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K 19 The Widowmaker 2002
A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.
Usage
Include the trigger word k19wdwmkr2002 in your prompt.
Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.
Prompt Examples
Here are some prompt examples:
"k19wdwmkr2002, two figures in dark uniforms stand on the conning tower of a submarine, one holding binoculars while the other appears to be observing the horizon. The vessel is partially surfaced in calm, muted blue water, with visible equipment including a white railing, a periscope housing, and a flagpole bearing a flag. The lighting is dim and cool, suggesting early morning or late evening, casting deep shadows across the submarine’s hull. Dominant colors are shades of navy blue and black, with stark white accents from the equipment. The camera is positioned at a high angle, looking down on the scene, emphasizing the isolation of the figures against the vast expanse of water."
"k19wdwmkr2002, A group of people in heavy winter clothing are engaged in a chaotic, physical struggle across a vast, frozen expanse, with some figures falling or being pushed while others raise their arms in motion. The setting is a flat, snow-covered plain under a pale, overcast sky, with a few scattered hats lying on the ground and distant figures visible on the horizon. The lighting is cool and diffused, casting deep shadows and emphasizing the blue and gray tones of the icy environment. The camera is positioned low to the ground, capturing the scene with a wide, slightly blurred perspective that conveys urgency and movement."
"k19wdwmkr2002, inside a dimly lit, industrial submarine compartment, two men are maneuvering a large, glossy black torpedo, guided by a chain hoist and assisted by hand. The space is cluttered with exposed pipes, metal grates, and overhead lighting fixtures casting sharp, focused beams that highlight the torpedo’s reflective surface and the workers’ concentrated efforts. The dominant colors are dark metallic grays, deep blacks, and the warm yellow glow of the bulbs, suggesting an enclosed, high-stakes environment during nighttime or in a subterranean setting. The camera is positioned at a medium distance, capturing the action from a slightly low angle that emphasizes the scale of the torpedo and the physical exertion of the crew."
"k19wdwmkr2002, A pair of hands firmly grips a cylindrical metal pipe wrapped with a metallic band, positioned horizontally amid a dense network of industrial piping and structural beams. The setting is a dimly lit, confined mechanical space, likely beneath a floor or within a utility corridor, with shadows dominating the background and only the hands and pipe illuminated by a focused, cool-toned light source. The dominant colors are muted grays, off-whites, and metallic silver, punctuated by the warm skin tone of the hands. The camera is tightly framed from a low angle, looking upward through the pipes, emphasizing the cramped environment and the physical effort of the grip."
"k19wdwmkr2002, A sleek, dark-hulled submarine with large white numerals on its side is partially surfaced in calm blue water, its conning tower and antennas visible. A single figure in dark uniform stands on a nearby deck, gazing toward the vessel, while another person is faintly visible further along the deck. The scene is bathed in bright, direct sunlight, casting sharp reflections on the water’s surface and creating strong contrast on the submarine’s matte finish. Dominant colors are deep navy and black against the shimmering blue of the sea, with white lettering providing stark contrast. The camera is positioned at a low, angled perspective, emphasizing the submarine’s imposing form and the scale of the vessel relative to the human figure."
"k19wdwmkr2002, A group of uniformed personnel poses for a photograph in a snowy, arctic environment, with some kneeling in the front and others standing behind, flanked by two flags—one red with a star, the other white and blue—near the bow of a large, dark submarine marked with the number “204.” The scene is set under a flat, overcast sky, casting a cool, diffused light that emphasizes the white snow and muted tones of the uniforms and vessel. Dominant colors are black, white, and gray, punctuated by the red flag, while the camera captures the group in a wide, eye-level shot that includes the submarine’s imposing hull and the vast, empty expanse of snow stretching into the background."
"k19wdwmkr2002, A young man with dark hair, wearing a dark collared shirt, leans forward intently, gazing through a round, frosted porthole. The setting is a dim, industrial interior with metallic walls, pipes, and riveted panels, suggesting a confined mechanical or naval space. The lighting is low and directional, casting strong shadows across his face while illuminating his focused expression, hinting at nighttime or a darkened environment. Dominant colors are muted grays, blacks, and deep blues, with a cool, desaturated tone. The camera frames him in a tight close-up from a side profile, emphasizing his intent gaze and the texture of the porthole’s surface."
