avaka-viveka-dancer
Character LoRA for a classical Indian temple dancer. Use the trigger word in every prompt. Keep the rest of the prompt short.
1. Quick start
Load your base checkpoint first SDXL (any version)
Add the LoRA. Start at weight 0.7–0.85. Raise only if the face or costume fades.
Put the trigger first in the positive prompt.
Use a full-body or mid-shot framing so limbs stay readable.
Keep negatives lean. Extra limbs and blur are the main failure modes.
2. Trigger and weights
Item
Value
Trigger word
avaka-viveka-dancer
Recommended weight
0.70 – 0.85 (try 1.0 only on a weak base)
Clip skip
1 for SDXL/Flux · 2 if the base is an anime/Illustrious model
Resolution
1024×1024 or 768×1280 portrait. Avoid tiny crops.
3. Prompt recipe
Positive (keep it short):
avaka-viveka-dancer, sitting in temple
Negative:
blurry, multi-limbed, extra arms, extra legs, extra fingers, deformed hands, cropped head, lowres, watermark
Formula: trigger + one pose + one place. Do not stack five style tags on the first try.
Description
avaka-viveka-dancer
Character LoRA for a classical Indian temple dancer. Use the trigger word in every prompt. Keep the rest of the prompt short.
1. Quick start
Load your base checkpoint first (SDXL any version)
Add the LoRA. Start at weight 0.7–0.85. Raise only if the face or costume fades.
Put the trigger first in the positive prompt.
Use a full-body or mid-shot framing so limbs stay readable.
Keep negatives lean. Extra limbs and blur are the main failure modes.
2. Trigger and weights
Item
Value
Trigger word
avaka-viveka-dancer
Recommended weight
0.70 – 0.85 (try 1.0 only on a weak base)
Clip skip
1 for SDXL/Flux · 2 if the base is an anime/Illustrious model
Resolution
1024×1024 or 768×1280 portrait. Avoid tiny crops.
3. Prompt recipe
Positive (keep it short):
avaka-viveka-dancer, sitting in temple
Negative:
blurry, multi-limbed, extra arms, extra legs, extra fingers, deformed hands, cropped head, lowres, watermark
Formula: trigger + one pose + one place. Do not stack five style tags on the first try.




