion of the falling figure."
"rsdntevlrt2012, two rugged, military-style vehicles with bright headlights are driving across a wide, snow-dusted plaza at night, kicking up mist and snow as they move. The background features ornate, illuminated buildings with intricate architectural details and a distant spire, suggesting a grand urban square. The scene is bathed in the cool glow of artificial lights against a dark sky, with dominant colors of deep blue, gray, and white, punctuated by the warm yellow of the vehicle lights. The camera is positioned low and wide, capturing the motion blur of the snow and the vehicles’ forward momentum, emphasizing the cold, tense atmosphere."
"rsdntevlrt2012, A woman with short blonde hair and red lipstick stares directly forward, framed within a circular targeting reticle on a high-tech surveillance monitor. The screen displays a red-hued interface with technical readouts, including a “Detonation Countdown” of 01:54:57, camera ID “SEC. JRR-T,” and a runtime of 00:39:38, all set against a geometrically patterned corridor background. The lighting is artificial and saturated with red tones, suggesting an urgent or hazardous environment, and the camera is positioned as if viewing the monitor from a slightly angled, close-up perspective."
"rsdntevlrt2012, A sleek, dark luxury sedan with a prominent chrome grille and wet, reflective surface is parked closely beside another vehicle, both partially obscured by mist and dim ambient light. The scene unfolds at night in an urban setting, with a faintly lit storefront sign visible in the background, suggesting a street-level location. Cool blue and gray tones dominate the frame, enhanced by the moisture clinging to the cars’ surfaces and the hazy atmosphere. The camera is positioned at a low, close-up angle, emphasizing the front fascia of the sedan and creating a sense of intimacy and tension within the shadowy environment."
"rsdntevlrt2012, A close-up shot focuses on a person’s wrist adorned with a rectangular digital watch featuring a red silicone band and a glowing screen displaying a timer reading “1:29:18” alongside a circular graphic. The background is softly blurred with warm, golden bokeh, suggesting an indoor or dimly lit environment with ambient light casting soft shadows across the skin. The dominant colors are deep reds, muted browns, and warm yellows, creating a moody, cinematic atmosphere. The camera is tightly framed on the wrist, emphasizing the watch’s details and the texture of the skin, with a shallow depth of field isolating the subject from the surroundings."
"rsdntevlrt2012, A person in dark, form-fitting attire is stepping out from the driver’s side of a white police car with flashing red lights, positioned at a wet, rain-slicked intersection. The scene is framed from a high-angle, bird’s-eye perspective, revealing a row of parked bicycles in the foreground, a pedestrian crosswalk glowing with yellow reflections from streetlights, and several parked cars nearby. The lighting is moody and cinematic, dominated by the stark contrast of neon yellow reflections on the wet asphalt, deep shadows, and the red glow from the police car’s emergency lights, suggesting a nighttime urban environment."
"rsdntevlrt2012, A person in a form-fitting black outfit walks purposefully across a sleek, minimalist interior space, passing by rows of white workstations where others are seated. The room is dominated by large, floor-to-ceiling windows that flood the area with bright, diffused daylight, casting sharp reflections on the polished floor, which features geometric red and white patterns. In the foreground, a tall, illuminated display case holds multiple black firearms mounted vertically, contrasting with the sterile white and gray tones of the environment. The camera is positioned at a low angle, emphasizing the scale of the room and the imposing presence of the weapon display, while the subject’s movement draws the viewer’s eye toward the center of the frame."
"rsdntevlrt2012, two armed individuals stand alert in a vast, industrial interior, one aiming a firearm while the other holds a weapon at the ready. Dominating the far wall is a large, ornate emblem featuring a globe, hammer, and sickle, flanked by red wings and bearing Cyrillic text, set against weathered brick and concrete. The space is lit by rows of bright, vertical fluorescent tubes casting a cool, sterile glow, with shadows and haze adding depth to the scene. The dominant colors are muted grays, industrial blues, and the bold red and gold of the emblem. The camera frames the scene from a low angle, emphasizing the scale of the room and the imposing presence of the emblem above."
"rsdntevlrt2012, A grotesque, bloodied figure with a burlap sack over its head and nails protruding from its body stands beside a shattered, white vehicle, gripping a metal pole with one hand while a chain dangles from its other. The scene is set in a dim, industrial-looking space with scattered debris, broken glass, and a faint purple glow in the background, suggesting a nighttime or artificially lit environment. The lighting is cold and harsh, casting deep shadows and highlighting the gory details in shades of gray, black, and crimson. The camera is positioned at a low angle, emphasizing the figure’s menacing posture and the chaotic wreckage around it."
"rsdntevlrt2012, A woman in a form-fitting, dark-toned outfit with a prominent red and metallic collar stands centered within a large, rectangular glass enclosure, gazing downward with a composed expression. The setting is a minimalist, sterile environment with white paneled walls and ceiling, framed by sleek black structural beams, suggesting a high-tech or institutional space. Bright, even lighting illuminates the scene from above, casting soft shadows and emphasizing the cool, clinical palette of whites, grays, and deep purples. The camera is positioned at a low angle, looking up through the glass, creating a sense of scale and isolation as the subject dominates the frame."
"rsdntevlrt2012, A grand, neoclassical building with a prominent dome and colonnades stands in ruins, its facade pockmarked with damage and debris scattered across its steps and surrounding grounds. The scene is set at twilight or night, under a sky streaked with fiery orange and deep red clouds, with scattered fires glowing at the base of the structure and a distant helicopter’s searchlight piercing the gloom. The dominant colors are dark grays and charcoal of the ruined stone, contrasted against the warm, ominous glow of the sky and flames. The camera frames the building in a wide, symmetrical shot from a low angle, emphasizing its scale and the devastation surrounding it."
Training
- Base model: Krea 2 (trained on Raw)
- Type: Style LoRA
- Dataset: 300 images
- Steps: 2000
- Network rank / alpha: 32 / 32
- Learning rate: 0.0002
- Optimizer: adamw8bit
- Resolutions: 512 / 1024
Generation settings
Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.
- Raw: ~30 steps, guidance 3.5
- Turbo: ~8 steps, guidance 1.0
The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.