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Love Actually 2003
A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.
Usage
Include the trigger word lvactlly2003 in your prompt.
Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.
Prompt Examples
Here are some prompt examples:
"lvactlly2003, A middle-aged man with glasses and light brown hair, wearing a dark jacket over a turtleneck and scarf, is captured mid-speech, his mouth slightly open and gaze directed off-camera. The background is softly blurred, revealing a public indoor space with indistinct figures and glowing blue light panels, suggesting a modern, possibly transit or office-like environment. The lighting is cool and even, with a subtle blue tint dominating the scene, indicating either an overcast day or artificial interior illumination. The camera frames him in a tight close-up, emphasizing his facial expression and the texture of his clothing, while the shallow depth of field isolates him from the surrounding activity."
"lvactlly2003, A brightly lit airport sign reading “AÉROPORT MARSEILLE-PROVENCE” glows against the dark night sky, mounted above a modern building facade with large windows and structural columns. The scene is illuminated by cool-toned artificial lighting, casting a greenish-blue hue on the sign and surrounding architecture, while the deep black of the night sky contrasts sharply with the glowing letters. The camera is angled upward from a low perspective, emphasizing the scale of the sign and creating a sense of grandeur and isolation."
"lvactlly2003, A man in a dark suit and patterned tie stands in a richly decorated interior, his gaze directed upward and to the side with an expression of surprise or contemplation. Behind him, a softly lit wall sconce glows warmly to the left, while a cream-colored lampshade and a large, dark-framed painting occupy the right side of the frame. The lighting is warm and ambient, suggesting an indoor evening scene, with dominant tones of beige, cream, and deep charcoal. The camera frames him in a tight close-up, emphasizing his facial expression and the textures of his attire against the opulent background."
"lvactlly2003, A woman in a red coat and blue jeans steps out of a doorway, holding two white shopping bags, her expression neutral as she looks toward the viewer. The setting is a sunlit, rustic courtyard with textured stucco walls, ornate wall sconces, and lush green shrubs flanking stone steps, with large terracotta pots nearby. Warm, golden sunlight suggests late afternoon, casting soft shadows and highlighting the earthy tones of the architecture and foliage. The dominant colors are red, green, beige, and blue, with the camera positioned at a low angle, capturing her from the waist up as she emerges from the doorway."
"lvactlly2003, two men stand in a narrow doorway, facing each other in a tense standoff; one, seen from behind, wears a textured brown coat, while the other, in a white tank top, leans forward with arms outstretched as if to push or hold the door. The setting is a weathered interior with peeling blue and green paint on the walls, and a wooden cabinet with a visible “V” emblem in the background. Warm, directional lighting casts strong shadows, suggesting late afternoon or early evening. Dominant colors are muted earth tones contrasted with the stark white of the tank top and the faded blues and greens of the walls. The camera frames the scene in a tight, eye-level shot, emphasizing the physical and emotional space between the two figures."
"lvactlly2003, A woman in a vibrant red coat stands on a gravel path beside a silver hatchback with roof racks, her hands clasped in front of her as she looks toward the camera. Behind her, a dark blue sedan rests further down the path, surrounded by scattered trees and dry grass under a soft, golden light that suggests late afternoon. The scene is framed wide, capturing the natural, slightly rugged terrain with dominant earthy tones punctuated by the bold red of her coat and the metallic sheen of the cars."
"lvactlly2003, A musician in a dark jacket stands on a wooden pulpit, passionately playing a white electric guitar while singing, his gaze directed upward. The setting is an ornate church interior with white walls, gold-trimmed arches, and a grand chandelier visible in the background, alongside floral arrangements and seated guests in the foreground. Soft, diffused daylight illuminates the scene, casting gentle shadows and highlighting the warm golds, crisp whites, and deep blacks of the decor and attire. The camera is positioned at eye level from within the congregation, with the blurred brass instrument of a nearby musician in the foreground, creating a sense of immersive participation in the event."
"lvactlly2003, A man stands with a tense posture, leaning slightly forward as he confronts a child seated in front of him, who is facing away from the camera. The scene unfolds in a well-lit, modern living room filled with white shelving units holding books, framed artwork, and vintage electronics like a silver stereo system and a CRT television. Natural light streams in from a window with blinds, casting soft illumination across the space, while the dominant colors are neutral whites and grays accented by the child’s teal shirt and dark furniture. The camera is positioned at eye level, capturing the interaction from behind the child, emphasizing the emotional weight of the moment."
"lvactlly2003, A young man with tousled hair, wearing a green jacket over a sweater, stands in a security checkpoint doorway, raising his hand in a salute or gesture of surprise while looking upward. Around him, several people—including an older man in a beige coat and a woman in a striped beanie—are either waiting or moving through the area, while uniformed security personnel stand nearby, one with arms crossed and another partially behind the young man. The setting is a modern airport or transit terminal with gray walls, yellow trim above the doors, and visible security signage including a “NO SHARP OBJECTS” notice. The lighting is even and artificial, suggesting an indoor environment during daytime hours. Dominant colors are muted grays, beige, and green, accented by the yellow trim and red signage. The"
"lvactlly2003, A person in a red coat walks away from the camera along a narrow sidewalk beside a tall metal fence, carrying a bag over their shoulder. The setting is an urban street with parked cars, a large billboard advertising a car, and classical-style buildings in the background under bright, direct sunlight, suggesting midday. The dominant colors are the red of the coat, the gray of the pavement and fence, and the muted tones of the surrounding architecture. The camera is positioned at a low, slightly angled perspective, emphasizing the length of the sidewalk and the fence running parallel to the road."
