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Ghost Dog The Way Of The Samurai 1999
A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.
Usage
Include the trigger word ghstdgwysm1999 in your prompt.
Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.
Prompt Examples
Here are some prompt examples:
"ghstdgwysm1999, A man in a camouflage outfit and red cap stands beside a large, dark bear lying on a gravel road, while another man in a dark suit leans against a white car, smiling and gesturing toward the bear. A third person in a jacket stands partially obscured behind the first man, near a teal pickup truck. The scene unfolds in a rural, wooded area with autumn-colored trees in the background under a pale, overcast sky, casting soft, diffused light. The dominant colors are muted earth tones—browns, grays, and faded greens—with the white car and dark suit providing contrast. The camera frames the scene from a medium distance, capturing the full width of the road and the surrounding landscape, emphasizing the quiet tension between the men and the animal."
"ghstdgwysm1999, A man in a dark blue suit walks between two parked cars in a roadside parking area, his back to the camera as he approaches the rear of a brown wood-paneled station wagon. To his left stands a silver Mercedes-Benz sedan, and behind them, a sign for “Robby’s Burgers & More” indicates nearby amenities like gas, phone, and restrooms, while people sit at picnic tables in the background under trees. The scene is bathed in soft, diffused light, suggesting late afternoon or early evening, with muted earth tones and the metallic sheen of the cars dominating the palette. The camera is positioned at a medium distance, capturing the man’s movement and the surrounding environment in a wide, slightly low-angle shot that emphasizes the cars and the casual roadside setting."
"ghstdgwysm1999, A man in a plaid shirt stands with his hands pressed to his chest, eyes closed in apparent distress or pain, surrounded by several wooden and wire cages housing pigeons. The setting is an outdoor rooftop or elevated platform cluttered with crates, a metal water trough, and bird-keeping equipment, with a distant view of trees in autumnal hues and a bridge under a clear sky. Bright, direct sunlight casts sharp shadows, indicating midday, and the dominant colors are earthy browns, muted greens, and the blue-gray of the man’s shirt. The camera frames him in a medium shot, centered and slightly low-angled, emphasizing his physical posture and the surrounding clutter."
"ghstdgwysm1999, A man is kneeling beside a large, partially constructed wooden boat on a rooftop, appearing to work on its frame or fittings, surrounded by scattered lumber, tools, and construction materials. The rooftop is cluttered with items like buckets, ropes, and tires, and overlooks a street with a parked car and a brick building with green-trimmed windows in the background. The lighting is soft and diffused, suggesting an overcast day, casting muted tones across the scene dominated by browns, grays, and faded whites. The camera is positioned from a high vantage point, looking down at the man and the boat, with the shoulders of two observers in the foreground framing the shot."
"ghstdgwysm1999, A lone, white porcelain toilet stands on a dark wooden floor, surrounded by scattered papers, a broken pencil, and a rusted chain snaking across the planks. The dim, shadowy room suggests neglect, with a wicker chair partially visible and a stack of newspapers resting atop a concrete block nearby. The lighting is low and moody, casting deep shadows and emphasizing the grime and decay, while the dominant colors are muted browns, grays, and the stark white of the toilet. The camera is positioned at a high angle, looking down into the space, creating a sense of voyeurism and isolation."
"ghstdgwysm1999, two men are descending a narrow, dimly lit staircase with a checkered black-and-white floor, one in a red shirt under a green jacket and the other in dark clothing, both moving with purpose. The staircase is flanked by dark wooden railings with ornate balusters, and the walls are painted a muted, shadowy green, with a faint light source casting a vertical beam on the right wall. The lighting is low and atmospheric, suggesting an interior space at night or in deep shadow, with the dominant colors being dark browns, blacks, and muted greens, punctuated by the red shirt. The camera is positioned high above, looking down the stairs, creating a sense of downward motion and confinement."
