Video generation model with image-based reference, trained based on minimax_h3_ref2va.
Well, I’ve been waiting for someone to train a model for footjob-related content... and after such a long wait, someone finally did! But—it’s all bare feet! How can you have a footjob without pantyhose?!!

Fine, I’ll just do it myself...............
这是一个基于图像参考的视频生成模型，由 minimax_h3_ref2va 训练而来。

说真的，我一直在等有人能训练出一个专门针对“足交”（footjob）内容模型……等了这么久，终于有人做了！但——怎么全是裸足啊？！没有丝袜的足交，那还能叫足交吗？！！

算了，还是我自己来吧……

以下是中文提示词模板，因为我是使用中文打标训练的因此不太清楚英文提示词效果 懒得看发给grok吧，如果懒得写，想随机可以直接用工作流，同时附上提示词的训练集可以查看

款式大类

丝袜、裤袜、连裤袜、长筒袜、过膝袜/过膝丝袜、中筒袜、短袜、棉袜、吊带袜、渔网袜（网袜）、蕾丝袜，以及简称白袜/黑袜/灰袜。

常叠属性

厚薄/通透：超薄、薄、半透明、透明、不透明；泛光、光泽、闪亮

颜色：肉色/肤色、黑、白、灰、棕、米白、浅灰、浅绿、浅紫、灰褐、鲜红

花纹：波点、条纹、罗纹、花纹/花边、镂空蕾丝、菱格、荷叶边

结构：开档/开裆（两种写法都有）、吊袜带（配件）

同数据集对照（非袜）

裸足、赤足

顺序一般是：
1. 固定骨架

1. 接触方式（压 / 贴 / 夹）

2. 摩擦方式（慢/快、上下/前后左右）

3. 辅助脚（根部、小腹、腿侧、叠压）

4. 物理反应（轻微形变 / 晃动）

5. 表演层（看镜头、揉胸、手势、轻哼）

2.足部动作只有 4 种母型

A 单脚蹭（一脚主动贴杆身滑，另一脚固定）

1. 接着阴茎偏倒向画面右侧，<subject 1>被肉色连裤袜包裹的脚掌贴住 <Subject 2> 勃起阴茎杆身，随后有节奏地左右滑动摩擦；另一脚抵住根部和小腹辅助固定，脚趾隔裤袜轻压龟头附近，阴茎随蹭压轻微形变。她目光下视，偶抬手理发。镜头几乎无推拉。

2. 接着<Subject 1> 一脚抵住阴茎根部与下腹辅助固定，另一脚贴住阴茎侧面与杆身不断滑动摩擦，阴茎随足部动作轻微晃动。

3. 随后 <Subject 1> 一脚抵住阴茎根部与下腹辅助固定，另一只脚不断将阴茎压倒并来回滑动摩擦，阴茎随足部动作轻微形变。

4. 偏低角度 POV 中近景：<Subject 1> 坐在床上，看向镜头，下身仅肉色连裤袜；开场时前景 <Subject 2> 下腹与耻毛入画，勃起阴茎已竖立于两脚脚心之间； <Subject 1> 被肉色连裤袜包裹的双脚脚掌夹住阴茎，一只脚保持不动辅助固定，另一只脚脚掌和脚趾不断并来回滑动，摩擦阴茎柱身和龟头，阴茎随足部动作轻微形变。

5. 偏低角度 POV仰拍，<Subject 2> 仰躺于浅色木地板，下腹与耻毛入画，勃起阴茎清晰可见。开场即保持该构图：<Subject 1> 双腿向前张开，一脚主要压在阴茎上，脚掌隔着丝袜贴住阴茎并有节奏地前后滑动摩擦；另一只脚抵靠下腹或叠压辅助固定，阴茎随踩蹭轻微形变。

6. 高角度俯视中近景，画面前景偏左，<Subject 2> 仰躺于浅色木地板，赤裸上身与大腿上部入画，阴茎清晰可见。开场即保持该俯视构图：<Subject 1> 一只脚压在 <Subject 2> 的阴茎上，被丝袜包裹的脚掌贴住阴茎并缓慢前后滑动摩擦；另一脚脚背贴住阴茎叠压并抵靠腹部辅助固定，阴茎随踩蹭轻微形变与位移。

