This LoRA does not depict a real person; it is a fictional creation.

Angelina WhiteMoon is a brass-instrument cartographer in the steampunk world of WhiteMoon, a fictional woman who charts ruined quarters so travelers will not trust a bridge that only remembers being a bridge. 🗺️✨ A fitted leather coat, goggles pushed into her hair, and a white-moon brooch at the throat are as standard as the rolled maps, valves, and telescope brass in her kit. 🔧 Hands smell of oil and graphite. Pockets hold compasses, spare lenses, and one silk glove she refuses to justify. Clients want a pretty legend. She gives them a sheet that still works when the light fails. 🌙

She spent the day in a collapsed market, naming what stood and inking what only pretended to. 🧭📏 Angelina shot a line with the telescope, checked it against a valve-level, and redrew an alley that had migrated since the last plate. A local swore a stair was sound. She walked it, found the rotten third step, and marked the paper with a warning large enough to survive a fold. Goggles came down for the dusty west end and went up again when the wind cleared. By late afternoon the sheet had a route, a danger, and no decorative dragon. She considers the missing dragon a moral success. ✨🔭

Ink dried under a clip while Angelina ate bread on a surviving curb and listened to the quarter settle. 🌙💼 The brooch was polished with a thumb, a habit more than a need. At her table she copied the stair warning into the master book, rolled the field sheet tight, and cleaned the telescope before she allowed herself to be tired. The silk glove stayed unexplained in its pocket. Sleep came with graphite still in a fingerprint on the cup. In the morning someone would travel by her line and live. That is the whole luxury of the work. 💖⚙️