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The Machinist 2004
A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.
Usage
Include the trigger word mchnst2004 in your prompt.
Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.
Prompt Examples
Here are some prompt examples:
"mchnst2004, in a dimly lit, cluttered industrial control room, a person with dark, curly hair is seen from behind, actively manipulating a control panel with both hands, while another individual leans in closely, seemingly engaged in a tense or urgent interaction. The setting is filled with metallic machinery, dials, and stacked equipment, suggesting a high-stakes operational environment. The lighting is low and moody, casting deep shadows and highlighting only the figures and immediate controls, implying nighttime or an enclosed, artificially lit space. Dominant colors are muted grays, blacks, and dark purples, with faint glows from the machinery. The camera is positioned at a medium close-up, slightly over the shoulder, focusing on the interaction and the tactile engagement with the controls."
"mchnst2004, A close-up shot captures two wall-mounted digital displays, one showing “01:00:01” and the other partially obscured, both glowing with warm yellow-orange LED dots against a stark, pale gray wall. Below the larger display, the word “LOCAL” is printed in bold, black, sans-serif letters. The scene is dimly lit, suggesting an interior space with cool, muted tones dominating the frame, while the illuminated digits provide the primary source of warmth and focus. The camera is positioned at a slight low angle, emphasizing the displays and their mechanical, utilitarian design."
"mchnst2004, A solitary figure sits hunched on the floor in a dimly lit bathroom, their head buried in their hands, suggesting deep distress or exhaustion. Behind them, a white pedestal sink stands in stark contrast to the shadowy surroundings, while a small window to the left casts a narrow beam of light across the tiled floor. The scene is bathed in cool, muted tones of gray and black, with the only illumination coming from the window, creating sharp shadows and emphasizing isolation. The camera is positioned low and wide, capturing the figure’s silhouette against the wall and the stark emptiness of the room, enhancing the mood of despair and confinement."
"mchnst2004, A lone traveler slumps over a table in a modern airport lounge, head resting on their arms beside a rolling suitcase, appearing exhausted or asleep. The setting is a spacious, minimalist terminal with sleek white counters, curved architectural elements, and scattered tables and chairs; a café labeled “Midway” and digital gate signs for “01 to 08” are visible in the background. The lighting is cool and artificial, casting a muted, grayish-blue tone over the polished floor and reflective surfaces, suggesting late evening or night. Dominant colors are neutral whites, grays, and blacks, punctuated by the dark clothing of the sleeping figure and metallic accents. The camera frames the scene from a wide, slightly low angle, emphasizing the emptiness of the space and the isolation of the subject"
"mchnst2004, A narrow, weathered opening in a concrete structure frames a sliver of bright, fluorescent light cutting diagonally across the frame, illuminating dust motes and textured surfaces. The setting appears to be an abandoned or industrial interior, with rough, crumbling walls and a faint metallic edge visible at the top. The lighting is stark and high-contrast, casting deep shadows while the light source emits a cold, greenish-white glow, suggesting an artificial, possibly underground environment. Dominant colors are muted grays and greens, punctuated by the intense brightness of the light. The camera is positioned at a low angle, looking upward through the aperture, creating a sense of confinement and perspective."
"mchnst2004, A middle-aged man with a receding hairline and a grizzled beard stares intently forward, his expression tense and focused, as if confronting an unseen challenge. He wears a plaid shirt with muted earth tones, and the background is softly blurred, revealing indistinct shapes of industrial or utilitarian equipment and warm, diffused lighting sources. The scene is lit with low-key, directional lighting that casts deep shadows across his face, suggesting an interior space during late afternoon or early evening. The color palette is dominated by desaturated browns, grays, and muted greens, enhancing the somber, gritty atmosphere. The camera frames him in a tight close-up, centered and slightly low-angled, emphasizing his weary yet determined demeanor."
