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The Day After Tomorrow 2004
A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.
Usage
Include the trigger word dyaftrtmrr2004 in your prompt.
Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.
Prompt Examples
Here are some prompt examples:
"dyaftrtmrr2004, helicopters fly low over a frozen urban landscape, their rotors kicking up mist as they navigate between towering skyscrapers partially buried in snow. The city skyline stretches across the frame, its glass and steel facades catching the soft glow of a twilight sky, while the foreground is a vast, icy expanse reflecting muted blues and grays. The lighting is dim and atmospheric, with warm highlights on the buildings contrasting against the cool, overcast tones of the sky and frozen ground. The camera is positioned at a wide, eye-level angle, capturing the scale of the frozen metropolis and the sense of movement as the helicopters traverse the scene."
"dyaftrtmrr2004, A massive, weathered aircraft carrier tilts precariously at a steep angle, its flight deck and superstructure partially submerged, suggesting catastrophic sinking. The vessel’s hull and rigging are detailed with rust and grime, and faint smoke or steam rises from its damaged stern. The scene unfolds under a dusky sky streaked with orange and gray clouds, casting a somber, late-afternoon glow that highlights the ship’s silhouette against the fading light. Dominated by muted grays, blues, and warm sunset tones, the low-angle shot emphasizes the ship’s looming scale and the dramatic tilt, conveying a sense of impending doom."
"dyaftrtmrr2004, A group of people, bundled in scarves, hats, and blankets, huddle together in a dimly lit, ornate room, gathered around a roaring fireplace that casts a warm, flickering glow on their faces and the surrounding surfaces. Stacks of books are scattered on the floor near the hearth, and the room’s grand fireplace mantel, adorned with intricate carvings, frames the fire. The lighting is low and atmospheric, with the fire’s orange and yellow hues contrasting against deep shadows and muted blues and browns in the surroundings, suggesting a cold evening or night. The camera is positioned at eye level, capturing the intimate, close-knit arrangement of the group as they sit or stand near the warmth, creating a sense of shared comfort and quiet conversation."
"dyaftrtmrr2004, A person wearing a blindfold stands in a kitchen that has been transformed into a surreal, frost-covered environment, surrounded by ice sculptures and frozen appliances, while tending to a stove with visible flames. The room is dimly lit, with warm orange light from the fire contrasting against the cool, blue-white tones of the ice and shadows cast by the low ambient light, suggesting a cold, possibly nighttime setting. The camera frames the scene from a medium-wide angle, capturing the person’s focused posture and the chaotic, frozen clutter of the kitchen, emphasizing the stark contrast between heat and cold."
"dyaftrtmrr2004, A digital radar or tracking screen displays a map of the North Atlantic, with landmasses like Greenland, Canada, and the British Isles outlined in glowing green against a deep blue background. Numerical identifiers float over various points, suggesting active tracking of vessels or aircraft, while a vertical list on the left highlights a specific target, marked in red. The lighting is artificial and high-contrast, typical of a control room or surveillance station, with the dominant colors being dark blue, neon green, and white text. The camera is tightly framed on the screen, angled slightly to capture the grid lines and coordinates, emphasizing the precision and urgency of the monitored activity."
"dyaftrtmrr2004, A person wearing a headset is intently observing two computer monitors displaying satellite imagery of a massive hurricane, one in a heat-map color scheme and the other in a blue-white satellite view. The setting is a dimly lit control room, with the glow of the screens illuminating the subject’s profile and casting shadows on surrounding equipment. The dominant colors are deep blues, fiery reds, and greens from the storm data, contrasted with the dark tones of the room. The camera is positioned over the shoulder, capturing the subject’s focused gaze and the detailed storm visuals on screen."
"dyaftrtmrr2004, A small, stylized flower with white petals and a red tiger-face center sits in the foreground, slightly out of focus, while two wooden windmill-like structures with red-tipped blades stand behind it, one partially obscured. The scene is set in a dim, shadowy interior with a muted greenish-blue wall in the background, suggesting a quiet, enclosed space. The lighting is low and atmospheric, casting deep shadows and highlighting the textures of the wooden toys, with a cool, subdued color palette dominated by greens, browns, and red accents. The camera is positioned at a low angle, creating a shallow depth of field that draws attention to the flower while blurring the background elements."
