来自画师空气鱼airfish的画风，但是我觉得更倾向于一种概念，一种混凝土，粗野主义，巨构，反乌托邦，孤寂而渺小的概念。这次打标使用了标签和自然语言混合的方法，第一次尝试，效果还可以，以后可能会出第二版。

The style comes from the artist Airfish, but I feel it leans more toward a concept—a concrete, brutalism, grand construction, dystopia, lonely and small. This time, marking used a method that blended tags and natural language. The first attempt yielded decent results, and a second version may be released in the future.