7. <Subject 1> 坐在床上，看向镜头，被丝袜包裹的双脚一只脚脚掌压住阴茎上前后滑动摩擦，另一只脚抬起脚掌面对镜头，丝袜表面略带润滑反光，阴茎随动作轻微形变。

B 顶压拨弄（一脚压顶端，前后左右摩擦）

1. 接着<Subject 1>一脚脚掌压在阴茎顶端，随后前后左右摩擦拨弄，另一脚抵靠腿侧或辅助固定柱身，阴茎随踩蹭轻微晃动。双手不断揉捏乳房。

2. 接着<Subject 1>一脚脚掌压在阴茎顶端，随后前后左右摩擦拨弄，另一脚抵靠腿侧或辅助固定柱身，阴茎随踩蹭轻微晃动。双手撑在身后。

C 对夹（双脚脚掌相对夹住，上下蹭）

1. 接着<Subject 1>脚掌相对夹住阴茎并缓慢上下滑动摩擦，两只脚形成“对夹”的姿势。阴茎随足部动作轻微晃动。<subject 1>看向镜头抬起左手揉捏自己的乳房。

2. 接着<Subject 1>脚掌相对夹住阴茎并快速上下滑动摩擦，两只脚形成“对夹”的姿势。阴茎随足部动作轻微晃动。<subject 1>看向镜头抬起左手揉捏自己的乳房。

3. 随后 <Subject 1> 双脚脚掌相对夹住阴茎并缓慢上下蹭压、轻夹，阴茎随足部动作轻微形变，两只脚形成“对夹”的姿势。

4. 随后<Subject 1>双脚脚掌贴住阴茎两侧，脚趾弯曲包裹住阴茎，有节奏地上下滑动摩擦，两只脚形成“对夹”的姿势，阴茎随足部动作轻微形变。过程中 (S1) 发出轻哼声。

5. 随后镜头侧面拍摄两人中近景，<Subject 1> 双脚夹住阴茎，随后有节奏地上下滑动摩擦，阴茎随足部动作轻微形变。

6. 随后双脚有节奏地上下滑动摩擦阴茎，两只脚形成“对夹”的姿势，阴茎随夹力晃动。中段她双手在肩侧比出 V 字和平手势，吐舌、眼神上挑。

7. 随后<subject 1>脚掌贴住阴茎两侧轻夹；随即双脚有节奏地不断上下滑动摩擦，脚趾隔袜轻勾杆身，两只脚脚掌形成“倒v”的姿势。

8. 随后<subject 1>脚掌贴住阴茎两侧与杆身，脚心合拢轻夹；一只脚从后方抵住阴茎并有节奏地不断上下滑动摩擦阴茎，另一脚脚掌更明显地向上托住阴茎进行辅助固定，阴茎随踩蹭轻微晃动，两只脚形成“对夹”的姿势。

9. <Subject 1> 坐在床上，看向镜头，<Subject 2> 勃起阴茎竖立；<Subject 1> 双脚脚掌相对夹住 <Subject 2> 勃起的阴茎，脚趾与足弓隔袜贴住杆身与根部，随后有节奏地上下滑动摩擦，阴茎随夹蹭轻微形变与晃动。

D 脚趾夹（脚趾夹龟头/上段，或脚心合拢用脚趾勾）

1. 随后镜头切换至略俯视中景摄像机从人物侧面拍摄：画面中部，画面右下，<Subject 2> 下腹与勃起阴茎入画。<subject 1>一脚赤足脚趾夹住阴茎龟头与杆身上段，脚趾不断上下画面摩擦阴茎；另一脚抵在耻骨附近辅助固定，阴茎随夹蹭轻微形变。

2. 随后镜头切换至偏低角度 POV 中近景，前景阴茎清晰，后景人物虚化，随着镜头上移，后就人物慢慢清晰，前景阴茎逐渐模糊，<subject 1>双膝屈起，脚心相对合拢，用脚趾将阴茎夹在两脚掌之间；脚趾勾住龟头与杆身上段，双脚有节奏地上下滑动摩擦阴茎，表面略显湿润光泽，两只脚脚掌形成“对夹”的姿势，阴茎随夹力形变。

3. <Subject 1> 坐在床上，看向镜头，<Subject 2> 勃起阴茎竖立；<Subject 1> 双脚脚掌与脚趾从两侧夹住阴茎柱身与龟头，一只脚脚趾抵住阴茎的杆身和龟头保持不动，辅助固定，另一只脚脚趾和脚掌不断从侧面贴着阴茎上下滑动摩擦，黑甲油脚趾清晰可见，阴茎随足部动作轻微形变。