"lvactlly2003, A young boy in a teal and navy jacket sits with his back to the camera, focused on a small, silver CRT television placed on a white media console. The room is a bright, modern living space with white built-in shelves displaying books, framed black-and-white art, vintage audio equipment, and decorative pottery; a tall bookshelf filled with volumes stands to the left. Natural light streams in from an unseen window, illuminating the scene with soft, even daylight, suggesting midday. Dominant colors are white, teal, and muted browns and grays from the decor and furnishings. The camera is positioned over the boy’s shoulder, creating an intimate, observational angle that includes the silhouette of an adult standing in the foreground to the right."
"lvactlly2003, A pair of hands holds a handwritten note close to the camera, the cursive script legible despite slight motion blur, with the signature “xxx Your Natalie” at the bottom. The background is softly out of focus, revealing warm, muted tones and the edge of a wooden surface, suggesting an intimate indoor setting. The lighting is soft and directional, casting gentle shadows on the fingers and highlighting the texture of the paper, indicating a dimly lit evening or interior space. The dominant colors are creamy white of the note, earthy skin tones of the hands, and warm browns and golds in the blurred background. The camera is tightly framed on the note and hands, angled slightly downward to emphasize the personal, vulnerable nature of the message."
"lvactlly2003, A woman sits at a desk in a dimly lit office, focused on a computer monitor, with pens and a mug beside her. The workspace is decorated with festive elements including a “Merry Christmas” banner, star-shaped garlands, and a large poster featuring two figures in a desert with the text “help shoulder their burden.” Warm, directional light from a window casts long shadows across the cubicle walls, suggesting late afternoon or early evening. The dominant colors are muted browns, beiges, and deep reds, punctuated by the silver of the tinsel and the glow of the screen. The camera is positioned at a medium distance, slightly off-center, capturing the subject in profile with the cluttered, decorated office environment framing her."
"lvactlly2003, A modern pedestrian bridge with a sleek, angular metal structure spans a wide river, its walkway crowded with people strolling or pausing to take in the view. In the background, a grand domed building rises above a mix of contemporary and older brick structures, while the river’s surface reflects the soft, diffused light of late afternoon. The scene is bathed in cool, muted tones of steel gray, concrete, and water, with the sky a pale blue tinged with soft clouds. The camera is positioned low, looking up along the bridge’s diagonal lines toward the distant landmark, emphasizing the bridge’s dynamic form and the urban skyline beyond."
"lvactlly2003, passengers are interacting with airline staff at check-in counters in a busy airport terminal, with some individuals holding luggage and others engaged in conversation or paperwork. The setting features rows of empty green seating, metal railings, and vintage-style computer terminals with glowing blue screens, suggesting a mid-20th-century design. The lighting is even and diffused, likely from overhead fixtures, casting a cool, functional tone over the scene, with no strong shadows indicating an overcast or indoor environment. Dominant colors include the bright red uniforms of the staff, muted beige and gray tones of the terminal, and the dark green of the seating. The camera is positioned at a high angle, looking down on the scene, capturing the layout of the counters and the movement of people within the space."
"lvactlly2003, two individuals are partially submerged in a murky, flowing river, with one person facing the camera and the other looking toward them, creating a sense of interaction or confrontation. The riverbank behind them is lined with dense, dark green foliage and tangled branches, suggesting a secluded natural environment. The lighting is soft and diffused, with dappled sunlight reflecting off the water’s surface, indicating either early morning or late afternoon. The dominant colors are muted earth tones—browns and greens—with the water’s surface catching highlights of pale blue and silver. The camera is positioned at water level, capturing a medium shot that emphasizes the subjects’ expressions and the surrounding natural textures."
"lvactlly2003, A man with curly dark hair, wearing a dark blue collared shirt, looks down with a subtle, contemplative expression, seemingly engaged in a quiet, intimate conversation with another person whose dark hair is visible in the foreground. The setting appears to be a softly lit indoor room, with muted beige walls, a framed picture hanging in the background, and curtains partially visible near a window that casts warm, natural light across the scene. The dominant colors are earthy tones—beige, brown, and deep blue—with the lighting suggesting late afternoon or early evening. The camera frames the man in a close-up, angled slightly from the side, emphasizing his facial expression and the emotional weight of the moment."
"lvactlly2003, A quiet hallway in a home, viewed from a low angle that leads the eye toward a white front door at the end, flanked by a tall white bookshelf on the left and a gallery wall of framed photos and artwork on the right. The scene is bathed in soft, natural daylight filtering through a window with blinds, casting gentle shadows and highlighting the warm neutrals of the walls and wooden frames. The dominant colors are creamy whites, beige, and earthy browns, accented by the colorful spines of books and the vibrant hues of a child’s drawing on the wall. The camera is positioned to create a sense of depth, with the staircase subtly visible beneath the doorway, inviting the viewer into the space."
"lvactlly2003, A man in a dark coat stands by the open door of a silver Land Rover, appearing to speak to a group of people gathered nearby, including a child holding drumsticks. The scene unfolds at night in a paved parking area beside a modern building with large windows, some of which are lit from within. The lighting is artificial and directional, casting strong shadows and highlighting the vehicle’s metallic sheen and the figures’ clothing, which range from dark tones to a light blue jacket. The camera is positioned at a medium distance, capturing the interaction from a slightly low angle that emphasizes the vehicle and the group’s engagement."
Training
- Base model: Krea 2 (trained on Raw)
- Type: Style LoRA
- Dataset: 275 images
- Steps: 2000
- Network rank / alpha: 32 / 32
- Learning rate: 0.0002
- Optimizer: adamw8bit
- Resolutions: 512 / 1024
Generation settings
Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.
- Raw: ~30 steps, guidance 3.5
- Turbo: ~8 steps, guidance 1.0
The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.