BEANFLK — Masturbation LoRA with Audio
Built for one thing most video models won't do: her fingers actually going in.
Trigger: BEANFLK — all caps, first word of your prompt.
Why this exists
Ask almost any video model for a woman fingering herself and you'll get a hand rubbing around on the outside, forever. It'll look fine. She'll never actually go in.
That's the problem this LoRA was built to solve. Fingers pushing in deep until her knuckles press against her, working inside her, and drawing back out wet. That's the whole point of it — everything else here is built around making that one thing land.
The dataset was assembled specifically for it: entry and withdrawal balanced clip for clip, every window cut so the insertion finishes inside the frame instead of getting trimmed off halfway through, and a bucket of clean anatomy footage so the model knows what it's drawing when the hand moves away.
What else it does
Audio — wet sounds, breathing, moans and a real climax, generated with the video rather than dubbed on.
Climax — hips lifting and bucking, her pussy clenching in waves. Trained as its own thing, not just a hand moving faster.
Depth control — fingertips barely dipping in, or all the way to the knuckle. Both are trained, and you can ask for either.
Rubbing and teasing — the build-up, so it isn't only good at the main event.
Expression — she reads as enjoying it, rather than operating a hand.
Two versions — and they are not equal
MiniMax H3 — use this one.
Insertion fires at 0.40. Normal strength, no overdriving, no artifacts.
It will start the action for you. Give it a frame where her hands are up by her chest and it brings them down and begins the whole thing on its own.
Rebuilt from scratch: 1,775 clips across 14 sources, entry and withdrawal balanced clip for clip, every window cut so the insertion finishes inside the frame.
Climax trained as its own thing — hips bucking and lifting, not just a hand moving faster.
Audio trained jointly with the video in the same pass.
LTX-2.3 / Eros — the original.
Insertion needs 1.75, and only works if the source image already has her hand at or above the opening. It won't start the action from a cold frame.
Push much past 1.69 and artifacts creep in — nipples moving faster than the breast, breast growth on flat-chested subjects.
The audio and the rubbing are genuinely good, and it's still the right choice if LTX is your pipeline.
Straight answer: the H3 version is better at the thing this LoRA exists for, and it isn't close. The LTX build was made first, before a lot of what we learned about cutting the dataset for insertion. If you can run H3, run H3.
An LTX update is coming. Everything that made the H3 version work — the rebalanced dataset, the recut windows, the dedicated climax and anatomy footage — applies to LTX too. It just hasn't been baked yet. If you're on LTX, this page is worth watching.
Each version box carries its own settings. The numbers do not transfer. LTX runs strengths above 1.0; H3 runs well under it.
Prompting
You are not limited to what it was trained on. This sits on top of a capable base model — ask for a different setting, a different position, her licking her fingers afterwards, and the base handles it while the LoRA supplies the action and the sound.
Put BEANFLK first, then describe the scene and the action. The H3 version box has a full word list showing which phrases pull which behaviour.
A note on close-ups
At extreme macro framing the base model's own anatomy becomes the limiting factor rather than this LoRA. Each version box says what to stack for that platform. At normal and wide framing you don't need anything extra.
Every gallery clip lists its full prompt and the exact LoRA stack that made it.
Description
This is the version that actually goes in.
Most video models will rub around on the outside all day and never insert. This build was made to fix that — fingers pushing in deep until her knuckles press against her, working inside her, and coming back out wet.
On H3 it fires at 0.40, no overdriving, no artifacts. It will also bring her hands down and start the whole thing from a frame where she isn't touching herself at all — the LTX version needed her hand already in position.
Rebuilt from scratch for H3: 1,775 clips across 14 sources, entry and withdrawal balanced clip for clip, every window cut so the insertion finishes inside the frame. Audio trained jointly with the video in the same pass.
Quick start
Base model: MiniMax H3
Strength: 0.40
Speed LoRA: minimax_h3_fl2v_turbo_8step at 1.0 — required at 8 steps, keep it on
Sampler: euler
CFG: 1.0 — H3 is guidance-distilled, don't raise it
Steps: 8 for speed, 12 for the best audio
Duration: 10–12s
Trigger: BEANFLK, first word of your prompt
Strength
Start at 0.40. That is where these renders were made. H3 content LoRAs generally live in the 0.35–0.50 band — if you are coming from the LTX version, forget those numbers completely. 1.5 on LTX and 0.4 on H3 are not the same scale.