4. <Subject 1> 坐在床上，看向镜头，脚掌与脚趾从两侧夹住阴茎柱身与龟头，一只脚脚趾抵住阴茎的杆身和龟头保持不动，辅助固定，另一只脚脚趾和脚掌不断从侧面贴着阴茎上下滑动摩擦，接着龟头顶部慢慢流出白色精液，精液顺着阴茎杆身向下流，黑甲油脚趾清晰可见，阴茎随动作轻微形变。

3.辅助脚的固定点

阴茎根部 + 下腹 / 耻骨

• 腿侧

• 脚背叠压在主动脚上

• 一只完全不动托住，另一只动

4. 机位规律

• 几乎无推拉中近景

• 侧面中近景

• 略俯视 / 高角度俯视

• 偏低角度 POV（前景阴茎清晰 → 上移后景人清晰）

• 开场即定构图：阴茎已在两脚之间

5. 上身/表演层

• 目光下视 / 看向镜头

• 偶抬手理发

• 双手揉奶 / 左手揉奶

• 双手撑身后

• 肩侧比 V、吐舌、眼神上挑

• 轻哼声

6.材质与结果层

• 肉色连裤袜 / 丝袜包裹、隔袜、表面润滑反光

• 阴茎湿润光泽

• 高潮尾：龟头流出白色精液并顺杆身下流

展示丝袜：
写实{室内/浴室}实拍，{光线}，{肤色与袜材质}清晰。

[Shot 1] {低/极低/偏低}角度{景别}：画面中部，

<Subject 1> {坐姿}，{上装}，{袜}包裹双腿至脚尖。

开场：{脚怎么朝镜头}；

随后 {脚趾蜷缩/屈伸/交替/开合/夹道具}；

{上身?}{对白?}

背景…。镜头几乎无推拉。

收束于{袜脚仍朝镜头}的同一构图。无水印文字。

Below are templates for Chinese-language prompts. Since the model was trained using Chinese-language tags, I am not entirely certain how well English-language prompts will perform. If you don’t feel like reading through them, you can try feeding them into Grok; alternatively, if you’d rather not write your own, you can use a workflow to generate them randomly. I have also included the training dataset for these prompts for your reference.

Broad Categories of Hosiery

Stockings, tights, pantyhose, long socks, over-the-knee socks/stockings, mid-calf socks, short socks, cotton socks, garter stockings, fishnet socks (net stockings), and lace socks—as well as general terms like white socks, black socks, and gray socks. Common Layering Attributes

Thickness/Transparency: Ultra-thin, thin, semi-transparent, transparent, opaque; lustrous, glossy, shimmering

Color: Nude/skin-tone, black, white, gray, brown, off-white, light gray, light green, light purple, taupe, bright red

Pattern: Polka dots, stripes, ribbed, decorative patterns/lace, openwork lace, diamond/argyle, ruffles

Structure: Open-crotch (crotchless), garter belt (accessory)

Comparison with similar datasets (non-hosiery)

Bare feet, barefoot

Typical sequence:

1. Establishing the framework (pose/positioning)

Contact method (pressing / adhering / gripping)

Friction method (slow/fast, vertical/horizontal/back-and-forth)

Supporting foot/leg (at the base, lower abdomen, side of the shaft, or layered/pressed against it)

Physical response (slight deformation / swaying)

Performance elements (looking at the camera, touching/kneading breasts, gestures, soft moaning/humming)

2. Foot-based actions fall into 4 primary categories

A. Single-foot friction (one foot actively slides along the shaft, while the other remains fixed)

The penis leans toward the right side of the frame. <Subject 1>—her foot, encased in nude-colored pantyhose—presses against the shaft of <Subject 2>’s erect penis, sliding rhythmically back and forth. Her other foot braces against the base and lower abdomen for stability, with her toes—through the fabric of the pantyhose—applying light pressure near the glans. The penis undergoes slight deformation from the rubbing and pressure. She gazes downward, occasionally raising a hand to adjust her hair. The camera remains static (no zooming or tracking).

Next, <Subject 1> uses one foot to brace against the base of the penis and the lower abdomen, while the other foot slides repeatedly along the side of the shaft. The penis sways slightly in response to the foot’s movement.

