A from-below POV: you're lying on the ground, the camera points straight up, and a clothed woman stands over you and lowers herself toward the lens, facing you or facing away. Who she is, what she wears, the scene and the light are all yours to prompt. It shows the approach, not the contact. Trained on Krea 2 Raw.
Trigger: fcstng facesitting POV
- Start the prompt like this:
A fcstng facesitting POV photo taken lying on the grass with the camera pointing straight up, as a woman lowers herself over the camera, then describe her, her clothes, what's above her and the light. - Mentioning a 'fly' or a 'zipper' will lead many checkpoints to make this sexual in a weird way. Describe the plain front of her trousers or shorts instead.
- Say which way she faces, and describe what shows. Facing you:
facing the camera, her front toward the lens … her knees bent and her thighs spread wide … her face small and high up in the frame, looking straight down at the camera. Facing away:facing away from the camera, her back toward the lens … the seat of the trousers large in the center of the frame … she turns her head back over her left shoulder. - Describe only the sky or ceiling and the light. Looking straight up, her surroundings barely show.
- Clothes that close at the hips work best: jeans, leather trousers, uniform trousers, leggings.
- Portrait sizes work best, e.g. 832x1216.
- Weight 0.8–1.0. The showcase images use 0.9.
Hikers in the woods, executives on a rooftop, policewomen in a parking garage, punks on a subway platform. All showcase images are made with this LoRA on a Krea 2 checkpoint. Results vary by checkpoint, so test it on yours.
If you like my work, leave a comment, like, or whatever! It'll motivate me to make more and share more. Thank you!
Description
Rank 32 on Krea 2 Raw, 500 steps (ai-toolkit, lr 1.5e-4, sigmoid timesteps), 24 face-free crops at 512, captioned with the camera direction, the way she faces, her clothes and what's above her. Later checkpoints lost the angle, so this is the early one on purpose.










