Premium character LoRAs
Original synthetic characters, bundles and AI tools are in my shop:
Get the character LoRAs on Patreon: https://www.patreon.com/cw/RkRRa
Join the community on Discord: https://discord.gg/nB79wRNtMT
Confessions Of A Dangerous Mind 2002
A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.
Usage
Include the trigger word cnfssnsadn2002 in your prompt.
Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.
Prompt Examples
Here are some prompt examples:
"cnfssnsadn2002, A performer in a white suit stands center stage, holding a microphone, while a person in a tuxedo with headphones sits at a piano in the foreground, facing the stage. The set is a brightly lit, retro-style game show stage with ornate orange and gold geometric patterns, marquee lights, and a blue starry backdrop. The lighting is theatrical and vibrant, suggesting an evening performance, with dominant colors of orange, gold, and blue. The camera is positioned at a medium-wide angle from the side, capturing both the performer and the piano player within the elaborate set design."
"cnfssnsadn2002, A man in a dark suit sits upright in a chair, facing forward with a composed posture, while another person with curly hair is seen from behind, observing him. The setting is a brightly lit room with pale yellow walls adorned with bold red 3D lettering and stylized flower decals in red and yellow. The lighting is even and warm, suggesting an indoor daytime scene, casting soft shadows behind the seated figure. The dominant colors are yellow, red, and black, creating a high-contrast, retro-modern aesthetic. The camera is positioned over the shoulder of the observer, framing the seated man in the center and emphasizing the interaction between the two figures."
"cnfssnsadn2002, A woman with shoulder-length wavy brown hair and striking blue eyes sits upright, gazing intently forward with a composed, serious expression, her lips slightly parted. She wears a soft pink blazer, and the background reveals blurred figures and dark wooden chairs, suggesting a formal or public gathering. Warm, directional lighting highlights the right side of her face and hair, casting gentle shadows and indicating late afternoon or indoor golden-hour illumination. The dominant colors are muted pinks, browns, and deep blacks, with the camera framed tightly in a medium close-up, emphasizing her focused demeanor and the intimate, contemplative mood."
"cnfssnsadn2002, A man in a patterned shirt stands in a dimly lit room, gazing at a vintage television that displays a smiling woman’s face, while a seated figure in silhouette smokes a cigarette beside him. The setting appears to be a cluttered, retro-style office or studio, with glass partitions, a wall-mounted sign reading “sometimes truth is more exciting,” and various small objects like figurines and glassware on a nearby table. The lighting is low and moody, with warm artificial light spilling from the background, suggesting late afternoon or evening. Dominant colors are muted yellows, deep shadows, and the stark contrast of the television’s bright image. The camera frames the scene from a slightly low angle, emphasizing the man’s posture and the television’s glow as the central focal point"
"cnfssnsadn2002, in a dimly lit, wood-paneled conference room, a man in a suit stands beside a small, vintage television set, gesturing toward its screen while another man sits at a long polished table, hands clasped, looking up at the display. The room is flanked by large potted plants casting deep shadows on the walls, and the television shows a brightly lit, colorful scene in contrast to the subdued surroundings. Warm, directional light from a window illuminates one side of the room, creating strong chiaroscuro effects, suggesting late afternoon or early evening. The dominant colors are earthy browns and muted greens, punctuated by the glow of the television screen. The camera is positioned low, looking up along the length of the table, emphasizing the scale of the room and the figures"
"cnfssnsadn2002, A man with dark, slightly tousled hair and a damp, sweat-sheened face stares directly forward with a somber, intense expression, his eyes reflecting a hint of sorrow or exhaustion. Behind him, a shimmering, metallic backdrop with undulating, wave-like ridges catches the light, creating a dynamic interplay of silver and greenish hues. The lighting is cool and directional, casting sharp shadows across his face and highlighting the texture of his skin and the reflective surface behind him, suggesting an artificial, possibly industrial or theatrical environment. The frame is tightly cropped around his head and shoulders, emphasizing his emotional state against the abstract, glowing background."