Subsequently, <Subject 1> braces one foot against the base of the penis and the lower abdomen, while the other foot repeatedly presses the penis down and slides back and forth along it. The penis undergoes slight deformation due to the foot’s action. Low-angle POV, medium-close shot: <Subject 1> is sitting on a bed, looking toward the camera, wearing only flesh-colored pantyhose. At the start, the lower abdomen and pubic hair of <Subject 2> appear in the foreground, with an erect penis positioned between the soles of their feet. <Subject 1> uses their feet—encased in flesh-colored pantyhose—to grip the penis; one foot remains steady to provide support, while the sole and toes of the other foot slide back and forth, rubbing against the shaft and glans. The penis undergoes slight deformation in response to the movement of the feet.

Low-angle POV, looking upward: <Subject 2> is lying on their back on a light-colored wooden floor. Their lower abdomen and pubic hair are visible, along with a clearly erect penis. The shot begins with this composition: <Subject 1> has their legs spread forward; one foot presses down on the penis, with the sole—covered by pantyhose—sliding rhythmically back and forth. The other foot rests against the lower abdomen or presses down to provide stability. The penis deforms slightly under the pressure and friction.

High-angle, top-down medium-close shot: <Subject 2> is lying on their back on a light-colored wooden floor, with their bare upper body and the upper part of their thighs visible; the penis is clearly in view. The shot begins with this top-down perspective: <Subject 1> has one foot pressing onto the penis of <Subject 2>, with the sole—covered in pantyhose—sliding slowly back and forth. The other foot rests on top, with its instep pressing against the penis and the lower abdomen to provide support. The penis deforms and shifts slightly due to the rubbing and pressure.

<Subject 1> is sitting on a bed, looking toward the camera. One of their feet—encased in pantyhose—presses against the penis, sliding back and forth, while the other foot is raised with the sole facing the camera. The surface of the pantyhose shows a slight, lubricated sheen, and the penis deforms slightly with each movement. B. Pressing and Manipulating the Tip (Pressing the tip with one foot, rubbing back and forth and side to side)

Next, <Subject 1> presses the sole of one foot against the tip of the penis, then rubs and manipulates it by moving back and forth and side to side. The other foot rests against the side of the leg or helps stabilize the shaft, causing the penis to sway slightly with the rubbing motion. Meanwhile, both hands continuously knead the breasts.

Next, <Subject 1> presses the sole of one foot against the tip of the penis, then rubs and manipulates it by moving back and forth and side to side. The other foot rests against the side of the leg or helps stabilize the shaft, causing the penis to sway slightly with the rubbing motion. Both hands are planted on the surface behind her.

C. Clamping (Clamping the penis between the soles of both feet, rubbing up and down)

Next, <Subject 1> clamps the penis between the soles of her feet and slides them slowly up and down, forming a "clamping" posture. The penis sways slightly with the movement of the feet. <Subject 1> looks toward the camera and raises her left hand to knead her own breast.

Next, <Subject 1> clamps the penis between the soles of her feet and slides them rapidly up and down, forming a "clamping" posture. The penis sways slightly with the movement of the feet. <Subject 1> looks toward the camera and raises her left hand to knead her own breast.

Subsequently, <Subject 1> clamps the penis between the soles of her feet, applying pressure through slow, rhythmic up-and-down rubbing and gentle squeezing. The penis undergoes slight deformation with the movement of the feet, held firmly in the "clamping" posture.

Subsequently, <Subject 1> places the soles of both feet against the sides of the penis, with her toes curled around it, and slides them rhythmically up and down. The penis is held in a "clamping" posture and undergoes slight deformation with the movement of the feet. During this process, <Subject 1> lets out soft, humming sounds.

The camera then shifts to a side-angle, medium-close shot: <Subject 1> clamps the penis between her feet and slides them rhythmically up and down, causing the penis to undergo slight deformation with the movement of the feet. Next, she rhythmically slides her feet up and down against the penis, sandwiching it between them; the penis sways in response to the pressure. In this mid-shot, she holds her hands up by her shoulders—one in a "V" sign and the other with an open palm—while sticking out her tongue and casting an upward, playful glance.

Then, <Subject 1> presses her feet against both sides of the penis, sandwiching it lightly. She begins to slide her feet rhythmically up and down, her toes—covered by socks—hooking gently around the shaft, with her feet forming an inverted "V" shape.