"mchnst2004, A woman in a red top and dark pants is kneeling over a man lying on his back on a maroon carpeted floor, appearing to restrain or hold him down. The scene takes place in a dimly lit hallway with tall, narrow windows casting muted light, flanked by stacked cardboard boxes, a basketball, a red toy car, and a skateboard leaning against a wall. The dominant colors are deep reds, muted browns, and dark grays, creating a somber, tense atmosphere. The camera is positioned at a low angle, capturing the scene from the side with a shallow depth of field that blurs the background, emphasizing the physical struggle in the foreground."
"mchnst2004, A minimalist title card displays the credit “PRODUCED BY JULIO FERNÁNDEZ” in a clean, sans-serif font centered on a pale gray background, framed by thick black bars at the top and bottom. The lighting is even and neutral, suggesting a studio or digital render, with no discernible time of day. The dominant colors are monochromatic—black text on a light gray field—creating a stark, high-contrast visual. The camera is static, framed in a wide, centered composition that emphasizes the text’s isolation and simplicity."
"mchnst2004, A dimly lit, curved tunnel intersection features two green directional signs—one pointing left to “Highway To Hell” and the other right to “Road to Salvation”—mounted above a small, overgrown planter. The scene is framed from within the tunnel, with one passage leading into darkness and the other opening to a bright, illuminated exit, creating a stark contrast. The lighting is low and focused, casting deep shadows and highlighting the signs and the textured concrete walls, while the dominant colors are muted grays, dark greens, and the stark white glow from the exit. The camera is positioned at eye level, capturing the split path and the symbolic signage as the central focus."
"mchnst2004, A woman in a patterned blouse stands in front of a weathered, illuminated “Route 66” sign, her gaze directed upward with an expression of alarm or awe. Behind her looms a large, decaying carnival ride with a broken, umbrella-like canopy, set against a backdrop of overgrown trees and a faded desert-themed mural. The scene is bathed in soft, diffused daylight with a hazy glow filtering through the foliage, suggesting late afternoon or early evening. The color palette is muted, dominated by earthy browns, faded reds, and desaturated greens, with the glowing bulbs of the sign providing the only bright contrast. The camera is positioned at a low angle, emphasizing the towering, dilapidated ride and creating a sense of scale and unease."
"mchnst2004, A man in a gray shirt and dark pants walks purposefully across a street, flanked by a vintage sedan on the left and a dark blue van on the right. Behind him, a modern institutional building with American flags flying stands under an overcast sky, while a few people are visible near the entrance and a tree. The lighting is flat and diffused, suggesting a cloudy day, with muted tones of gray, black, and beige dominating the scene. The camera is positioned at a low, wide angle, capturing the full breadth of the street and vehicles, emphasizing the man’s movement through the urban environment."
"mchnst2004, A woman kneels beside a man lying motionless on a deep red carpeted floor, her hand resting on his chest as if checking for life, suggesting a moment of urgent concern or aftermath. The setting is a dimly lit interior hallway with dark wooden doors featuring frosted glass panels, and scattered objects including stacked cardboard boxes, a basketball, and a red toy car in the background. The lighting is subdued and moody, casting soft shadows and emphasizing the somber tone, likely late afternoon or early evening. Dominant colors are muted reds, browns, and grays, with the red carpet and toy car providing the only bright accents. The camera is positioned at a low angle, slightly out of focus in the foreground, creating a shallow depth of field that draws attention to the central"
"mchnst2004, A woman with dark hair pulled back is captured mid-speech, her mouth slightly open and eyes focused intently on someone off-camera, suggesting a moment of earnest or urgent communication. The setting appears to be a sterile, modern interior, possibly a hallway or institutional space, with blurred vertical light fixtures in the background and muted, cool-toned walls. The lighting is diffused and even, casting soft shadows and contributing to a somber, clinical atmosphere, likely set during daytime under artificial illumination. Dominant colors are desaturated shades of gray and pale green, enhancing the scene’s restrained and serious mood. The camera frames her in a tight close-up, angled slightly from the side, emphasizing her facial expression and drawing attention to the emotional weight of the moment."