"cnfssnsadn2002, A solitary figure in a dark coat and hat walks across a snow-dusted street at night, illuminated by the warm glow of vintage streetlamps. The scene is set in a narrow urban alley flanked by stone buildings, with parked cars including a vibrant red sedan and a cream-colored van, while a sign reading “STOOLINK” hangs above an arched doorway. The lighting casts long shadows and creates a moody contrast between the warm artificial light and the cool, dark tones of the night, with dominant colors of deep blues, grays, and the striking red of the car. The camera frames the scene from a low, wide angle, emphasizing the depth of the alley and the quiet isolation of the lone pedestrian."
"cnfssnsadn2002, A woman with reddish hair, wearing a patterned blouse, sits in profile in a dimly lit, ornate room, her gaze directed downward as if lost in thought. In the background, a man stands in a doorway, holding a cloth, his figure slightly blurred, suggesting he is not the focus. The room features a tall brass floor lamp casting a warm glow, a fireplace with a glowing fire, and dark wood paneling, creating a moody, vintage atmosphere. The lighting is low and warm, with shadows dominating the scene, suggesting evening or night. The dominant colors are deep browns, muted golds, and soft cream tones from the lamp’s light, contrasted by the dark background. The camera is positioned at a medium close-up, angled slightly from the side,"
"cnfssnsadn2002, A live television studio set is captured mid-production, featuring a central circular stage with a performer standing under a spotlight, flanked by a band on a raised platform and multiple camera operators maneuvering vintage broadcast cameras. The backdrop is a vibrant, geometrically patterned set with bold orange, red, and gold tones, accented by bright string lights and a large “APPLAUSE” sign. The scene is illuminated by strong, artificial studio lighting that casts sharp shadows and highlights the retro design, suggesting a daytime broadcast. The camera’s high-angle, wide shot encompasses the entire set, emphasizing the scale of the production and the coordinated activity of the crew."
"cnfssnsadn2002, A vintage television set sits on a cluttered desk, broadcasting a black-and-white panel discussion, while behind a glass partition, a lively party unfolds with people dancing and raising their hands in celebration. The room is dimly lit, casting a warm, nostalgic glow over the scene, with dominant hues of olive green, mustard yellow, and earthy browns. A director’s chair with “CHUCK BARRIS” embroidered on the back sits in the foreground, framing the shot from a low, slightly angled perspective that emphasizes the contrast between the static, focused TV screen and the dynamic energy outside."
"cnfssnsadn2002, A person with dark, curly hair leans over a sheet of lined paper, intently studying a crude, hand-drawn cartoon of a man in a suit with outstretched arms, connected by wires to a small box labeled with a checkmark. The paper is pinned to a surface and covered in handwritten notes and sketches, including the title “THE NEWLYWED GAME” beneath the drawing. The scene is dimly lit with cool, blue-toned lighting, casting shadows and emphasizing the stark contrast between the dark hair and the pale paper. The camera is positioned over the shoulder, focusing tightly on the drawing and the viewer’s perspective, creating an intimate, investigative atmosphere."
"cnfssnsadn2002, A cameraman in a blue shirt and dark pants stands on a raised platform, operating a large film camera aimed at a stage, while a man in a dark suit walks toward the center of the stage. The stage is framed by a vibrant red curtain and an ornate backdrop featuring gold and red geometric patterns, with a circular sign reading “THE CONC SHOW” illuminated by bright bulbs. The lighting is warm and theatrical, casting a glow on the stage floor’s red-and-white checkered design, suggesting an indoor studio set during evening or night. The camera angle is high and slightly tilted, looking down from above, emphasizing the scale of the set and the focused activity of the crew."
"cnfssnsadn2002, A man and a woman sit across from each other at a dimly lit dining table, engaged in quiet conversation, with the woman smiling gently toward the man. The setting is an ornate, vintage-style room featuring a carved fireplace with a flickering fire, heavy drapes, and wall-mounted sconces casting warm, ambient light; a single candle on the table adds to the intimate glow. The dominant colors are deep shadows of black and charcoal, contrasted by the golden-yellow of the candlelight and the soft glow from the fireplace. The camera frames the scene from a medium-wide angle, capturing the couple’s silhouettes against the richly detailed background, emphasizing the moody, romantic atmosphere."
