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Austin Powers The Spy Who Shagged Me 1999
A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.
Usage
Include the trigger word astnpwrssp1999 in your prompt.
Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.
Prompt Examples
Here are some prompt examples:
"astnpwrssp1999, A person in a dark, glossy uniform is bent over a complex control console, their hands engaged with illuminated switches and dials, while another figure in blue and red track pants stands nearby, seemingly in motion. The setting is a high-tech command deck with metallic surfaces, glowing blue accent lighting along tiered platforms, and a wall of blinking red, green, and yellow indicator lights. The scene is lit with cool, artificial tones dominated by blues and metallic grays, with warm glows from the console’s lights contrasting sharply. The camera is positioned at a low angle, capturing the action from behind the seated operator, emphasizing the intricate details of the control panel and the dynamic posture of the standing figure."
"astnpwrssp1999, two figures in matching gray suits are suspended mid-air, arms outstretched, as if caught in a gravitational or spatial anomaly, against a large circular wall with concentric black and white rings and glowing blue accents. The scene is set in a sleek, modern chamber with metallic and wood-paneled walls, illuminated by cool-toned overhead lights and glowing fixtures along the circular structure’s rim. The lighting is artificial and high-contrast, casting sharp shadows and emphasizing the futuristic, sterile environment, suggesting a controlled, possibly experimental setting. Dominant colors are cool grays, stark black and white, and vibrant blue highlights, creating a visually striking and tense atmosphere. The camera frames the scene from a slightly elevated, wide-angle perspective, capturing both the suspended figures and a third person standing to the side,"
"astnpwrssp1999, A bald individual in a silver, textured garment leans forward from behind a high-backed black chair, their hand resting on the chair’s edge as they peer intently toward the right. The setting is a futuristic, industrial chamber with exposed metallic beams, riveted panels, and a glowing cylindrical apparatus emitting blue light on the right. The lighting is cool and artificial, casting deep shadows and highlighting the metallic surfaces and the chair’s sleek contours, suggesting a nighttime or enclosed environment. Dominant colors are dark blues, silvers, and blacks, with accents of bright blue from the glowing device. The camera is positioned at a medium shot, slightly angled to capture the subject’s posture and the surrounding mechanical architecture."
"astnpwrssp1999, A group of individuals in white and black uniforms stands in a circular formation within a high-tech command center, facing two seated figures in the foreground. The room features a domed ceiling with exposed metallic trusses, glowing blue accent lighting along the floor, and a large spiral-patterned portal on the left wall. Behind the group, hexagonal display panels show planetary imagery, and a central spherical object rests on a raised platform. The lighting is cool and artificial, casting sharp shadows and emphasizing the metallic surfaces, suggesting a nighttime or enclosed environment. Dominant colors are shades of blue, silver, and black, with white uniforms providing contrast. The camera is positioned low, looking up through the seated figures’ chairs, creating a sense of scale and authority within the futuristic space."
"astnpwrssp1999, A person with curly hair and thick-rimmed glasses is captured mid-laugh, their face animated with joy, while seated in front of a vibrant, retro-style record store. Behind them, a bright green doorway frames a sign reading “Sophie’s Records,” adorned with colorful floral motifs and vinyl album covers visible on shelves. The scene is bathed in warm, even lighting, suggesting an indoor daytime setting, with dominant hues of lime green, yellow, and rich reds creating a lively, psychedelic atmosphere. The camera is tightly framed on the subject’s expressive face, slightly tilted, emphasizing their exuberant emotion against the busy, colorful backdrop."
"astnpwrssp1999, A person in a shiny silver jumpsuit stands in a futuristic, sterile corridor, mid-motion as they throw a blurred, white object toward a large, metallic door marked with red biohazard symbols and the word “DISPOSAL.” The environment is illuminated by cool blue ambient lighting and circular floor lights, casting sharp shadows and giving the scene a clinical, high-tech atmosphere. The dominant colors are metallic silver, deep blue, and stark white, with red accents from the warning signs. The camera is positioned at eye level, capturing the action in a medium shot that emphasizes the motion blur of the thrown object and the rigid geometry of the surrounding walls and doors."
