Hold still, this one's going on your ankles next.

A first-person POV looking down at your own body as a restrained prisoner: orange jumpsuit, bare forearms and bare feet, wrists in chain handcuffs or padlocked leather mitts, usually chained to a padlocked leather waist belt, often in leg irons, while a guard (or anyone else) fits your restraints, sits across a desk or stands right in front of you. The jumpsuit is baked in; every restraint, the other person, the place and the light are yours to prompt. It works outside prison too: bedrooms, hotels, clinics, cabins, police cars. Trained on Krea 2 Raw.

Trigger: pvprsn7 POV prisoner

• Build the prompt in this order: pvprsn7 POV prisoner photo, a first-person view looking down at his own body, <pose>, his bare hairy forearms in the foreground. Then the restraints, then who is there and what she does, then what the view shows around you and the light.
• Restraint phrases (combine them):
  • his wrists locked in polished steel chain handcuffs
  • the chain padlocked to a worn brown leather waist belt; for cuffs on their own, describe the chain itself, e.g. the short chain lying across the tabletop
  • both hands closed into fists inside black leather mitts, a steel cuff and a brass padlock locked over each mitt at the wrist
  • his bare ankles locked in steel leg irons joined by a short chain
• Fitting scenes work well: locks steel leg irons around his bare ankles, pulls a black leather mitt over his left fist, padlocks the handcuff chain to his waist belt.
• Use landscape sizes, e.g. 1376x768 or 1248x832. Weight 0.8–1.0 (0.9 is a good default).

Keep the pose simple and describe what your eyes see

The camera is your eyes. Pick a simple pose, picture what you'd see from there, and describe that in positive words. Everything you name gets painted.

• Standing: standing upright facing her, his bare feet on the floor. You see the floor, your feet and whoever is right in front of you.
  • She stands too: Standing close in front of him is a corrections officer: her navy uniform shirt with a silver badge fills the top of the frame, a black duty belt crosses her waist, and her hands check the cuff on his wrist. Her black boots stand on the floor just in front of his bare toes.
  • She crouches at your feet: A bailiff crouches at his feet: the top of her gray bob, the shoulders of her tan uniform shirt, and her hands locking steel leg irons around his bare ankles.
  • "The top of her head" is for a crouching woman only. On a standing one it shrinks her to child height and turns you into a giant.
• Seated at a table or desk: seated at a steel table with his hands resting on it. She sits across from you, face and all, with the room behind her: interrogations, visits, booking desks, courtrooms.
• Lying back on a bed, bunk or exam table: lying back on a bed with his legs stretched out on the throw, his bare feet at the foot of the bed, then what lies past your feet: the room, the cell door, someone kneeling by your ankles.
• Sitting on the floor (legs stretched out flat in front of him, the backs of his heels resting on the rug) or in a vehicle seat (his knees bent close to the back of the seat in front of him) work too.

Corrections officers, wardens, bailiffs, transport officers, nurses, detectives, visitors, or a partner with the key: anyone can be across from you, anywhere. All showcase images are made with this LoRA on a Krea 2 realism checkpoint.

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