"cnfssnsadn2002, A person is being forcefully ejected from the passenger side of a pale yellow vintage station wagon, their body mid-air with limbs flailing, while another figure sits inside the driver’s seat. The scene unfolds on a snow-covered urban street, with a large snowbank piled against a stone planter in the background and bare trees lining the sidewalk. The lighting is flat and diffused, suggesting an overcast winter day, casting muted shadows and emphasizing the cold, gray tones of the environment. Dominant colors are the pale yellow of the car, stark white snow, and dark grays of the pavement and buildings. The camera is positioned at a low, wide angle, capturing the full motion of the ejection and the surrounding wintry cityscape."
"cnfssnsadn2002, A man in a dark jacket and jeans walks forward in front of a large, vintage-style television camera marked “NBC 3,” while an operator adjusts the equipment behind it. Behind him, a diverse audience sits in tiered rows, watching attentively, while to the right, a control room with glass windows reveals technicians monitoring the broadcast. The scene is lit with bright, even studio lighting, suggesting a daytime broadcast, and the dominant colors are muted grays, blacks, and the beige of the set, contrasted by the colorful clothing of the audience. The camera is positioned at eye level, capturing the man’s movement toward the camera while framing the audience and control room in the background, creating a sense of immediacy and scale."
"cnfssnsadn2002, A man in a dark, textured overcoat walks purposefully past a weathered, pale yellow station wagon parked on a narrow street, its rear window holding a pair of skis. The setting is a gritty urban alley flanked by rough stone walls and old wooden windows, with a black lamppost and metal trash can in the foreground. The lighting is flat and overcast, casting muted shadows and suggesting a late afternoon or early evening in a cold, damp climate. Dominant colors are desaturated grays, browns, and the faded yellow of the car, creating a somber, cinematic tone. The camera frames the scene from a medium distance, slightly low, capturing the man’s movement and the car’s details with a sense of grounded realism."
"cnfssnsadn2002, A close-up of a dark glass door with etched, illuminated lettering indicating office titles and names, including “PRESIDENT” and “VICE PRESIDENTS.” The interior behind the glass is dimly lit, with faint reflections and silhouettes of furniture visible. The lighting is low and moody, casting a warm, golden glow on the text while the surrounding environment remains shadowed, suggesting nighttime or a dimly lit indoor space. The dominant colors are deep blacks and muted golds, with the camera framed tightly on the door’s signage, emphasizing the formal, corporate atmosphere."
"cnfssnsadn2002, A person in a light blue shirt is leaning forward, actively pushing or adjusting a real estate “For Sale” sign that reads “Well, Banker Realtors,” partially obscured by large succulents and cacti. The scene unfolds in a lush, sun-dappled garden filled with varied greenery, including tall columnar cacti and broad-leafed agaves, suggesting a warm, arid climate. The lighting is soft and golden, indicating late afternoon, casting gentle shadows and highlighting the vibrant greens and the pale blue of the shirt. The camera frames the action from a medium side angle, capturing the person’s motion and the surrounding foliage in a natural, immersive composition."
"cnfssnsadn2002, A person with curly hair, seen from behind, stands on a snow-dusted urban street, observing a group of men in coats walking away from the camera toward a building entrance. Parked cars, including a red sedan with a visible license plate, line the left side of the narrow alley, while wooden crates and metal buckets sit near the building’s base. The scene is lit by soft, diffused daylight, suggesting a cold winter morning or late afternoon, with muted tones of gray, beige, and the red car providing a sharp contrast. The camera is positioned at eye level, creating an over-the-shoulder perspective that draws the viewer into the quiet, observational moment."
"cnfssnsadn2002, A towering Ferris wheel dominates the frame, its white metal lattice structure illuminated by vertical red lights and glowing orange signage spelling “Fun” and “Entertainment” in the distance. Behind it, a dark wooden roller coaster looms against a dusky twilight sky, while colorful carnival tents and string lights add vibrancy to the amusement park setting. The scene is bathed in the soft, fading light of evening, with deep blues and purples in the sky contrasting against the warm artificial glow of the rides. The camera is positioned low and centered, looking upward through the Ferris wheel’s framework, creating a sense of scale and immersion."
Training
- Base model: Krea 2 (trained on Raw)
- Type: Style LoRA
- Dataset: 228 images
- Steps: 2000
- Network rank / alpha: 32 / 32
- Learning rate: 0.0002
- Optimizer: adamw8bit
- Resolutions: 512 / 1024
Generation settings
Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.
- Raw: ~30 steps, guidance 3.5
- Turbo: ~8 steps, guidance 1.0
The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.