"mchnst2004, A weathered, hand-painted wooden toy with a smiling face and a pointed hat lies slumped inside a cardboard box, surrounded by miscellaneous items including a red book and a map. The box rests in a dim, cluttered storage space, flanked by other stacked boxes, with shadows dominating the scene and a single light source casting stark highlights on the toy’s surface. The dominant colors are muted browns, faded reds, and off-whites, punctuated by the toy’s yellow star on its hat. The camera is positioned at a low angle, looking slightly upward into the box, creating an intimate, confined perspective that emphasizes the toy’s stillness and forgotten state."
"mchnst2004, A red car is seen from behind, navigating a winding asphalt road that curves through a rugged, tree-dotted mountainous landscape. The road is bordered by a metal guardrail on the left and grassy embankments on the right, with a steep, rocky hillside rising in the background. The lighting is soft and diffused, suggesting an overcast day or late afternoon, casting muted shadows and giving the scene a cool, grayish tone with accents of green foliage and the car’s vibrant red. The camera is positioned inside a vehicle, looking forward through the windshield, with the edge of the window frame visible on the right, creating an immersive, first-person perspective."
"mchnst2004, A car is speeding through a concrete underpass, following another vehicle ahead on a winding road that emerges into daylight. The tunnel walls are rough and weathered, with faint graffiti visible, while the road curves gently upward toward a sunlit exit where distant hills and overhead structures are visible. The scene is captured in high-contrast black and white, emphasizing the stark transition from shadowed interior to bright exterior. The camera is positioned from within a moving vehicle, creating a dynamic, forward-facing perspective that conveys motion and urgency."
"mchnst2004, A solitary figure stands on a wide, sandy beach, gazing out at the calm ocean under a pale blue sky. A large palm tree leans dramatically over the scene, its fronds framing the top right, while distant landmasses fade into the horizon. The lighting is soft and diffused, suggesting early morning or late afternoon, casting a cool, monochromatic blue tint across the entire frame. The bold white text “Escape!” dominates the center, contrasting sharply with the serene yet slightly melancholic backdrop. The camera is positioned at a low, wide angle, emphasizing the vastness of the beach and the isolation of the figure."
"mchnst2004, A bald man wearing dark sunglasses and a black leather jacket sits in the driver’s seat of a vehicle, his head tilted back slightly as if gazing upward or resting. The car’s interior is visible, with the window framing a blurred, overcast outdoor scene suggesting motion. The lighting is flat and diffused, casting soft shadows and giving the scene a muted, grayish tone. The camera is positioned close, capturing the subject in a tight, angled shot that emphasizes his profile and the contours of his face against the hazy background."
"mchnst2004, A dark-colored sedan is driving ahead on a multi-lane highway, viewed from the perspective of a vehicle in pursuit, with motion blur indicating speed. The road stretches straight into the distance, flanked by dry, grassy embankments and lined with evenly spaced streetlights, while a concrete overpass looms ahead. The sky is overcast and gray, casting a muted, desaturated light over the scene, with dominant tones of gray, beige, and faded green. The camera is positioned low, likely from the dashboard, creating a forward-facing, immersive viewpoint that emphasizes the highway’s linear perspective."
"mchnst2004, two pedestrians are crossing a wide, tree-lined urban street at a marked crosswalk, one carrying a large white box, while vehicles including a red sedan and a silver SUV move or wait nearby. The scene is set on a bright, overcast day with muted lighting, flanked by parked cars and buildings under a pale sky, with traffic lights visible in the distance. Dominant colors are neutral grays and whites from the pavement and cars, contrasted by the red of the sedan and green foliage. The camera is positioned at street level, capturing a wide, straight-on view that emphasizes the depth of the road and the movement of people and vehicles."
Training
- Base model: Krea 2 (trained on Raw)
- Type: Style LoRA
- Dataset: 300 images
- Steps: 2000
- Network rank / alpha: 32 / 32
- Learning rate: 0.0002
- Optimizer: adamw8bit
- Resolutions: 512 / 1024
Generation settings
Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.
- Raw: ~30 steps, guidance 3.5
- Turbo: ~8 steps, guidance 1.0
The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.