"ghstdgwysm1999, A person, seen from behind, stands in a kitchen with a light gray shirt and striped pants, their right hand raised as if reaching for something on a counter. A silver-handled revolver is holstered at their waist, partially visible beneath the shirt’s hem, secured by a brown leather belt. The background features wooden cabinets with metal hinges and a red-and-white checkered cloth draped over the counter, with a few indistinct items resting atop. The lighting is soft and diffused, suggesting an overcast day or interior ambient light, casting gentle shadows. Dominant colors are muted grays, browns, and the red accents of the cloth. The camera is framed tightly on the torso and waist, angled slightly upward, emphasizing the concealed firearm and the casual yet tense posture."
"ghstdgwysm1999, A close-up captures a man in a dark suit and patterned tie, his expression stern and focused as he gazes directly forward, suggesting a moment of intense contemplation or confrontation. The background is dimly lit, with deep blue and muted green tones creating a somber, enclosed atmosphere, possibly an interior room with indistinct furnishings. The lighting is low and directional, casting subtle shadows across his face and highlighting the texture of his skin and clothing, implying an evening or nighttime setting. The frame is tightly cropped around his upper torso and face, emphasizing his emotional weight and the gravity of the scene."
"ghstdgwysm1999, A silver Mercedes-Benz sedan and a dark station wagon are parked in a dimly lit roadside area, with a faded sign for “Robby’s Burgers & More” visible in the background. The scene is set at dusk or night, with low ambient light casting deep shadows and creating a moody, cinematic atmosphere. The dominant colors are muted grays, blacks, and dark browns, punctuated by the metallic sheen of the car’s front grille and license plate. The camera is positioned at a low, slightly angled perspective, focusing on the front of the sedan while framing the surrounding environment to emphasize isolation and quiet tension."
"ghstdgwysm1999, A silver coupe is parked at an angle on a leaf-strewn driveway, partially obscuring a black wrought-iron gate flanked by stone pillars. Behind the gate, trees with sparse autumn foliage and a “For Sale” sign from “West Side Realty” are visible under bright, natural daylight. The scene is framed from a low, slightly tilted perspective, emphasizing the car and gate, while a translucent text overlay in a serif font dominates the center of the frame, casting a soft shadow over the ground. The dominant colors are muted earth tones—browns, grays, and faded greens—with the silver of the car providing a cool contrast."
"ghstdgwysm1999, A small, weathered wooden shrine holds a clay bowl with two oranges and a brass lantern atop it, set against a bleak, industrial backdrop with smokestacks and muted skies. The scene is framed from a low angle, emphasizing the shrine’s solitary presence on a cracked, dark rooftop, with a small green plant peeking from the corner. The lighting is flat and diffused, casting a gray, overcast tone over the entire frame, with the warm orange of the fruit and metallic sheen of the lantern providing the only vivid contrast. The dominant colors are muted grays, browns, and the earthy tones of the bowl and fruit, creating a quiet, contemplative atmosphere."
"ghstdgwysm1999, two men walk away from the camera down a quiet urban street, one carrying a briefcase, their backs to the viewer as they move toward a row of brick buildings. The scene is framed by a weathered wooden utility pole in the foreground, with parked cars and a few distant figures adding depth to the residential block. The lighting suggests late afternoon or early evening, casting long shadows and bathing the scene in a muted, golden hue. Dominant colors are earthy tones—grays of the pavement, browns of the pole, and faded brick reds and whites of the buildings—with a touch of green from sparse vegetation. The camera is positioned at a low, slightly angled perspective, emphasizing the men’s movement and the street’s perspective stretching into the distance."
"ghstdgwysm1999, A lone figure in a dark hooded coat stands beside a maroon sedan parked on a wet, rain-slicked street at night, holding a briefcase and appearing to contemplate or wait. The scene is framed from a low angle, emphasizing the car’s front grille and headlights, while the background reveals a dimly lit alleyway with a concrete wall and distant streetlights casting a cool, blue-tinged glow. The dominant colors are deep purples, blacks, and muted grays, punctuated by the reflective sheen of rain on the car’s surface and the wet pavement. The atmosphere is moody and cinematic, with heavy rain falling and the license plate reading “333 LMN” adding a touch of gritty realism."