"dyaftrtmrr2004, A man in a dark suit walks down a narrow, sterile corridor, his back to the viewer, moving toward a wall lined with rows of illuminated cylindrical containers. The setting appears to be a high-tech or industrial facility, with the containers arranged in tiered racks that emit a cool, blue-white glow, casting sharp shadows and creating a hazy, atmospheric effect. The lighting is predominantly cool-toned, with deep blues and purples dominating the scene, suggesting an artificial, possibly nocturnal or underground environment. The camera is positioned behind the man, slightly low, emphasizing his solitary movement through the space and the imposing, orderly rows of containers ahead."
"dyaftrtmrr2004, A complex, multi-module spacecraft hovers in orbit, its metallic surfaces and articulated arms extending outward, suggesting active assembly or maintenance. Behind it, the swirling blue and white patterns of Earth’s atmosphere and clouds stretch across the frame, providing a dynamic backdrop. The scene is illuminated by the harsh, direct light of the sun, casting sharp shadows and highlighting the industrial textures of the vessel against the deep blue of space. Dominated by cool grays and silvers of the spacecraft, contrasted with the vibrant blues and whites of the planet below, the camera is positioned at a low angle, looking upward through the structure to emphasize its scale and the vastness of the surrounding cosmos."
"dyaftrtmrr2004, A group of people, bundled in heavy winter clothing and blankets, stand in a line on a frozen, misty surface, looking up toward a large aircraft hovering just above them. The city skyline looms in the background, its buildings softened by atmospheric haze, while the foreground is dominated by the dark silhouette of the plane’s landing gear and a single boot dangling from the side. The scene is bathed in the cool, muted light of dawn or dusk, casting everything in shades of blue, gray, and white, with faint golden glows visible on distant building edges. Shot from a low angle, the camera emphasizes the scale of the aircraft and the vulnerability of the figures below, creating a sense of impending action or escape."
"dyaftrtmrr2004, A person, partially visible on the left, holds a flashlight that casts a narrow beam across a dark, murky water surface, illuminating the curved, weathered concrete arch above. The setting is a confined, subterranean tunnel or culvert, with rough, stained walls and a low ceiling, suggesting an abandoned or neglected infrastructure. The lighting is minimal and artificial, creating deep shadows and a moody, suspenseful atmosphere, with the beam’s glow contrasting against the surrounding darkness. Dominant colors are muted grays, browns, and deep blues, emphasizing the damp, enclosed environment. The camera is positioned at eye level, looking slightly downward into the water, enhancing the sense of immersion and isolation."
"dyaftrtmrr2004, on a dimly lit television screen, three figures are seen in a snowy urban environment, with one person in a pink jacket gesturing toward another while a third bends over, possibly retrieving something from the ground. The scene is framed from a low-angle perspective within a cluttered interior, flanked by vertical blinds on the left and stacked boxes on the right, with the glow of the screen casting a cool blue hue over the surroundings. The dominant colors are muted blues and grays from the snowy scene, contrasted by the pink jacket and the dark tones of the room. The overall lighting is subdued, suggesting an indoor setting at night or in low-light conditions, with the television screen being the primary light source."
"dyaftrtmrr2004, A person wearing a dark knit beanie and a light green aviation headset with a microphone is seated inside a dimly lit, enclosed space, likely a cockpit or aircraft cabin, gazing intently forward with a focused, slightly tense expression. The setting features dark, utilitarian surfaces with riveted metal panels visible on the right, suggesting a functional, industrial interior. The lighting is low and directional, casting sharp shadows and highlighting the contours of the face and headset, implying nighttime or a confined, low-light environment. Dominant colors are deep blacks and dark grays, contrasted by the muted green of the headset and the faint glow of ambient light. The camera frames the subject in a tight close-up, angled slightly from the side, emphasizing their facial expression and the equipment they are wearing."
"dyaftrtmrr2004, inside an airplane cabin, a young woman in a blue striped shirt smiles softly while looking toward the camera, her hair pulled back neatly. Behind her, a man in a dark sweater and glasses gazes out the window, his profile illuminated by the bright, diffused daylight streaming through the oval porthole. The scene is bathed in cool, natural tones—blues, grays, and soft whites—with the interior lighting casting gentle shadows. The camera frames them in a medium close-up, angled slightly from the side, emphasizing the woman’s expression and the quiet intimacy of the moment."