"astnpwrssp1999, A hexagonal control panel displays a digital globe with a red laser beam targeting Washington, alongside a moon model and countdown text reading “TARGET LOCKED.” The setting is a high-tech, metallic command center with exposed steel beams and glowing blue panels, suggesting a futuristic or sci-fi environment. The lighting is cool and artificial, casting sharp highlights on the metal surfaces against a dark, star-speckled background. Dominant colors are metallic gray, deep blue, and the vibrant red of the targeting beam and progress bar. The camera is positioned at a slight low angle, framing the panel centrally to emphasize its importance and the impending action."
"astnpwrssp1999, A vintage convertible with a patriotic red, white, and blue paint scheme, featuring stars and stripes, speeds along a narrow, winding road clinging to a steep, rocky cliffside. The vehicle’s motion is captured with a slight blur, emphasizing its velocity as it navigates the curve, with a metal guardrail running alongside the asphalt. The scene is bathed in bright, direct sunlight, casting sharp shadows across the rugged terrain and highlighting the vivid colors of the car against the earthy browns and greens of the natural surroundings. The camera is positioned at a low angle, looking up at the car as it passes, creating a sense of dynamism and scale against the imposing cliff face."
"astnpwrssp1999, A shirtless man is captured mid-motion, leaning out from behind a glass door with arms extended, as if reaching or falling backward, framed by an ornate green metal gate. The setting appears to be an elegant, warmly lit interior space, possibly a hotel lobby, with golden walls, decorative chandeliers, and a visible elevator panel. The lighting is soft and ambient, casting a golden glow that contrasts with the cool teal of the metalwork and the glass reflections. The camera is positioned at eye level, capturing the scene through the glass, which adds a layer of separation and distortion, emphasizing the dramatic, suspended moment."
"astnpwrssp1999, A person in a white spacesuit with an American flag patch is partially visible, crouched near a metallic doorway, seemingly observing or preparing to enter a corridor. The setting is a futuristic spacecraft interior, featuring a curved, silver-framed viewport, glowing blue panels on the floor, and a red illuminated sign above that reads “← LASER ROCKET →” with directional arrows. The lighting is cool and artificial, dominated by blue tones from the panels and ambient light, suggesting an enclosed, high-tech environment during active operations. The camera is positioned from within a confined space, looking outward through the viewport, creating a sense of perspective and immersion."
"astnpwrssp1999, A person wearing a white helmet and black-rimmed glasses is seated inside a spacecraft, holding up a newspaper titled “The London Times” with the headline “LONDON’S BURNING” prominently displayed. The setting is the interior of a spacecraft, with a window revealing the dark expanse of space behind them, and the cabin walls are a muted gray with circular red markings. The lighting is cool and artificial, casting a blueish hue over the scene, suggesting an enclosed, high-tech environment. Dominant colors are white, gray, and black, with the red accents on the walls providing contrast. The camera is framed in a medium close-up, focusing on the person’s face and the newspaper, capturing their expression of shock or disbelief as they read the headline."
"astnpwrssp1999, A green directional road sign reading “English Countryside” stands prominently on the right side of a winding asphalt road, pointing leftward. A car with bright headlights approaches from the distance, its glow cutting through the dimming light as it navigates the curve. The scene is set at dusk, with a pale, washed-out sky above a steep, rocky embankment covered in sparse vegetation. The dominant colors are muted greens and grays, contrasted by the stark white lettering on the sign and the car’s headlights. The camera is positioned at a low angle, slightly tilted, emphasizing the sign’s direction and the road’s descent into the fading light."
"astnpwrssp1999, from the perspective of a passenger in a vintage convertible, a person with long, light-brown hair grips the steering wheel while driving, their back to the camera. The car’s interior features bold red and white striped upholstery, and the windshield reveals a blurred roadside landscape of dry grass and trees, suggesting motion. The scene is bathed in warm, golden light, indicating late afternoon or early evening. The dominant colors are red, white, and earthy tones, framed by a low-angle shot that emphasizes the car’s dashboard and the driver’s focused posture."