"k19wdwmkr2002, A group of uniformed men stands gathered in a snowy cemetery, their dark coats and hats contrasting with the white snow blanketing the ground and tombstones. The scene is framed by ornate black iron fences and bare, snow-dusted trees, with a large, snow-covered monument dominating the right side. The lighting is dim and cool, suggesting late afternoon or early evening under an overcast sky, casting a muted blue-gray tone over the entire setting. The camera captures the scene from a low, wide angle, emphasizing the solemnity and stillness of the wintry graveyard."
"k19wdwmkr2002, A welder, viewed from behind and slightly to the side, is intensely focused on a welding task, sparks flying in bright streaks from the point of contact. The setting is an industrial workshop or shipyard, with metal beams and machinery visible overhead, and the welder’s protective helmet reflecting the intense blue-white glow of the arc. The lighting is dim and moody, dominated by the harsh, electric blue of the welding light and the warm orange-yellow of the sparks, contrasting with the dark, shadowy surroundings. The camera is tightly framed, capturing the welder’s posture and the dynamic motion of the sparks, emphasizing the gritty, high-energy nature of the work."
"k19wdwmkr2002, A group of people stand along the side of a large, dark-hulled submarine, with one individual leaning against its surface near the visible white markings “ZJ4.” The vessel rests partially in water, its metallic hull featuring a row of narrow, evenly spaced portholes, and the wet deck reflects the dim ambient light. The scene is set during twilight or an overcast day, casting a cool, muted tone over the environment, with dominant shades of gray, black, and deep blue. The camera captures a low-angle, wide shot that emphasizes the submarine’s imposing scale and the quiet, somber atmosphere surrounding it."
"k19wdwmkr2002, A group of people in dark uniforms are huddled closely together in a cramped, industrial interior, their heads bowed as if in prayer or deep contemplation. The setting is a dimly lit mechanical space, filled with exposed pipes, conduits, and a glowing red warning light mounted overhead, casting a stark contrast against the muted grays and blacks of the surroundings. The lighting is low and focused, with the red light serving as the primary illumination source, suggesting a tense or solemn moment during nighttime or in a confined, subterranean environment. The camera is positioned at a low angle, looking upward and through the crowd, emphasizing the claustrophobic atmosphere and the intricate network of machinery above."
"k19wdwmkr2002, A group of men in dark uniforms are moving through a narrow, industrial corridor, their attention focused downward as if inspecting or assisting with something on the floor. The space is tightly confined, lined with large insulated pipes and conduits running overhead and along the walls, with a red-lit warning lamp hanging from the ceiling. The lighting is dim and artificial, casting deep shadows and creating a tense, enclosed atmosphere, suggesting an interior setting during nighttime or in a low-light operational environment. Dominant colors are muted grays, blacks, and metallic tones, punctuated by the red glow of the lamp. The camera is positioned at eye level, slightly angled to follow the men’s movement, enhancing the claustrophobic and urgent feel of the scene."
"k19wdwmkr2002, A person in a dark uniform stands with their back to the viewer, intently operating a complex control panel filled with analog dials, illuminated switches, and indicator lights. The setting is a confined, utilitarian space—likely a vessel’s engine room or submarine bridge—with exposed pipes, riveted metal walls, and hanging work lamps casting a warm, focused glow over the machinery. The lighting is dim and artificial, with amber and red glows from the gauges contrasting against the muted beige and gray tones of the panel and surrounding surfaces. The camera is positioned directly behind the operator, framing them as a silhouette against the glowing instruments, emphasizing their interaction with the controls."
"k19wdwmkr2002, A crowd of people in heavy winter coats and hats moves along a train platform, some boarding a green and cream passenger train while others stand or walk nearby. The setting is a vast, high-ceilinged station with a prominent glass-and-steel roof structure, allowing diffused daylight to illuminate the scene. The lighting is cool and muted, suggesting an overcast day, with dominant colors of gray, black, and muted green from the train and platform. The camera is positioned at eye level, capturing the movement and density of the crowd from behind a central figure, creating a sense of immersion in the bustling environment."