"dyaftrtmrr2004, inside the dimly lit cockpit of a military aircraft, two crew members in flight gear are focused on their duties; one is holding and referencing a chart while the other looks toward the instrument panel. The cabin is filled with control dials, switches, and a map labeled “ION CHART” pinned to the wall, with a quilted interior panel and a green safety strap visible. The scene is bathed in cool blue ambient light, suggesting nighttime or twilight flight, with faint instrument glows adding contrast. The camera frames the subjects in a tight, angled shot from the side, emphasizing their concentration and the confined, high-stakes environment."
"dyaftrtmrr2004, A man in a dark jacket and a red cap, with a bright yellow plastic bag draped over his ears, holds a small, reddish object in his hand while looking downward. Behind him, a hazy, dimly lit corridor reveals a blurred, shadowy figure walking away, framed by vertical pillars. The scene is bathed in cool, muted blue and gray tones, with the yellow bag and red cap providing stark contrast, suggesting a late-night or overcast setting. The camera is positioned at eye level, capturing the man in a medium close-up that emphasizes his focused expression and the eerie atmosphere of the environment."
"dyaftrtmrr2004, A massive, dark, segmented structure—possibly a mechanical arm or weapon—extends diagonally across the frame, descending toward a snow-covered urban landscape. The setting is a dense cityscape viewed from a high, tilted aerial perspective, with buildings of varying heights and architectural styles blanketed in snow, and a large, circular structure with a domed roof visible in the lower right. The lighting is dim and cool, casting a monochromatic blue-gray hue over the scene, suggesting a cold, overcast day or nighttime under artificial illumination. The dominant colors are shades of blue, white, and gray, emphasizing the wintry, desolate atmosphere. The camera angle is steep and dynamic, creating a sense of looming threat or impending action as the structure looms over the city below."
"dyaftrtmrr2004, A person is partially submerged in dark, turbulent water, gripping a handheld device to their mouth as if shouting or communicating, their face contorted in urgency. The setting is a flooded, arched underground structure with stone walls and a distant, illuminated window casting a cool, blueish glow, while a control panel and a mounted telephone are visible in the gloom. The lighting is dim and atmospheric, dominated by deep blues and blacks, with stark highlights from the window and device, suggesting nighttime or a power outage. The camera frames the subject from a low, immersive angle, emphasizing the water’s depth and the confined, claustrophobic space."
"dyaftrtmrr2004, A hand holds a cream-colored envelope from the Arlington County School District, addressed to Mr. Jack Hall at 4203 N St., Washington, DC 20007, with a circular postmark visible. The scene is set indoors, with a muted green ceramic pot containing dried leaves or soil resting beside the envelope on a wooden surface. Warm, soft lighting suggests late afternoon or early evening, casting gentle shadows and highlighting the textured paper and the hand’s grip. The dominant colors are beige, muted green, and brown, with the camera positioned at a close, slightly angled overhead shot that emphasizes the envelope’s details and the quiet, contemplative moment."
"dyaftrtmrr2004, A dimly lit, decaying interior space features a central, weathered wooden door framed by peeling, textured wallpaper, flanked by two dark leather armchairs—one draped with a patterned cloth and the other partially obscured by stacks of books. The room is cluttered with scattered furniture, including a broken chair and a small table, all bathed in a cold, blue-toned light that suggests nighttime or deep shadow, casting long, stark silhouettes. The dominant colors are shades of deep indigo and charcoal, with the blue light accentuating the decay and creating a somber, abandoned atmosphere. The camera is positioned at eye level, framing the scene symmetrically to emphasize the door as a focal point, drawing attention to the emptiness and stillness of the space."
Training
- Base model: Krea 2 (trained on Raw)
- Type: Style LoRA
- Dataset: 300 images
- Steps: 2000
- Network rank / alpha: 32 / 32
- Learning rate: 0.0002
- Optimizer: adamw8bit
- Resolutions: 512 / 1024
Generation settings
Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.
- Raw: ~30 steps, guidance 3.5
- Turbo: ~8 steps, guidance 1.0
The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.