"ghstdgwysm1999, A man with braided hair and a goatee, wearing a black hooded jacket and a gold chain, gazes downward with a contemplative expression, his head slightly tilted. The background is a softly blurred park with green grass, trees, and a faint path, suggesting a quiet, outdoor setting. Natural, diffused daylight illuminates the scene, casting gentle shadows and highlighting earthy tones of green, black, and muted skin tones. The camera frames him in a close-up, angled slightly from the side, emphasizing his introspective mood."
"ghstdgwysm1999, A lone figure in dark clothing walks toward the camera down a dimly lit urban sidewalk, carrying a briefcase, with a chain-link fence topped with barbed wire running along the left side. Behind the fence, a parked car and scattered colorful flags are visible, while parked vehicles line the right side of the street under the glow of distant streetlights. The scene is set at night, with deep shadows dominating the frame and only faint ambient light illuminating the figure and surroundings, creating a moody, gritty atmosphere. The dominant colors are black, gray, and muted tones, punctuated by the red text overlay at the bottom. The camera is positioned at eye level, capturing the figure’s approach in a medium shot that emphasizes the isolation and tension of the moment."
"ghstdgwysm1999, A person with gray hair sits at a wooden table, reading a book while a vintage television set sits beside them, displaying a surreal, abstract animation of a face with glowing eyes and a mouth full of popcorn-like shapes. The room is dimly lit, casting soft shadows, with newspapers stacked on the table and a white coffee cup resting on a saucer nearby. The dominant colors are muted browns, grays, and the warm orange glow from the TV screen, framed from behind the reader at a medium close-up angle."
"ghstdgwysm1999, A sleek black sedan is parked on a quiet residential street at night, its glossy surface reflecting faint ambient light. Behind it, a row of modest two-story houses stands under dim illumination, with one window glowing softly from within, casting a warm, intimate light against the dark facade. A large tree trunk partially obscures the view, and a white ornate gate frames the scene to the left, while the deep shadows and muted tones of the night create a still, contemplative atmosphere. The dominant colors are black, deep gray, and the soft glow of interior lighting, captured from a low, wide-angle perspective that emphasizes the car’s silhouette against the urban backdrop."
"ghstdgwysm1999, A man in a dark blazer sits alone at a small table, intently eating a sandwich while looking down, his posture suggesting quiet contemplation or fatigue. The setting is a dimly lit, vintage-style café or lounge with ornate black lattice panels and painted murals of a waterway on the walls; a small, old-fashioned television sits on a chair nearby, with a newspaper draped over it, and a metal food tray rests beside the man. The lighting is subdued and warm, casting deep shadows and creating a moody, late-afternoon or evening atmosphere. Dominant colors are dark browns, muted greens, and black, punctuated by the beige of the chairs and the man’s trousers. The camera is positioned at a low, slightly angled shot, capturing the man and his"
"ghstdgwysm1999, A dark gray luxury sedan, identifiable by its prominent grille and chrome trim, is parked on a gravel road flanked by dense autumn woods, with a white police cruiser with red lights behind it. The scene is bathed in soft, diffused daylight filtering through the trees, casting dappled shadows across fallen leaves and the vehicles, suggesting late afternoon. The dominant colors are earthy browns and muted greens from the forest, contrasted with the metallic gray of the sedan and the white of the police car. The camera is positioned at a low, slightly angled perspective, emphasizing the cars’ profiles and the quiet tension of the roadside setting."
Training
- Base model: Krea 2 (trained on Raw)
- Type: Style LoRA
- Dataset: 300 images
- Steps: 2000
- Network rank / alpha: 32 / 32
- Learning rate: 0.0002
- Optimizer: adamw8bit
- Resolutions: 512 / 1024
Generation settings
Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.
- Raw: ~30 steps, guidance 3.5
- Turbo: ~8 steps, guidance 1.0
The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.