"k19wdwmkr2002, A large, dark-hulled submarine, marked with the number 294, floats on calm, deep blue water, its deck crowded with personnel standing in rows. A white helicopter with markings is positioned on the rear deck, its rotors stationary, while the submarine’s conning tower and periscope housing rise above the surface. The scene is lit by soft, diffused daylight, suggesting an overcast or early morning hour, casting muted reflections on the water. The dominant colors are shades of navy blue and black, contrasted by the white markings and helicopter. The camera captures a high-angle, wide shot, emphasizing the submarine’s length and the expanse of the surrounding sea."
"k19wdwmkr2002, two men are engaged in a tense conversation within a cramped, industrial control room, surrounded by an array of pipes, gauges, and valves, with one man in a striped shirt facing the other who is partially obscured by machinery. The setting is dimly lit, with warm, focused light emanating from instrument dials and a red-handled valve, casting deep shadows and suggesting a confined, possibly subterranean or mechanical environment. Dominant colors are muted grays, metallic tones, and the stark red of the valve handles, contrasting with the dark clothing of one figure. The camera is positioned at a low angle, looking up slightly over a large, curved metal hatch in the foreground, framing the scene tightly to emphasize the claustrophobic atmosphere and the intensity of the interaction."
"k19wdwmkr2002, A dark-hulled submarine surfaces in calm water, its conning tower and periscope dome visible, with several figures standing on the deck near the top. In the background, a coastal town with white buildings, a tall smokestack, and leafless trees lines the shore under a clear blue sky. The scene is bathed in bright, direct sunlight, suggesting midday, with the dominant colors being deep navy and metallic silver on the vessel, contrasted against the blue water and sky. The camera is positioned at water level, capturing the submarine in a medium shot that emphasizes its imposing presence against the urban waterfront backdrop."
"k19wdwmkr2002, A group of uniformed personnel poses for a photograph in front of a large submarine partially surfaced in a snowy, arctic landscape, with two flags bearing star emblems planted nearby. The scene is set under an overcast sky, casting flat, diffused light across the white snow and dark uniforms, creating a stark monochrome palette dominated by blacks, whites, and grays. The camera captures the group in a wide, eye-level shot, emphasizing the scale of the submarine and the collective presence of the crew against the vast, frozen backdrop."
"k19wdwmkr2002, A dark-hulled submarine, marked with the number 234, surfaces and moves steadily through calm, deep blue waters, leaving a faint wake behind. In the distance, a larger naval vessel is visible on the horizon, suggesting a patrol or escort scenario. The scene is set under a muted, overcast sky, casting a cool, diffused light that enhances the somber, expansive mood of the open sea. Dominated by shades of blue and gray, the frame is captured from a high-angle aerial perspective, emphasizing the isolation and scale of the vessels against the vast ocean."
"k19wdwmkr2002, A person is holding a black telephone receiver to their ear, their mouth slightly open as if speaking urgently or reacting to a conversation. The setting appears to be a dimly lit, cluttered interior space, possibly a control room or utility area, with visible wires, a speaker grille, and metallic surfaces in the background. The lighting is low and focused, casting deep shadows and highlighting the person’s face and hand, suggesting an evening or nighttime scene. Dominant colors are dark tones—black, gray, and muted browns—with a small contrast from the person’s striped shirt collar. The camera is tightly framed in a close-up, angled slightly from the side, emphasizing the person’s expression and the tension of the moment."
Training
- Base model: Krea 2 (trained on Raw)
- Type: Style LoRA
- Dataset: 300 images
- Steps: 2000
- Network rank / alpha: 32 / 32
- Learning rate: 0.0002
- Optimizer: adamw8bit
- Resolutions: 512 / 1024
Generation settings
Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.
- Raw: ~30 steps, guidance 3.5
- Turbo: ~8 steps, guidance 1.0
The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.