Subsequently, <Subject 1> presses her feet against the sides of the penis and the shaft, bringing the soles together to hold it in place. One foot presses against the penis from behind, sliding rhythmically up and down, while the other foot supports it from underneath, helping to stabilize it. The penis sways slightly with the rubbing, held firmly between her feet.

<Subject 1> sits on the bed, looking toward the camera, while <Subject 2>’s erect penis stands upright. <Subject 1> sandwiches the erect penis between her feet, with her toes and arches—still covered by socks—pressed against the shaft and base. She then slides her feet rhythmically up and down, causing the penis to deform slightly and sway with the friction.

D: Toe-clamping (clamping the glans or the upper part of the shaft with the toes, or hooking the penis with the toes while the soles are pressed together).

The camera then shifts to a slightly high-angle, medium-shot perspective from the side. In the center and lower-right portion of the frame, <Subject 2>’s lower abdomen and erect penis are visible. <Subject 1> uses one bare foot to clamp the glans and the upper part of the shaft, sliding her toes up and down against it, while her other foot presses near the pubic bone to provide stability. The penis undergoes slight deformation due to the pressure and rubbing. The camera then shifts to a low-angle, medium-close POV shot. In the foreground, the penis is in sharp focus, while the person in the background appears blurred. As the camera tilts upward, the person in the background gradually comes into focus, while the penis in the foreground becomes increasingly blurred. <Subject 1> has their knees bent and the soles of their feet pressed together, gripping the penis between their feet. Their toes hook around the glans and the upper shaft, and their feet slide rhythmically up and down, creating friction against the penis—which appears slightly moist and glossy. The soles of the feet form a "clamping" position, causing the penis to deform slightly under the pressure.

<Subject 1> is sitting on a bed, looking toward the camera, with <Subject 2>’s erect penis standing upright. <Subject 1> uses their feet and toes to clamp the shaft and glans of the penis from both sides. One foot remains steady, with its toes pressed against the shaft and glans to hold it in place, while the other foot—toes and sole—continuously slides up and down along the side of the penis, creating friction. The toes, painted with black nail polish, are clearly visible, and the penis deforms slightly in response to the movement of the feet.

<Subject 1> is sitting on a bed, looking toward the camera, with their feet and toes clamping the shaft and glans of the penis from both sides. One foot remains steady, with its toes pressed against the shaft and glans to hold it in place, while the other foot—toes and sole—continuously slides up and down along the side of the penis, creating friction. White semen then begins to ooze slowly from the tip of the glans, trickling down the shaft. The toes, painted with black nail polish, are clearly visible, and the penis deforms slightly with each movement. 3. Anchor Points for Supporting Feet

Base of the penis + lower abdomen / pubic area

Side of the leg

One foot rests on top of the other (active foot)

One foot remains completely still to provide support, while the other moves

4. Camera Positioning Rules

Minimal zooming or tracking; medium-close shots

Medium-close shots from the side

Slightly high-angle / high-angle downward view

Low-angle POV (foreground: penis in sharp focus → shifts upward to background: person in sharp focus)

Fixed composition from the start: penis positioned between the two feet

5. Upper Body / Performance Elements

Gaze directed downward / looking toward the camera

Occasionally raising a hand to adjust hair

Massaging breasts with both hands / using the left hand

Supporting the body by placing both hands behind it

Making a "V" sign with fingers near the shoulder, sticking out the tongue, glancing upward

Soft humming sounds

6. Textures and Visual Details

Legs encased in flesh-toned pantyhose/stockings; surface appears lubricated and reflective

Penis has a moist, glistening appearance

Climax: white semen flows from the glans down the shaft of the penis

Showcasing the stockings:

Realistic, live-action footage {indoors/bathroom}; clear {lighting}, {skin tone}, and {stocking texture}.

[Shot 1] {Low/very low/slightly low} angle, {shot scale}: centered in the frame,

<Subject 1> {seated position}, {wearing a top}, legs and feet fully encased in stockings.

Opening: {feet oriented toward the camera};

Followed by {toes curling/flexing/alternating/spreading/clasping an object};

{Upper body action?}{Dialogue?}

Background… Minimal camera movement (no zooming/tracking).

Concludes with the same composition, {feet in stockings still facing the camera}. No watermarks or text.