It will start the action for you
The LTX version needed her hand already at or above the opening, or insertion wouldn't fire. This one doesn't. Given a frame with both hands up by her chest, it brought a hand all the way down and started the whole beat on its own — and moved the camera in tighter while it did.
You'll still get a stronger result from a frame that's already mid-action. It just isn't a requirement any more.
Prompting
H3 respects shot structure, and it's the easiest way to get the beats in the order you want:
BEANFLK. A woman in a red velvet dress sits back on a bar stool in a dim bar,
legs spread wide, breasts bare, bottles and warm lights behind her.
SHOT 1: She slides two fingers between her labia and pushes them in deep, her
knuckles pressing against her, hips rolling up to meet her hand. Her free hand
grips the back of the stool.
SHOT 2: She fucks herself with those two fingers, fast and wet, her hips rising
and falling against her hand.
SHOT 3: She bucks hard as she cums, her pussy clenching around her fingers in
waves, her head tipping back.
SHOT 4: She draws her fingers out slowly, glistening wet, thin clear strands
stretching back to her pussy.
Sounds: wet sounds of her pussy, moaning and gasping breath, the low murmur of
the bar behind her.Two things that matter:
Keep the sounds in their own block at the end. Sound described inside the prose can get read as dialogue and spoken out loud.
Name the body part that moves. "Her fingers push in", "her hips lift" — give the motion to the thing that actually travels.
Phrase list — what to say and what you get
These are the handles that were actually trained. Say these and they land.
DEPTH — the main event
pushes two fingers in deep, until her knuckles press against her → full insertion, fingers buried to the knuckle
slips just the tips of two fingers inside → shallow, only the fingertips in
dips them shallowly inside, teasing → teasing at the opening, barely entering
works them inside her → sustained motion with the fingers already in
PACE AND FORCE
pumps them in and out over and over → sustained pumping — use repetition words or you get one gesture and nothing else
faster and harder, relentless → escalating pace through the clip
a slow steady rhythm → gentle and drawn out
hips lifting to meet her hand → whole-body motion, not just a hand
CLIMAX
bucks her hips as she cums → the big one — body throwing itself around
her pussy clenching and contracting in waves → the internal version — best on close-ups
her back arching off the bed → full-body finish
WETNESS
come out glistening wet → shine on the fingers
her pussy left wet and open → wet aftermath, no fluid
wet sounds of her pussy → the audio — put it in your sounds block
FRAMING AND CAMERA
extreme close-up, her pussy fills the frame → macro — stack Synth Pussy for this, see below
the camera pushes in → a real camera move into the action
held in extreme close-up → keeps the camera there instead of drifting back out
shot from between her legs → the angle most of the training footage uses
CONTROLLING HER OTHER HAND
her left hand holds herself spread open → parks the spare hand somewhere useful, and keeps her open
her free hand grips the seat / rests on her breast → stops both hands piling into one spot
name the spare hand in every shot → a hand named once will wander back mid–render
Two things that will cost you a render
Never phrase anything as a negative. "Not thick", "doesn't stop" — the model hears the thing you named. Say what you do want.
Give her voice something to do in the sounds block, e.g. "she moans continuously the whole time". Leave the voice channel empty and H3 fills it with invented gibberish speech.
Going macro? Stack Synth Pussy
H3's own anatomy is the weak point here, and how much it matters depends entirely on your framing.
Wide and mid shots — you don't need anything. Her pussy is small enough in frame that the base model holds up fine. Most of the gallery clips here were made with nothing stacked.
Extreme close-ups / macro — stack it. At that magnification stock H3 turns her into a shapeless mound of flesh that doesn't read as real.
Synth Pussy by QualityControl, at 0.60, underneath BEANFLK. That's the exact combination the close-up clips in this gallery were made with. Anatomy sharpens and the motion is unaffected.
Stack it, don't merge it — and credit QualityControl if you post renders that use it, their license requires it.
What changed from the LTX version
Insertion at 0.40 instead of 1.75 — no more overdriving it.
No nipple artifacts or breast growth. Those came from running LTX past its comfortable band; there's no need to go there on H3.
It starts the action rather than only continuing one.
Climax got its own training — hips bucking and lifting, not just a hand moving faster.