"astnpwrssp1999, A distorted, grainy thermal or night-vision view captures a blurred human figure bent over, framed within a red targeting rectangle overlaid with analytical data. The scene is set indoors, with vertical wooden or metallic structures in the background, and the interface includes a vertical “ANALYZING” label and numerical readouts. The lighting is monochromatic, dominated by red and dark brown tones, suggesting a low-light or surveillance environment. The camera is tightly framed, focusing on the central figure through a digital magnification interface labeled “AUSTIN’S MAGNIFYING SPECS,” creating a tense, high-tech observational perspective."
"astnpwrssp1999, in a high-tech, futuristic command center, a group of uniformed personnel in white and black gear are gathered around a central platform, some gesturing or moving as if in a coordinated action, while others monitor equipment or stand guard. The room features glowing blue accent lighting along steps and consoles, a large spherical weapon with a red energy beam, and a central glass enclosure housing a figure in shimmering attire. The dominant colors are cool blues, metallic silver, and stark white, with red highlights from the weapon and control panels. The camera is positioned at a wide, slightly elevated angle, capturing the full scope of the room and the dynamic arrangement of people and machinery, suggesting a moment of high tension or preparation."
"astnpwrssp1999, five performers in matching red outfits and thigh-high boots execute a synchronized squatting dance routine on a raised platform, framed by a decorative red railing with circular cutouts. Behind them, a vibrant backdrop features a large arched window with red horizontal blinds, flanked by green walls adorned with glowing starburst light projections and abstract geometric patterns. The scene is bathed in dynamic, colorful stage lighting—predominantly magenta, purple, and green—with star-shaped light effects casting across the floor and performers, suggesting a lively nighttime performance. The camera captures the action from a low, frontal angle, emphasizing the dancers’ coordinated movement and the vivid, retro-futuristic aesthetic of the set."
"astnpwrssp1999, A shirtless individual with glasses and wild hair is mid-stride, arms raised in an exuberant, almost theatrical pose, descending a grand white staircase. Behind them, several formally dressed people stand or move along the stairs, while ornate floral arrangements and twisted topiary plants flank the scene. Bright, even daylight illuminates the opulent interior, casting soft shadows and highlighting the crisp white walls and marble steps. The dominant colors are white and cream, punctuated by vibrant purple and blue lens flares and the rich hues of the flowers. The camera captures the moment from a slightly low angle, emphasizing the dynamic movement and the grandeur of the setting."
"astnpwrssp1999, A bustling urban intersection teems with activity as red double-decker buses navigate through traffic, while pedestrians gather around a central fountain and cross the streets. Towering billboards advertise Coca-Cola, Guinness, and other brands, flanking ornate buildings with vintage signage and storefronts. The scene is bathed in bright, even daylight, suggesting midday, with vivid reds, blues, and yellows dominating the palette. Shot from a high vantage point, the camera captures the dynamic energy of the square, emphasizing the density of vehicles, people, and advertisements below."
"astnpwrssp1999, A person in a white spacesuit with a helmet is being held at gunpoint by another individual, who is partially visible and wearing glasses and a dark cap. The scene takes place in a sterile, tiled room with gray walls, suggesting a confined, institutional environment. Bright, direct lighting casts sharp shadows and highlights the tension, with the gun’s metallic sheen contrasting against the white suit and muted background. The camera is positioned low and close, emphasizing the confrontation and creating a claustrophobic, high-stakes atmosphere. Dominant colors are white, gray, and black, with a red strap on the suit adding a small but striking accent."
"astnpwrssp1999, A collection of colorful glass bottles, including a faceted, jewel-like central one, are arranged on a sleek, illuminated shelf, glowing with internal light and reflecting vibrant hues. The setting appears to be a modern, stylized interior with bold, saturated colors in the background, suggesting a lounge or display area. The lighting is dramatic and artificial, casting sharp highlights and deep shadows, with dominant reds, blues, and purples creating a neon-lit, nighttime ambiance. The camera is positioned at a low angle, emphasizing the bottles’ shapes and the glowing shelf beneath them, creating a sense of depth and visual intrigue."
Training
- Base model: Krea 2 (trained on Raw)
- Type: Style LoRA
- Dataset: 281 images
- Steps: 2000
- Network rank / alpha: 32 / 32
- Learning rate: 0.0002
- Optimizer: adamw8bit
- Resolutions: 512 / 1024
Generation settings
Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.
- Raw: ~30 steps, guidance 3.5
- Turbo: ~8 steps, guidance 1.0
The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.